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Avalokiteśvara: Bodhisattvas and Signs of Change
Paper examines the evolution and transformation of Buddhism in different cultures by focusing on the example of Avalokiteśvara, a Bodhisattva traditionally depicted as a man who was eventually depicted as Kuan-yin, a woman, once fully transitioned into Chinese Mahāyāna Buddhism.
Candy Jernigan’s Rejectamenta: Collage, Photography, and (Discarded) Body Memory
Paper discusses how Candy Jernigan Blood of a Vagrant uses the mixture of text, photography, and collage to explore remembrance of a subject that could otherwise remain anonymous.
Dis/Appearance, In/Visibility and the Transitioning Body on Social Media: A Post-Qualitative and Multimodal Inquiry
Text component of a doctoral dissertation, which references the full dissertation content in a multi-media web-based format. It includes a background statement, acknowledgements section, printed navigation guide and site map for the website, and a full list of references.
Hanging on to Home: Representations of Handala and the Home
Paper examines the subjective relationships between the Palestinians, the Israeli West Bank Barrier ( or the “Apartheid Wall”), Handala (a cartoon character created by Naji al-Ali), and the concept of home.
Hitler as Sculptor: Molding Germany’s Collective Memory of “Degenerate” Art
Paper discusses the 1937 National Socialist exhibition “Entartete Kunst,” (Degenerate Art) and the ways it influenced the German public’s perceptions of the art displayed, as well as the cultural memory of modern art in general.
Introduction to Special Section in Art History: The Significance of Place: Emotional Geography, Collective Memory and Heritage
Introduction to the special section on art history featured in the 2012 edition of The Eagle Feather.
Introduction to Special Section on Art History
Introduction to the special section on art history in the 2010 edition of The Eagle Feather.
Introduction to the Special Section on Art History
Introduction to the special section on art history featured in the 2011 edition of The Eagle Feather.
Negative Attitudes Toward “Molly” Subculture in Eighteenth Century London: An Analysis of Textual Agencies Regarding the Emerging Gay Community
Paper explores how text and diction used in eighteenth-century British print culture, specifically street ballads and court cases, acted as active agents of negative attitudes towards homosexuals, or "Mollies".
Silencing the Bells: A Statement of Power in Medieval Spain
Paper examines the meaning of Christian church bells as a symbol of power in medieval Spain.
Style and Emulation in the Renaissance of New Spain
Paper explores the relationship between artwork created during the Renaissance in Italy and in New Spain 150 years later.
Undergraduate Research in Art History and Art: Within, Across and Between Disciplines
Introduction to the special section on art history in the 2005 edition of The Eagle Feather.
Undergraduate Scholar Articles in Art History: An Introduction
Introduction to the special section on art history in the 2009 edition of The Eagle Feather.
Women and Printmaking: An Approach Informed by Gender and Technology Studies
Paper examines the history of women printmakers from an interdisciplinary perspective, identifying printmaking as an area of the humanities, while arguing for the benefits of this perspective for future research on the topic.
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