Doctoral Lecture Recital: 2007-06-04 – Michael Shane Hurst, tenor

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Description

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree

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1 recording (54 min., 21 sec.)

Creation Information

Hurst, Michael Shane June 4, 2007.

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This audio recording is part of the collection entitled: College of Music Recordings and was provided by the UNT Music Library to the UNT Digital Library, a digital repository hosted by the UNT Libraries. It has been viewed 77 times. More information about this recording can be viewed below.

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  • Main Title: Doctoral Lecture Recital: 2007-06-04 – Michael Shane Hurst, tenor
  • Series Title: Doctoral Recitals
  • Series Title: Lecture Recitals
  • Added Title: Interpreting Richard Strauss's Der Krämerspiegel from the Perspectives of the Performers and the Audience

Degree Information

Description

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree

Physical Description

1 recording (54 min., 21 sec.)

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College of Music Recordings

The College of Music Recordings include doctoral, ensemble, faculty, guest, and senior recitals from the UNT College of Music. Access to these recordings is restricted to the UNT community.

Related Items

Interpreting Richard Strauss's Der Krämerspiegel from the perspectives of the performers and the audience. (Thesis or Dissertation)

Interpreting Richard Strauss's Der Krämerspiegel from the perspectives of the performers and the audience.

The purpose of this document is to examine Richard Strauss's 1918 song cycle Der Krämerspiegel in order to discern compositional intent and to address problems performers may face in communicating the work to a contemporary audience. Examining the existing literature, it is never clearly stated why Strauss composed such an anomalous song cycle that defied aesthetic and generic norms of the day. The premise taken in this study is that Strauss, who was litigiously forced to write the work in order to fulfill a contract with the publisher Bote & Bock, composed certain difficulties into the cycle to make it less marketable and thus less profitable for the firm. Furthermore, he commissioned a text that lampooned the publishing industry in general and certain firms and individuals in particular. Following a brief history of Strauss's involvement with the publishing industry, general considerations for interpretation are examined. The individual songs are then explored, keeping in mind the text's word play and parody, Strauss's use of self-quotation, and the challenges performers and audiences face when confronting Krämerspiegel. Finally, the individual songs are explored, and suggestions for preparation and performance of Krämerspiegel are given suggesting a more operatic understanding of the piece, especially given the cycle's relationship to Strauss's opera Der Rosenkavalier.

Relationship to this item: (Is Part Of)

Dissertation: https…

College of Music program book 2006-2007 Student Performances Vol. 2 (Book)

College of Music program book 2006-2007 Student Performances Vol. 2

Student performances program book from the 2006-2007 school year at the University of North Texas College of Music.

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Program: https…

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  • June 4, 2007

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Added to The UNT Digital Library

  • Jan. 5, 2009, 5:47 p.m.

Description Last Updated

  • Feb. 22, 2024, 2:59 p.m.

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Total Uses: 77

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  • 33.210701, -97.150088

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Hurst, Michael Shane. Doctoral Lecture Recital: 2007-06-04 – Michael Shane Hurst, tenor, audio recording, June 4, 2007; Denton, Tx. (https://digital.library.unt.edu/ark:/67531/metadc6370/: accessed April 28, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.

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