Doctoral Lecture Recital: 2007-11-30 – JuYeon Lee, organ

One of 2,406 items in the series: Doctoral Recitals available on this site.

Description

Lecture presented at the UNT College of Music Organ Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Physical Description

1 recording (20 min., 25 sec.)

Creation Information

Lee, Ju-Yeon November 30, 2007.

Context

This audio recording is part of the collection entitled: College of Music Recordings and was provided by the UNT Music Library to the UNT Digital Library, a digital repository hosted by the UNT Libraries. It has been viewed 52 times. More information about this recording can be viewed below.

Who

People and organizations associated with either the creation of this audio recording or its content.

Performer

Composer

Publisher

Audiences

We've identified this sound as a primary source within our collections. Researchers, educators, and students may find this recording useful in their work.

Provided By

UNT Music Library

The UNT Music Library supports the scholarly and performance research needs of the College of Music by collecting and preserving monographs, reference works, periodicals, printed music, and sound recording formats, as well as subscribing to electronic databases for research and streaming music. Special collections are a particular strength of the Music Library's holdings.

Contact Us

What

Descriptive information to help identify this audio recording. Follow the links below to find similar items on the Digital Library.

Titles

  • Main Title: Doctoral Lecture Recital: 2007-11-30 – JuYeon Lee, organ
  • Added Title: Rhythmic Structure in the Music of Jean Guillou: "Agni-Ignis" from Hyperion
  • Series Title: Doctoral Recitals
  • Series Title: Lecture Recitals

Degree Information

Description

Lecture presented at the UNT College of Music Organ Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Physical Description

1 recording (20 min., 25 sec.)

Subjects

Library of Congress Genre/Form Terms

Library of Congress Subject Headings

Language

Item Type

Identifier

Unique identifying numbers for this recording in the Digital Library or other systems.

Collections

This recording is part of the following collection of related materials.

College of Music Recordings

The College of Music Recordings include doctoral, ensemble, faculty, guest, and senior recitals from the UNT College of Music. Access to these recordings is restricted to the UNT community.

Related Items

Rhythmic structure in the music of Jean Guillou: "Agni-Ignis" from Hyperion (1988). (Thesis or Dissertation)

Rhythmic structure in the music of Jean Guillou: "Agni-Ignis" from Hyperion (1988).

In 1988, Jean Guillou composed Hyperion on a commission from the French oil company, Société Nationale Elf Aquitaine, to celebrate its discovery of oil. He developed this theme of fire using his imagination, European philosophical concepts, and various myths. As with Messiaen, rhythm becomes a significant element in Guillou's organ music to convey a heightened dramatic story of an exaltation of fire and to represent the fourth movement of "Agni-Ignis." For aspects of rhythmic structure, I developed new methodology to analyze rhythm in six sections of "Agni-Ignis." Guillou uses experimental rhythmic techniques such as rhythmic subdivision, cycling, rhythmic ostinato, durational contrast, and rhythmic crescendo to build the musical structure of the piece. Among them, the primary subdivision of 16th-note groups organizes throughout the piece as a cyclic theme to convey the powerful and vivid mood of fire. This rhythmic group creates many pitch patterns as thematic transformation to provide both rhythmic and harmonic complexities. The two types of rhythmic ostinato, which is variable and invariable type, juxtapose below the manual's skillful rhythm to provide variety and unity. The other notable features of rhythm appear at the border of each section, such as rhythmic crescendo, durational contrast, 32nd-note groupings, rest and fermata to build tension and relaxation. The rhetorical figure of pitch D, which is another "fire theme" in the pitch aspect dominates the core section which has a much slower rhythm with sustained notes. In general, Guillou has been influenced by his predecessors such as his teacher, Messiaen, and Stravinsky. However, he is uniquely suited to explore the limitless possibilities of the organ in a more secular and avant-garde style. The purpose of this study is to give the performer new insight to guide his or her performance.

Relationship to this item: (Is Part Of)

Dissertation: https…

College of Music program book 2007-2008 Student Performances Vol. 1 (Book)

College of Music program book 2007-2008 Student Performances Vol. 1

Student performances program book from the 2007-2008 school year at the University of North Texas College of Music.

Relationship to this item: (Is Referenced By)

Program: https…

What responsibilities do I have when using this audio recording?

When

Dates and time periods associated with this audio recording.

Creation Date

  • November 30, 2007

Coverage Date

Added to The UNT Digital Library

  • Oct. 27, 2011, 8:21 a.m.

Description Last Updated

  • Feb. 22, 2024, 3:17 p.m.

Usage Statistics

When was this recording last used?

Yesterday: 0
Past 30 days: 0
Total Uses: 52

Where

Geographical information about where this audio recording originated or about its content.

Coordinates

  • 33.210701, -97.150088

Publication Place

Map Information

  • map marker Precise coordinates.
  • map marker Place Name coordinates. (May be approximate.)
  • Repositioning map may be required for optimal printing.

Mapped Locations

Interact With This Audio Recording

Here are some suggestions for what to do next.

Lee, Ju-Yeon. Doctoral Lecture Recital: 2007-11-30 – JuYeon Lee, organ, audio recording, November 30, 2007; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc52455/: accessed April 28, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.

Back to Top of Screen