Description:
Recording of Olle Aberg's Ebb. The inspiration for this work came from the idea of the near future, when glaciers have melted and no water is available. The composer imagines the only thing left being a thirsty voice.
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Description:
Recording of Olle Aberg's A flow through time: light, darkness, circles, spirals.... This is a work for electronics that includes English spoken word.
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Description:
Recording of Olle Aberg's Iniflow. The composer states that this piece is about the music itself and explores the idea of sounds meeting and vibrating together in the air. Aberg compares it to hearing church bells making a homogeneous tone and creating overtones.
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Description:
Recording of Olle Aberg's INIT. This work represents the idea of initiation and starting a new phase of life. The composer states that the change is not perceptible until several days/months/years have gone by, but then by looking back we see it as "initiation". The composer has segmented this work into four parts: 1. preparations are made, 2. looking back to old things, 3. new things will appear, and 4. summary and rest.
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Description:
Recording of Olle Aberg's The wonderful adventures of Dr Olyd and her time-shaping machine. This is a work for electronics that tells the story of a scientist working on a machine that will alter space-time. The composer feels the title suggests a feeling of childhood adventures where anything could happen, which is reflected in the story. The piece has several layers and connotations, and the music amplifies the whole feeling.
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Description:
Recording of Guillermo Acevedo's Puntos de Partida. This is a work for electronics that was included in a project published by Laboratorio Arte Alameda and curated by Manuel Rocha Iturbide and Israel MartÃnez. This project ran under the name "Electroacoustic Mexico 1960-2007" and highlighted various Mexican electroacoustic works and artists.
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Description:
Recording of Ondřej Adámek's Un souffle, une Ombre, un rien. This is the composer's first electroacoustic composition and includes various concrete sounds that have been both untouched and transformed.
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Description:
Recording of Mihail Afanasiev's SBA. This is a work for electronics and is the first composition recorded by a method called "Transformational technology or new dramaturgy". Sound structures by A. Skryabin, "Beatles", and the composer are used.
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Description:
Recording of Andrea Agostini's Funes. This is a work for fixed-media electronics. The composer describes this piece as being inspired by "big questions, no answers".
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