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Primary view of Jonah's Prayer: a Composition for Solo Tenor, Mixed Chorus and Two Pianos
Au, Siu-ming Stefan
December 1998
Primary view of Robert Schumann: Novelletten, Opus 21, a Lecture Recital, Together with Three Recitals of Selected Works of L.v. Beethoven, R. Schumann, J. Brahms, and E. Granados
Blaine, William
May 1981
Primary view of Intraoral Pressure and Sound Pressure During Woodwind Performance
Bowling, Micah
May 2016
Primary view of The Moravian Church and Its Trombone Choir in America, a Lecture Recital, Together with Three Recitals of Selected Works by W. Presser, R. Monaco, L. Bassett, P. Bonneau, E. Bozza, R. Dillon and Others
Branstine, Wesley R.
August 1984
Primary view of Evolution, Symmetrization, and Synthesis : The Piano Sonatas of Alberto Ginastera
Campbell, Grace M.
August 1991
Primary view of A Comparison of Methods for Sight-Reading Development Utilizing Collegiate Saxophonists
Campbell, Scott (Saxophonist)
May 2016
Primary view of Boulez's Sonatine and the Genesis of His Twelve-tone Practice
Chang, Sangtae
May 1998
Primary view of Compositional Devices of Willem Pijper (1894-1947) and Henk Badings (b. 1907) in Two Selected Works, Pijper's "Sonata per Flauto e Pianoforte" (1925) and Badings' "Concerto for Flute and Wind Symphony Orchestra" (1963), a Lecture Recital, Together with Three Recitals of Selected Works of Bach, Vivaldi, Dahl, Françaix, and Others
Clardy, Mary Karen
December 1980
Primary view of Jindrich Feld's Introduzione, Toccata E Fuga Per Flauto Solo With Three Recitals of Selected Works of J.S. Bach, Mozart, Messiaen, Berio, Martinu, Persichetti, and Others
Derby McDermott, Dennette
May 1992
Primary view of Orchestra Bells as a Chamber and Solo Instrument: A Survey of Works by Steve Reich, Morton Feldman, Franco Donatoni, Robert Morris, Marta Ptaszyńska, Will Ogdon, Stuart Saunders Smith, Lafayette Gilchrist and Roscoe Mitchell
Douglass, Mark
May 2016
Primary view of The Keyboard Ricercare in the Baroque Era: Volume 1
Douglass, Robert S. (Robert Satterfield), 1919-
August 1963
Primary view of Chopin's Mazurka: A Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, F. Busoni, D. Scarlatti, W.A. Mozart, L.V. Beethoven, F. Schubert, F. Chopin, M. Ravel and K. Szymanowski
Drath, Jan
August 1969
Primary view of Contemporary Swedish Music for Solo Trumpet and Trumpet in Mixed Chamber Ensembles with a Performance Analysis of Selected Works of Bo Nilsson, Folke Rabe, and Tommy Zwedberg
Engstrom, Larry M. (Larry Milton)
August 1991
Primary view of Doctoral Recital: 1987-06-29 - Grace Fan, piano
Fan, Grace
June 29, 1987
Primary view of A Study of Idiomatic Piano Compositions During the Cultural Revolution in the People's Republic of China
Fan-Long, Grace (Chun Grace)
August 1991
Primary view of The Organ Works of Ottorino Respighi Together with Three Recitals of Selected Works of J. S. Bach, W. Bolcom, J. Guillou, J. Langlais, F. Liszt, C. Tournemire and L. Vierne
Ferré, Susan
August 1979
Primary view of The Recorded Legacy of Enrico Caruso and its Influence on the Italian Vocal Tradition
Garst, John
May 2016
Primary view of The Serenades and Divertimenti of Mozart
Gibson, O. Lee (Oscar Lee)
June 1960
Primary view of Music and its Relation to Futurism, Cubism, Dadaism, and Surrealism, 1905 to 1950
Greer, Thomas H. (Thomas Henry), 1916-
January 1969
Primary view of Three Recitals of Music by German and Danish Composers, J.S. Bach, and Contemporary North American Composers, and a Lecture Recital on the Registration of Orchestral Textures in Organ Music
Haller, William P. (William Paul)
August 1969
Primary view of Stravinsky and the Transcriptional Process: an Analytical and Historical Study of Petrouchka
Hallquist, Robert N.
May 1979
Primary view of The Piano Sonatas of Rodolfo Halffter: Transformation or New Techniques?
Harper, Nancy Lee
August 1985
Primary view of Evolution of the Role of the Solo Trombone in the Nineteenth and Twentieth Centuries: A Lecture Recital Together with Three Recitals of Selected Works of Frescobaldi, White, Druckman, Jones, Blaecher, Ott, and Others
Hinterbichler, Karl George
May 1974
Primary view of A Comparative Analysis of Selected Keyboard Compositions of Chopin, Brahms, and Franck as Transcribed for the Marimba by Clair Omar Musser, Earl Hatch, and Frank MacCallum Together with Three Recitals of Works by Bartok, Crumb, Miyoshi, Kraft and Others
Houston, Robert E.
December 1980