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An Analysis of the Impact of Medicare: a Case Study of Flow Memorial Hospital, Denton, Texas

Description: "The purpose of this study is to examine the impact of the medicare law on a particular hospital: Flow Memorial Hospital, Denton, Texas. The scope of this study is limited to an analysis of changes in hospital car at Flow Memorial Hospital resulting from medicare. These changes are examined on the basis of 1. number of patients and days of care; 2. hospital services by department; 3. the means of payment; and 4. social characteristics of the aged patient group. A detailed examination of aged patient care was made for the fiscal years 1966 and 1967. The 1966 year was the year immediately preceding medicare. The 1967 year was the first year of medicare. Longer time periods were used where the data were available and pertinent."-- leaf 1.
Date: August 1968
Creator: Savage, Vernon Howard
Partner: UNT Libraries

The Stage Works of Franz Schubert with an Analysis of Fierrabras

Description: Performances of Fitrabras and the other Schubert operas have been very rare. Parts of Fierrabras were given in concert form in Vienna in 1853 and again in 1858. The first stage production was in Karlsruhe, February 9, 1897, but the music was revised for that performance by 0. Neitzel and the text by F. Mottl. The text was translated into French for a production in Brussels in 1926. A concert version was also heard in London in 1938. None of these performances, with the possible exception of the one in Brussels, was in the original version. It has always been assumed that the work could not be performed as it stands; at any rate, no one has ever tried. True, there are certain problems in production, especially in the rapid shift of scenes in the third act, but modern stage technique could undoubtedly conquer such difficulties easily.
Date: August 1968
Creator: Corse, Sandra
Partner: UNT Libraries

A Comparison of Formal and Structural Principles in the Concerti Grossi of Corelli's Opus VI and Vivaldi's Opus III

Description: The comparison of structural and formal traits in the concert grossi of Corelli's Opus VI and Vivaldi's Opus III will proceed in the following manner: first, the cycle as a whole will be taken up; next, the individual movements will be considered. Finally, in each instance of comparison, Corelli's music will be dealt with first.
Date: August 1968
Creator: Hart, Euclid August
Partner: UNT Libraries

A Study of the Justice of the Peace Court System with Emphasis on That of Dallas County, Texas

Description: This thesis seeks to examine in details the arguments centering around the American justice of the peace court system and evaluate the justices of the peace of Dallas County in the light of these argurents. A second purpose is to evaluate the positions of critics and defenders of the present justice system in the light of the needs of the litigants who come before te justice courts in Dallas County--or who would come before the replacement court advocated by the Texas State Bar Association. Finally, a sunmary analysis leads to recommendations for best serving the interests of these litigants. In the preparation of this study, wide use was made of both wrItten materials and personal interviews. The first three chapters are based largely on written materials, many of which are primary sources. The written source materials include reports, journal, articles, especially articles in legal periodicals, books, newspapers, court case reports and statutes. The latter chapters, the most significant part of the study, are based almost entirely on personal interviews and observations of the justice courts.
Date: May 1968
Creator: Robinson, Walter S.
Partner: UNT Libraries

An Analytical Critique of the Use of Twelve Equal Tones as Utilized in "Sonata-Fantasia" by George Rochberg

Description: This thesis centers around a certain twentieth-century compositionaI device, the method of composition with twelve tones. There are many terms to designate this device, for example: "basic set," "tone-row," "note-series," "serialism," "serial technique," "twelve-note series," "twelve-tone technique" or "twelve-tone method." TI is thesis is a methodical research demonstrating the contemporary conventional way of scientifically and artfully manipulating twelve equal tempered degrees of the chromatic scale to produce a desirable system. In order to arrive at any substantial conclusions, it is necessary to make a critical examination and evaluation of known twelve-tone compositional procedures from as many angles as possible, so as virtually to exhaust every practical and speculative potentiality included in the technique, that is, within the range and limits of our present needs. This examination and evaluation will also involve a comparative investigation of various uses of the device, in order to produce and suggest ideas for further theoretical insights. The ultimate purpose of this thesis is to pinpoint the "hows" and "whys" of Rochberg's use of the twelve equal tones in Sonata-Fantasia.
Date: July 1968
Creator: Tiroff, Philip Knight
Partner: UNT Libraries

A Rehearsal Method for Presenting Historical and Theoretical Aspects of Selected Works for Concert Band

Description: The purpose of this study was to design a rehearsal method for presenting the historical and theoretical aspects of selected works for concert band. 1. 'What systematic approach can be designed for studying the historical aspects of a musical work? 2. What systematic approach can be designed for studying the theoretical aspects of a musical work? 3. What compositions can be used to demonstrate historical and theoretical elements? 4. What rehearsal method can be devised by applying the systematic approaches for studying historical and theoretical aspects to the selected works?
Date: August 1968
Creator: Hansuld, Arthur Marr, 1942-
Partner: UNT Libraries

Programmed Learning for Primary Choirs in Southern Baptist Churches

Description: The purpose of this research is to program cycles or units of study which may be used with the Cyclo-Teacher Learning Aid, a commercial teaching machine produced by the Field Enterprises Educational Corporation of Chicago. The program will consist of the mechanics of music and will be designed for use with the seven- and eight-year-old child in primary choirs of the graded choir program of Southern Baptist churches.
Date: August 1968
Creator: Bridges, Fred M. (Fred Marvin)
Partner: UNT Libraries

The Effectiveness of Denton State School's Developmental Evaluation Form in Evaluating an Operant Training Program for Severely Retarded Boys

Description: The problem of this study was to evaluate Denton State School's Developmental Evaluation Form as it is now being used in their operant conditioning techniques in certain basic self-help areas, and to suggest a more effective and informative method of scoring the Evaluation Form. The present method of scoring this evaluation form requires that -all items at each developmental level be passed in order to receive credit for that level. No partial credit is given at any level. This method of scoring yields a developmental level at which. the individual is functioning. It does not, however, point out the total overall development of the individual. The present type of basal developmental scoring is not as discriminating as far as picturing an individual's total development as the one which will be suggested.
Date: May 1968
Creator: Graham, Malcolm J.
Partner: UNT Libraries

The Fugitive Kind in the Major Plays of Tennessee Williams

Description: What basic similarities are found in all the fugitives? First of all, they are fugitives in the sense that they are wanderers. While not necessarily running to or from some specific thing, the fugitives nonetheless are men who travel; they are men who only face their conflicts directly when they attempt to stop traveling either by changing themselves so that they will fit in (Val in Orpheus Descending and Chance), by changing their environment so that it will accept them (Val in Battle of Angels and Shannon), or by searching for something that is permanently lost (Kilroy).
Date: January 1968
Creator: Gunter, John O.
Partner: UNT Libraries

Stylistic Analysis of "Banalités" by Francis Poulenc

Description: Because of the nature of the poetry, the interpretation of Banalites in this study has involved certain subjective decisions. These deductions were, nevertheless, colored by statements of the poet, the composer, and authorities on each. This is not to imply, however, that this is the only interpretation. Both poet and composer have given evidence that their creation requires a subjective response on the part of the interpreter. This is perhaps the greatest challenge offered by the work.
Date: January 1968
Creator: Allen, Joy Ann
Partner: UNT Libraries

The Effects of Memory Load on the Accuracy of Recognition of Stimuli

Description: The purpose of this study was to find if memory load significantly affects the performance of the subjects in the before condition of a before versus after technique experiment. In order to accomplish this the alternatives were presented either before or after the stimulus, with the alternatives and stimuli being either of high-complexity or low-complexity.
Date: June 1968
Creator: Harris, Jerry Lon
Partner: UNT Libraries

First-Person Narration in Edgar Allan Poe's Tales

Description: For the purpose of this study, Poe's tales were read and considered carefully in chronological order, the idea being to discover growth and development. Poe's literary career was relatively brief (1832-1849), and there are no dramatic or definite breaks or periods. Though his production shows growth in sophistication and artistry, it has been deemed more instructive to group Poets first-person narrators according to the part they play in the story, that is, (1) main actor or protagonist, (2) minor character, (3) observers and (4) combinations of the foregoing three. An attempt will be made to note both variation and pattern, and hence artistic skill, in Poe Is handling of each particular type of narrator.
Date: January 1968
Creator: Bost, Wallace Richard
Partner: UNT Libraries

Clavecin Pieces of Louis Couperin

Description: Louis Couperin (c. 1626-1661) was an outstanding member of the seventeenth-century clavecin school and an important link in the Couperin dynasty. His works for the harpsichord, or clavecin, have been neglected. This is due primarily to the fact that there are relatively few of his works, in comparison with those of his nephew, Franois Couperin Le Grand, who greatly overshadows him. Louis wrote no treatise on how his works are to be played, and there are few accounts of him, or his works, that are written in English. There is no biography of Louis Couperin. A more detailed study should be made of his music and its place in the French clavecin literature. Before examiinig the music itself, however, it is necessary to trace the origins and development of the clavecin school and its style.
Date: January 1968
Creator: Hudgens, Cecilia K. Knox
Partner: UNT Libraries

The Use of the Trombones in Beethoven's Symphonies Nos. 5, 6, 9, and Schubert's Symphony No. 8

Description: The primary purpose of this thesis will be to examine the orchestration of the trombone section in the Viennese symphonies of the early Romantic period. In order to fully understand the function of the trombone section in these syphonies, a review of the trombones usage in previous centuries is in order.
Date: January 1968
Creator: Seifried, Denver Dugan
Partner: UNT Libraries

Psychopathic Tendencies Found in Some Unwed Mothers

Description: The study is an attempt to measure psychopathic tendencies in the girl who becomes pregnant out of wedlock compared with the average non-pregnant college co-ed. This characteristic, when evidenced in a subject's personality, may be reflected in a High T score on the Pd scale of the 1MPI.
Date: August 1968
Creator: Pratt, Howard Charles
Partner: UNT Libraries

The Basset Horn: Its Development and Literature

Description: The purpose of this study is to trace the development of a practically extinct woodwind instrument, the basset horn, and its use by composers as both a solo and an orchestral instrument. The first chapter concerns the development of the basset horn from the earliest imperfect specimen to the modern-day instrument. The second chapter deals with the physical characteristics that are peculiar to the instrument. The third chapter discusses the literature and musical history of the basset horn. An appendix provides a comprehensive listing of literature for the instrument.
Date: August 1968
Creator: Shanley, Richard A.
Partner: UNT Libraries

An Analytical Study of Solos for Beginning College Voice Students

Description: The object of this study was to compile a list of solo literature for beginning college voice students and analyze these solos for pedagogical and performance purposes. There is no lack of printed material on the subjects of singing and voice culture. But it is not readily accessible to teachers since it is extremely diversified and rather diffusely distributed throughout a variety of sources, such as books, periodicals, and scientific papers. Several lists and books containing songs for beginners have been compiled.
Date: August 1968
Creator: Bryant, Karen Sue
Partner: UNT Libraries

Margo Jones's Visions for Theatre

Description: The purpose of this study is to make an account of the theatrical plans and activities of Margo Jones other than the productions in her theatre in Dallas and her experiences as a producer and director on Broadway.
Date: August 1968
Creator: Altermann, Mark A.
Partner: UNT Libraries

Test Anxiety and Performance on the Wechsler Intelligence Scale for Children

Description: Although the significance of anxiety has long been recognized and explored within the framework of psychoanalysis, it was not until after World War II that it began to influence research in psychology. The manipulation of anxiety as a research variable has taken place both within and without the framework of psychoanalytic theory. The primary purpose of the present study was to determine the relationship between test anxiety, as determined by scores on the TASC, and performance on the Wechsler Intelliaence Scale for Children. TASC scores were compared to Verbal Scale, Performance Scale, Full Scale, and individual subtest scores on the WISC.
Date: January 1968
Creator: Leonard, Mary Lois
Partner: UNT Libraries

Jesse Henry Leavenworth: Indian Agent

Description: In 1763, the British government attempted to control land hungry colonists by prohibiting settlement west of the Appalachian Mountains. The ambitious attempt failed. Two years later! Great Britain, submitting to the pressure of land speculators, homestead seekers, and fur trappers, initiated the treaty making process with the American Indians. Although the Indians had no concept of private property, they exchanged their mountains and valleys for whiskey, beads, and muskets. Following independence, the American government continued the British policy of treaty making and pushing the red men out of the path of white civilization. After the Louisiana Purchase, many Americans considered the region lying beyond the Mississippi River a convenient area in which to settle the Indians. A policy of concentration evolved through John C. Calhoun's idea of a permanent Indian country where settlers had no desire to go. The white man's drive for the western lands doomed this policy to failure. During the 1850's the federal government extinguished Indian title to much of the Great Plains and opened the prairies for white settlement. By the 1860's, only two large areas remained in which to concentrate the red men--Indian Territory and the public lands north of Nebraska. Treaty negotiations for moving the Indians had always been carried on as if each small band, village, or tribe were an autonomous and independent nation. Ohio Senator John Sherman, brother of General William Tecumseh Sherman, called the process . . . a ridiculous farce." Although the treaty making policy was attacked, it was not abandoned until 1871. Why Congress dealt with the savages in the same manner as it dealt with the French is perhaps best summed up by one critic who said, "Treaties were made for the accommodation of the whites, and broken when they interfered with the money getter." In fairness to ...
Date: May 1968
Creator: Davis, Marlene
Partner: UNT Libraries

Land, Property, and the Chickasaws: The Indian Territory Experience

Description: At a very early date, it must have been apparent to the Chickasaws that their only hope of survival in the face of a steadily encroaching white man's world would be to imitate and emulate the latter's society, his Constitution, and his laws. Long before Andrew Jackson signed the Removal Act destined to uproot large numbers of peoples and result in some of the greatest mass migrations in the history of the United States, the Chickasaws, largely by a process of trial and error, attempted to sow the seeds for their plan of survival in keeping with their realization of this all-important fact. After arriving in the new land soon to be known as Indian Territory, they continued this process in the hope that their identity as a tribe and a Nation might never be lost. The Chickasaw experience in Indian Territory became indicative of a culture confronted with possible extermination by a larger and more powerful culture. Their story illustrates an intense struggle on the part of the Chickasaws to utilize and regulate the land on a tribal basis of ownership in the face of a fast encircling world which favored the concept of individual private property. One of the major problems that concerned the Chickasaws during this crucial period was how to absorb some of the white man's institutions and way of life, and still cling to tradition and remain basically Chickasaw.
Date: August 1968
Creator: Graffham, Beverly Jean Wood
Partner: UNT Libraries

The Use of Imitation in the String Quartets of Béla Bartók

Description: Bela Bartok's six string quartets are generally regarded as the next most significant works in the medium after the quartets of Beethoven. Unlike some of his contemporaries in the field, e.g, Hindemith, Milhaud, and Schoenberg, Bartok's quartets are representative of his musical growth and, as such, are worthy of equal status with those of such recognized masters as Haydn and Mozart, as well as Beethoven...
Date: January 1968
Creator: Willcoxon, Larry G.
Partner: UNT Libraries