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Primary view of Continuous Harmonic Structure in J.S. Bach's Triple Fugues in The Well-Tempered Clavier and Art of Fugue
Hahn, Stephen (Stephen Ernst)
August 2019
Primary view of Igor Stravinsky: An Analytical Study of Programmatic Design of His Symphony in Three Movements
Anderson, Rachel (Rachel Anne)
August 2019
Primary view of Composing-Out Notre-Dame: How Louise Bertin Expresses the Hugolian Themes of Fate and Decay in La Esmeralda
Walls, Levi
August 2018
Primary view of Crisis and Catharsis: Linear Analysis and the Interpretation of Herbert Howells' "Requiem" and "Hymnus Paradisi"
Davenport, Jennifer Tish
August 2018
Primary view of Developing Variation and Melodic Contour Analysis: A New Look at the Music of Max Reger
McConnell, Sarah E.
August 2018
Primary view of Metric Dissonance in Non-Isochronous Meters
Smith, Jayson
August 2018
Primary view of Tonal Enigmas: A Study of Problematic Openings and Endings
Yun, Xiao
August 2018
Primary view of Formal Organization in Ground-bass Compositions
Stevens, Bryan
August 2015
Primary view of A Seventeenth-century Musiklehrbuch in Context: Heinrich Baryphonus and Heinrich Grimm’s Pleiades Musicae
Dobbs, Benjamin M.
August 2015
Primary view of Theorizing Atonality: Herbert Eimert’s and Jefim Golyscheff’s Contributions to Composing with Twelve Tones
Weaver, Jennifer L.
August 2014
Primary view of Deconstructing Webern's Op 25, Drei Lieder: a Multidimensional Assessment
Morgeson, Paul Taylor
August 2013
Primary view of Jacques Ibert: an Analytical Study of Three Movements From Histoires
Waldroup, William Allan
August 2012
Primary view of “A Metaphor for the Impossibility of Togetherness”: Expansion Processes in Gubaidulina’s First String Quartet
Stroud, Cara
August 2012
Primary view of Toward a Descriptive Eidetics of Atonality: a Phenomenological Analysis of Webern Op 3, No 1
Schnitzius, Michael P.
August 2012
Primary view of Non-Linear and Multi-Linear Time in Beethoven's Opus 127: An Analytical Study of the "Krakow" Sketch Materials
Lively, Michael
August 2010
Primary view of The Fundamental Unity in Brahm's Horn Trio, Op. 40
Kim, JongKyun
August 2007
Primary view of Structural Octatonicism in Cindy McTee's Symphony No.1: Ballet for Orchestra
Weaver, Jennifer L.
August 2007
Primary view of Toward a Unified Whole: Allan Pettersson's Symphony No. 5.
Davis, Colin
August 2007
Primary view of Reevaluating twelve-tone music: analytical issues in the second movement of Anton Webern's Quartet for Violin, Clarinet, Tenor-Saxophone and Piano, Op. 22.
Lin, Tzu-Hsi
August 2006
Primary view of An Analysis of Periodic Rhythmic Structures in the Music of Steve Reich and György Ligeti
Isgitt, David
August 2002
Primary view of D. A. Kolb’s Theory of Experiential Learning: Implications for the Development of Music Theory Instructional Material
Lively, Michael
August 2001
Primary view of Die Neue Lehre: Developing an Online Course in Schenkerian Analysis
Sadoff, Jennifer
August 2001
Primary view of Keyboard Innovation: Harry Partch's Contributions
Koh,Wee Lay
August 2000
Primary view of Tonal Perspectives in the Selected Piano Preludes of Shostakovich (Op.34: nos.1, 3, 6, 14, and 24): an Analytical Study
Lee, Tze Fung Alfred
August 1994
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