Search Results

Tincanchant

Description: Recording of Milan Adamciak's Tincanchant. For electronics, manipulated pre-recorded sound, and samples from varying sources. Created using traditional electro-acoustic technique.
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Date: 1995
Duration: 5 minutes 22 seconds
Creator: Adamčiak, Milan
Partner: UNT Music Library

Guest Artist Recital: 1995-08-29 - Adkins String Ensemble

Description: A Guest Artist Recital performed in the UNT College of Music Concert Hall.
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Date: August 29, 1995
Duration: 1 hour 13 minutes 09 seconds
Creator: Adkins String Enemble
Partner: UNT Music Library

Puzzle wood

Description: Recording of Natasha Barrett's Puzzle wood. The name of the composition comes from "Puzzle Wood" being the name of a small forest nestled within a Medieval iron-ore mining region in the Southwest of England. Although the wood does not covering an expansive area, locals believe many lost souls wander its confused and ambiguous pathways. An alluring aspect of acousmatic music is its ability to indulge in a multi-faceted and paradoxical listing environment. Here, in the composition, the products of the listener's imagination interact and coexist with the sonic material. As perception gradually discovers deeper levels within the music, new allusions jostle to the front of one's attention. Some tiny fragment of sound may shatter the existing context to reveal an even stronger 'Trompe L'Oeil', or sweep it aside in favor of some personal or emotional reminiscence. The composer aims for a listener to lose oneself within "Puzzle Wood," and repeatedly escape deeper into one's own thoughts and imagination.
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Date: 1995
Duration: 13 minutes 33 seconds
Creator: Barrett, Natasha
Partner: UNT Music Library

La logique du vent

Description: Recording of Alain Basso's La logique du vent. The piece is made essentially from FM synthesis sounds, driven in increasing series by a MIDI program. The resulting collections were then processed to be smoothed and produce a more ethereal feel in the composition.
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Date: 1995
Duration: 3 minutes 13 seconds
Creator: Basso, Alain
Partner: UNT Music Library

Trasteo

Description: Recording of Carlos Mauricio Bejarano Calvo's Trasteo. This little essay proposes the configuration of a move, of a becoming of materials, tools and images; with a metaphoric step. From a place of ruins and ransacked old things to places of accumulation, pieces and residual products. An ancient support in which is rewritten, scratched by tracing a new transition substrate that slips towards a final food enslaved. This work uses electronics, pre-recorded manipulated sound, and instruments.
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Date: 1995
Duration: 5 minutes 52 seconds
Creator: Bejarano Calvo, Carlos Mauricio
Partner: UNT Music Library

Fragment from Epitaph for N.Copernicus

Description: Recording of Roman Berger's Fragment of Epitaph for N.Copernicus. In addition to "traditional" electroacoustic apparatus, modules of the ARP synthesizer were used. A single relatively longer object is initially exposed as a "subject" and some sections of the composition are then intended as its variations. The form of the "epitaph" also ties in with tradition by respecting the principle of symmetry as well as that of evolution. In the background stands the idea of ​​continuous multidimensional compositional space, the main characteristic of which is structural ambiguity.
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Date: 1995
Duration: 4 minutes 01 second
Creator: Berger, Roman, 1930-
Partner: UNT Music Library

Mestizaje

Description: Recording of Gonzalo Javier Biffarella's Mestizaje. This work uses a pre-recorded vocal fragment of around 4 seconds and a 2 second pattern of a harp were used to create this piece.
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Date: 1995
Duration: 17 minutes 31 seconds
Creator: Biffarella, Gonzalo Javier
Partner: UNT Music Library

Mare Atlantica

Description: Recording of Gunnar Lars Bodin's Mare Atlantica. For electronics. This work is divided into 4 pieces, and lacks a center of intensity. The absence of a sound center in this work corresponds to the Atlantic Ocean as a concept or a metaphor. The Atlantic as a concept is so complex that nothing more central could be described. The Atlantic can be considered in several ways, for example from a geological, meteorological, biological, hydrological point of view.
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Date: 1995
Duration: 17 minutes 25 seconds
Creator: Bodin, Lars-Gunnar, 1935-
Partner: UNT Music Library

Faculty Recital: 1995-10-22 - Borodin/Bradetich Trio

Description: Faculty recital presented at the UNT College of Music Recital Hall.
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Date: October 22, 1995
Duration: 1 hour 6 minutes 31 seconds
Creator: Borodin, Igor; Bradetich, Jeff & Bradetich, Judi Rockey
Partner: UNT Music Library

Your heart is a red train

Description: Recording of Francesco Boschetto's Your heart is a red train. The concrete material is prevalent as the main sound source and it is derived from life in the city of Stockholm. It is based on three poems, mainly on "Ditt Hjarta Ar Ett Rott Tag", by the Swedish writer Rold Aggestam and on two sonnets by Lorenzo "il Magnifico". The composer's personal experience seeps troughout the course of the piece: the sound of trains, people in subway stations and streets, solitude in the crowd; it is an itinerary in the everyday routes in a foreign town and the elapsing of wintertime scanned by a faint light.
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Date: 1995
Duration: 12 minutes 27 seconds
Creator: Boschetto, Francesco, 1970-
Partner: UNT Music Library

Chevaliers de la table d'onde

Description: Recording of Serge Bouc's Chevaliers de la table d'onde. The title is a play on words, with "Chevaliers de la table d'onde" meaning "Knights of the wave table" - as compared to "Chevaliers de la table ronde," or "Knights of the round table."
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Date: 1995
Duration: 8 minutes 37 seconds
Creator: Bouc, Serge, 1955-
Partner: UNT Music Library

Say it

Description: Recording of Christopher Brady's Say it. For electronics and pre-recorded sound, written in traditional electro-acoustic technique.
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Date: 1995
Duration: 9 minutes 07 seconds
Creator: Brady, Christopher
Partner: UNT Music Library

L'épreuve du labyrinthe

Description: Recording of Aldo Brizzi's L'épreuve du labyrinthe. The title of this work is taken from Mircea Eliade's autobiography. The tape consists solely of viola sound superimposed on to rhythmic fragments from Afro-Brazilian music and uses the viola's lower register. Each path is highlighted by enhancing the sounds through different digital filters, which makes it more difficulty to perceive the recurring rhythmic patterns, but the beat remains steady. The solo part consists in a micro-intervallic melody, rhythmically swinging with the tape.
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Date: 1995/1996
Duration: 6 minutes 41 seconds
Creator: Brizzi, Aldo, 1960-
Partner: UNT Music Library

Her scent

Description: Recording of Jonas Broberg's Her scent. This short piece was composed for the occasion of the 25th anniversary of the annual festival of Electroacoustic Music in Bourges, where it was also premiered. Some of the sound material was taken from "Locations". The intention was to clad the sounds in new "attire" and put them into different contexts. The piece is dedicated to Ylva Skog.
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Date: 1995
Duration: 2 minutes 49 seconds
Creator: Broberg, Jonas, 1962-
Partner: UNT Music Library

Multiplication

Description: Recording of Miroslav Bazlik's Multiplication. This work uses piano sounds, which becomes increasingly processed with electronic sound effects.
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Date: 1995
Duration: 2 minutes 41 seconds
Creator: Bázlik, Miroslav
Partner: UNT Music Library

STRINGendo

Description: Recording of Rainer Bürck's STRINGendo. This composition is based on an idea of combating a perceived prevailing trend of melody instrument solos suffering from "one-dimensionality": a limited ability to superimpose simultaneous layers which could make up complex musical textures. Within this piece, the playing of the performer is transformed into MIDI data. The MIDI data is processed on four independent layers by a computer program written by the composer which then controls a sampler, playing all sorts of sounds and noises previously recorded from the particular instrument. Pitches and velocity values can be transformed, notes can be delayed, a played note can trigger many other notes, etc. Each of the processing parameters can either be exactly determined, or it can be defined as a random interval within which the processing will be carried out. The composer describes the live performance as keeping the piece fresh, while processing - if done on four separate layers - enables the performer to trigger complex musical textures.
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Date: 1995
Duration: 8 minutes 52 seconds
Creator: Bürck, Rainer
Partner: UNT Music Library

Gâteau d'anniversaire

Description: Recording of Roland Cahen's Gâteau d'anniversaire. Described by the composer as a musical joke made for the 25th anniversary of the Experimental Music Group of Bourges, and noted as the composer's only (recent) attempt at a rock song.
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Date: 1995
Duration: 4 minutes 14 seconds
Creator: Cahen, Roland
Partner: UNT Music Library

The innocents

Description: Recording of Mark Canfield-Taylor's The innocents.
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Date: 1995
Duration: 7 minutes 25 seconds
Creator: Canfield-Taylor, Mark
Partner: UNT Music Library

Birds

Description: Recording of Luigi Ceccarelli's Birds. For bass clarinet and tape with bass clarinet and bird sounds. As the basis for this piece the composer used tremolos and repeated sounds, played by a bass clarinet with recorded birdsong. All of the sounds were elaborated digitally and edited, without fundamentally changing their natural qualities. "Birds" consists of four sections; the four parts are separated by short solos of elaborated bird song.
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Date: 1995
Duration: 18 minutes 48 seconds
Creator: Ceccarelli, Luigi
Partner: UNT Music Library

Parabur

Description: Recording of Gabriel Jorge Cerini's Parabur. The piece uses the subtitle "Reflexiones sobre la belleza 1995 (Thoughts about beauty 1995)".
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Date: 1995
Duration: 2 minutes 41 seconds
Creator: Cerini, Gabriel 1954-
Partner: UNT Music Library

Trois fragments bleus

Description: Recording of Pierre Couprie's Trois fragments bleus. The concept behind this work consists of: three fragments, three colors, and three impressions. The recordings of the sea come from the baie de Sommes and the Île de Rè, the stormy wind blowing in the masts of the violiers d'Agon Coutainville.
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Date: 1995
Duration: 10 minutes 45 seconds
Creator: Couprie, Pierre
Partner: UNT Music Library
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