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Guest Artist Recital: 1994-09-14 – Sergey Krivonos, piano

Description: A faculty recital performed at the UNT College of Music Concert Hall.
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Date: September 14, 1994
Duration: 1 hour 31 minutes 55 seconds
Creator: Krivonos, Sergey
Partner: UNT Music Library

Guest Artist Recital: 1994-03-24 - Jad Azkoul, guitar

Description: A guest artist recital performed at the UNT College of Music Concert Hall.
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Date: March 24, 1994
Duration: 1 hour 6 minutes 42 seconds
Creator: Azkoul, Jad
Partner: UNT Music Library

Faculty Recital: 1994-02-14 - Prisma Trombone Quartet

Description: Faculty and guest artist recital performed at the UNT College of Music Concert Hall.
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Date: February 14, 1994
Duration: 52 minutes 01 second
Creator: Davis, JoDee; Henniss, Jeannie; Josephson, Julie & Kagarice, Jan
Partner: UNT Music Library

Faculty Recital: 1994-10-27 – Clarion Trio

Description: A faculty recital performed at the UNT College of Music Concert Hall.
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Date: October 27, 1994
Duration: 57 minutes 05 seconds
Creator: Gillespie, James E. (James Ernest), 1940-; Harlos, Carol & Harlos, Steven, 1953-
Partner: UNT Music Library

Faculty Recital: 1994-04-20 - Stanley Yates, classical guitar

Description: A faculty recital performed at the UNT College of Music Concert Hall.
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Date: April 20, 1994
Duration: 49 minutes 25 seconds
Creator: Yates, Stanley
Partner: UNT Music Library

Faculty Recital: 1994-09-26 – Pamela Mia Paul, piano

Description: A faculty artist recital performed at the UNT College of Music Concert Hall.
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Date: September 26, 1994
Duration: 1 hour 7 minutes 50 seconds
Creator: Paul, Pamela Mia
Partner: UNT Music Library

Wave break

Description: Recording of John Deusenberry's Wave break. Sonic events in WaveBreak are nearly devoid of any steady-state; each event evolves continuously toward the next, the outcome remaining uncertain until the event has already passed. This concentration upon the unfolding of individual sounds results in a kind of monody, although at some points more than one soundstream is presented. While it is not always obvious to the ear, many of the events in the piece are themselves constructed from hundreds of ra… more
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: 1994
Duration: 4 minutes 42 seconds
Creator: Duesenberry, John, 1950-
Partner: UNT Music Library

Knock knock, ... anybody there?

Description: Recording of Fernando Pablo Lopez Lezcano's Knock knock, ... anybody there? This work is an extension to four channels of the original stereo sound track composed for a collaboration project with visual artists. Through a three dimensional soundscape where voices and sounds evoke multiple and conflicting states of mind. All the concrete sound materials used in the piece were gathered during a small meeting with friends where the composer and collaborators freely discussed the central topic that… more
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Date: 1994
Duration: 8 minutes 14 seconds
Creator: Lopez Lezcano, Fernado Pablo
Partner: UNT Music Library
transcript

JAC Audio Interview: J. Hillis Miller

Description: JAC interview of J. Hillis Miller discussing critical theory and cultural studies in relation to writing, philosophy, and rhetoric.
Date: 1994
Duration: 2 hours 1 minute 07 seconds
Creator: Olson, Gary A. & Miller, J. Hillis (Joseph Hillis), 1928-
Partner: UNT Libraries

Student Recital: 1994-06-25 - The High School Piano Institue

Description: The High School Piano Institute concert performed at the UNT College of Music Recital Hall.
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Date: June 25, 1994
Duration: 58 minutes 47 seconds
Creator: Griffiths, Charlsie; Hong, Bommy; Butler, Jennifer (Musician); Sengupta, Shomit; Hong, Jenny; Therrell, Meghan et al.
Location: 33.210701 -97.150088
Partner: UNT Music Library

The afterbirth of apollo

Description: Recording of Eric Lyon's The afterbirth of appollo. This work is for electronics and has a lot of noise elements. The synthetic sounds are harsh and posses an analog sound. This sound feels continuous and even though there is movement in the sound, the construction continues to stay the same. There is a true representation of electronic sound in this work, instead of shying away from the noise, this work embraces it and explores the importance of balance and musical transitions.
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Date: 1994
Duration: 9 minutes 07 seconds
Creator: Lyon, Eric, 1962-
Partner: UNT Music Library

Rab-à-quatre

Description: Recording of Philippe Ménard's Rep-à-quatre. This piece is inspired by François Rabelais and his satire, grotesque, and bawdy jokes and songs. On a technical level, most of the sound material comes from samples of the texts (ASR 10 sampler) and the musical organization is managed by the MAX software, my improvising assistant.
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Date: 1994
Duration: 17 minutes 51 seconds
Creator: Ménard, Philippe, 1946-
Partner: UNT Music Library

Les Vusions

Description: Recording of Ulrich Süsse's Les Vusions. Rabelais' ideologies and visions are musically represented in this piece. This is done by building structures and walking away from them. The structures are taken from the sound (preferably from a precise vocal) and the continuation of the language of Rabelais. There is the use of everyday normal objects, but the technique of electronic transformation demonstrate direction and transition.
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Date: 1994
Duration: 10 minutes 37 seconds
Creator: Süsse, Ulrich
Partner: UNT Music Library

L'Oracle de la Dive Bouteille

Description: Recording of Georg Katzer's L'Oracle de la Dive Bouteiller. This work is for actors and tapes. The nonsense lyrics are taken from the wonderful "Gargantua and Pantagruel" by Rabelais. There is a very important use of space, the sounds are at times isolated to where you may hear two different sounds on both sides, instead of predominantly in the center of the stereo system.
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Date: 1994
Duration: 7 minutes 52 seconds
Creator: Katzer, Georg, 1935-2019
Partner: UNT Music Library

Songes drôlatiques

Description: Recording of Michel Redolfi's Songes drôlatiques. Audio and visual suite inspired by the "Drolatic Dreams" of Rabelais' Pantagruel. The sound production calls for two elements: the voice of Michael Lonsdale performing in unprecedented registers and bodily sounds produced by the dancers. Added to this are throbbing metal, creaking wood, gurgling liquids and any substance relating to Rabelais' sound environment. Thus, virtual flesh, mysterious pharynx and imaginary mechanics compose for the ear a… more
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Date: 1994
Duration: 15 minutes 47 seconds
Creator: Redolfi, Michel, 1951-
Partner: UNT Music Library

Biosfera una

Description: Recording of Jorge Rapp's Biosfera una. In this piece natural sounds which are playing all around us are combines with the human beings that reside with it. This environment is accomplished by using sounds from nature, animals, and people and our continuous soundscapes. Contrast and camouflage relations prevail, where human voices become the foreground; these encounters culminates with guttural animal sounds.
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Date: 1994
Duration: 8 minutes 46 seconds
Creator: Rapp, Jorge, 1946-
Partner: UNT Music Library

Limite inferiore sinistro

Description: Recording of Elio Martusciello's Limite inferiore sinistro. The matter of elimination, that is to say the sound of the rustle of a magnetic tape, constitutes the acoustic nature of this composition. The sole use of a tape recorder-mixer as a sound generator, gives a sufficient result for the creative operation, and ultimately to the gesture of the component. In all this hides a subtle complacency, a game of perspectives where this plan relegated to the bottom at the musical level and pushed fur… more
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Date: 1994
Duration: 9 minutes 23 seconds
Creator: Martusciello, Elio
Partner: UNT Music Library

Good morning love, it's springtime in my heart !

Description: Recording of Kim Hedas' Good morning love, it's springtime in my heart! Although this piece's may give off a certain idea to the sound environment you would expect, the piece is harsh, contains unsettling sound, and unpredictable sound direction. With a very specific sound quality this piece explores the harmonies and the characteristics of metallic objects, sounds, or instruments.
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: 1994
Duration: 6 minutes 10 seconds
Creator: Hedås, Kim
Partner: UNT Music Library
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