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Emily Remler Lecture, April 9, 1985: Parts 1 and 2

Description: Jazz Lecture Series presentation by Emily Remler on April 9, 1985 at 9:30AM at the UNT College of Music. It includes a lecture and performance by Emily Remler, guitar, interspersed with questions from the audience.
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Date: April 9, 1985
Creator: Remler, Emily
Partner: UNT Music Library

[George Mraz Lecture, April 16, 1985: Part 1]

Description: Jazz Lecture Series presentation by George Mraz on April 16, 1985 at 9:30AM at the UNT College of Music. Includes lecture and performance by George Mraz, bass, interspersed with questions from the audience.
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Date: April 16, 1985
Creator: Mraz, George
Partner: UNT Music Library

[George Mraz Lecture, April 16, 1985: Part 2]

Description: Jazz Lecture Series presentation by George Mraz on April 16, 1985 at 2:00PM at the UNT College of Music. Includes lecture and performance by George Mraz, bass, interspersed with questions from the audience.
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Date: April 16, 1985
Creator: Mraz, George
Partner: UNT Music Library

[Diane Reeves Lecture, April 23, 1985: Parts 1 and 2]

Description: Jazz Lecture Series presentation by Diane Reeves on April 23, 1985 at 9:30AM at the UNT College of Music. Includes lecture, master class, and performance by Diane Reeves, vocals, interspersed with questions from the audience.
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Date: April 23, 1985
Creator: Reeves, Diane
Partner: UNT Music Library

[Diane Reeves Lecture, April 23, 1985: Parts 3 and 4]

Description: Jazz Lecture Series presentation by Diane Reeves on April 23, 1985 at 2:00PM at the UNT College of Music. Includes lecture, master class, and performance by Diane Reeves, vocals, interspersed with questions from the audience.
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Date: April 23, 1985
Creator: Reeves, Diane
Partner: UNT Music Library

[Burt Korall Lecture, February 12, 1985: Part 2]

Description: Recording of a Jazz Lecture Series presentation by Burt Korall on February 12, 1985 at 2:00PM at the UNT College of Music. Includes lectures by Burt Korall.
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Date: February 12, 1985
Creator: Korall, Burt
Partner: UNT Music Library

Bill Watrous Lecture, February 19, 1985: Part 1

Description: Jazz Lecture Series presentation by Bill Watrous on February 19, 1985 at 9:30AM at the UNT College of Music. It includes a lecture and performance by Bill Watrous, trombone, interspersed with questions from the audience.
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Date: February 19, 1985
Creator: Watrous, Bill
Partner: UNT Music Library

Bill Watrous Lecture, February 19, 1985: Parts 2 and 3

Description: Jazz Lecture Series presentation by Bill Watrous on February 19, 1985 at 2:00PM at the UNT College of Music. It includes a lecture and performance by Bill Watrous, trombone, interspersed with questions from the audience.
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Date: February 19, 1985
Creator: Watrous, Bill
Partner: UNT Music Library

[Randy Brecker Lecture, February 26, 1985: Part 2]

Description: Recording of a Jazz Lecture Series presentation by Randy Brecker on February 26, 1985 at 2:00PM at the UNT College of Music. Includes lecture and performance by Randy Brecker, trumpet, interspersed with questions from the audience.
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Date: February 26, 1985
Creator: Brecker, Randy
Partner: UNT Music Library

Peter Erskine Lecture, March 26, 1985: Parts 1 and 2

Description: Jazz Lecture Series presentation by Peter Erskine on March 26, 1985 at 9:30AM at the UNT College of Music. It includes a lecture and performance by Peter Erskin, drums, interspersed with questions from the audience.
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Date: March 26, 1985
Creator: Erskine, Peter
Partner: UNT Music Library

Peter Erskine Lecture, March 26, 1985: Parts 1 and 2

Description: Jazz Lecture Series presentation by Peter Erskine on March 26, 1985 at 9:30AM at the UNT College of Music. It includes a lecture and performance by Peter Erskin, drums, interspersed with questions from the audience.
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Date: March 26, 1985
Creator: Erskine, Peter
Partner: UNT Music Library

Lee Konitz Lecture, April 2, 1985: Parts 1 and 2

Description: Jazz Lecture Series presentation by Lee Konitz on April 2, 1985 at 9:30AM at the UNT College of Music. It includes a lecture and performance by Lee Konitz, saxophone, interspersed with questions from the audience.
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Date: April 2, 1985
Creator: Konitz, Lee
Partner: UNT Music Library

Emily Remler Lecture, April 9, 1985: Part 3

Description: Jazz Lecture Series presentation by Emily Remler on April 9, 1985 at 2:00PM at the UNT College of Music. It includes a lecture and performance by Emily Remler, guitar, interspersed with questions from the audience.
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: April 9, 1985
Creator: Remler, Emily
Partner: UNT Music Library

[Randy Brecker Lecture, February 26, 1985: Part 1]

Description: Recording of a Jazz Lecture Series presentation by Randy Brecker on February 26, 1985 at 9:30AM at the UNT College of Music. Includes lecture and performance by Randy Brecker, trumpet, interspersed with questions from the audience.
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: February 26, 1985
Creator: Brecker, Randy
Partner: UNT Music Library

Joe Henderson Lecture, March 5, 1985: Part 3

Description: Jazz Lecture Series presentation by Joe Henderson on March 5, 1985 at 9:30AM at the UNT College of Music. It includes a lecture and performance by Joe Henderson, saxophone, interspersed with questions from the audience.
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Date: March 5, 1985
Creator: Henderson, Joe
Partner: UNT Music Library

Joe Henderson Lecture, March 5, 1985: Parts 1 and 2

Description: Jazz Lecture Series presentation by Joe Henderson on March 5, 1985 at 2:00PM at the UNT College of Music. It includes a lecture and performance by Joe Henderson, saxophone, interspersed with questions from the audience.
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Date: March 5, 1985
Creator: Henderson, Joe
Partner: UNT Music Library

Bill Taylor Lecture, March 12, 1985: Parts 1 and 2

Description: Jazz Lecture Series presentation by Bill Taylor on March 12, 1985 at 9:30AM at the UNT College of Music. It includes a lecture and performance by Billy Taylor, piano, interspersed with questions from the audience.
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Date: March 12, 1985
Creator: Taylor, Bill
Partner: UNT Music Library

Bill Taylor Lecture, March 12, 1985: Parts 1 and 2

Description: Jazz Lecture Series presentation by Bill Taylor on March 12, 1985 at 9:30AM at the UNT College of Music. It includes a lecture and performance by Billy Taylor, piano, interspersed with questions from the audience.
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: March 12, 1985
Creator: Taylor, Bill
Partner: UNT Music Library

[Burt Korall Lecture, February 12, 1985: Part 1]

Description: Recording of a Jazz Lecture Series presentation by Burt Korall on February 12, 1985 at 9:30AM at the UNT College of Music. Includes lectures by Burt Korall.
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: February 12, 1985
Creator: Korall, Burt
Partner: UNT Music Library

Lee Konitz Lecture, April 2, 1985: Part 3

Description: Jazz Lecture Series presentation by Lee Konitz on April 2, 1985 at 2:00PM at the UNT College of Music. It includes a lecture and performance by Lee Konitz, saxophone, interspersed with questions from the audience.
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: April 2, 1985
Creator: Konitz, Lee
Partner: UNT Music Library

The Dualism

Description: This composition is the second part of tetralogy "Leters" which was composed in the honor of St. Ciril and Method, a founders of Slavs alphabet. The tetralogy is based on works of prominent figures in late racy from the nine century up to date and his point of view on different problems of human existence. Trough poetry and letters of the most outstanding figure in Yugoslav literature of 19th century P.P. NJEGOS, bishop, governor, Worior and poet, "The Dualism" treats relations of human being and outer world. The composition has three sections. The first one, which is built on parts of Njegos philosophical poem Ç The Light of Microcosmos È, speaks about attempt of ordinary man to explain eternal ideas, haven and God himself and impossibility of achieving that. The second one which uses Nj egos Letters to Turks, for a long time enemies, speaks about readiness of human to fight for freedom and will to set a piece in the name of saving hit only own but also lives of enemies. Final section which has also versus from the same poem brings conclusion, about necessity of way living together of all things and opposites in the world in the favour of universal harmony. "Yes, spark gave birth to the Light Ocean was made of drops and the glory of the Lord is great within mortal and immortal. Electronic has been treated as integrated part of performing ensemble/flute, trumpet, cello, piano, percussion, actor and female choir/and has primarily function of extension of choir sound and "connection between earth and haven".
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Date: 1985
Creator: Zarko, Mirkovic, 1952-
Partner: UNT Music Library

Paysages PC

Description: If the music of the past was characterized by the contest between consonance and dissonance, the music of the present day is a contest between sound and noise. This percussion piece is located precisely in this intermedia area. The instrumentation is largely metallic, centering on gongs (Ching, Tching Lwo, Feng Lwo etc.) completed by a marimba. Structurally the piece develops from points (isolated, in varying density) by way of lines (aleatory distribution of glissando cymbals) to a surface. The pulsations and rotations of the steel drums are followed by contrast with a flexatone improvisation, leading to a renewed pulsation, with the marimba taking a virtuoso part. The work was first performed during the German Percussion Symposium Nürnberg 1986.
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Date: 1985
Creator: Jentzsch, Wilfried
Partner: UNT Music Library

Adagio

Description: Adagio is, as the title suggests, cast very much in the tradition of the late-Romantic symphonic slow movement, with its carefully measured pacing combined with a dramatic use of weight and drive. In particular, Adagio has a special relationship with the slow movements of Mahler's symphonies, this relationship being present at different levels and to different degrees at various points in the piece, ranging from the use of generally expressive gestures to explicit 'quotations' (particularly from the Andante of the Sixth Symphony). Perhaps the most easily perceived Mahlerian trait in Adagio is the use of randomly struck cowbells which permeate the Sixth and Seventh Symphonies. Adagio was composed in the summer of 1985 in the Electroacoustic Music Studios of the University of Birmingham. It won the EMAS/PRS prize in 1986.
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Date: 1985
Creator: Lewis, Andrew, 1963-
Partner: UNT Music Library

...black it stood as night

Description: This piece is a band-only version of "The Other Shape", for a percussionist and band, whose composition was screened mainly on antinomies. Between the short and the long, by example; short and resonant sound; the dry and the reverberated, or the lying down; the continuity of silence or holding, opposed to the explosion brutal and ephemeral percussive sounds, etc. Like in many others pieces, this dialectic had led me to a form typically segmented and punctuated, simple and bare. These antithetical elements are less apparent in the present version, mainly because of the absence of games played by the percussionist in the original piece. Also the shape is it less sharply cut. Some elements, and whole sections, are deleted; some items are moved. The order of exposure is recomposed in another perspective, and the realization of the mix, more tight and raised, meets the requirements of the solo band. The vast majority of sounds come from recordings of real percussion instruments. They are presented "nature" or variously transformed (timbre colorings, modulations dynamics, lengthening, reverberations, etc.). Continuous textures are composed of outfits reminiscent of the stamps of certain percussions (wood, skins, metals and bells). Towards the end of the room, brutal energetic explosions, resolving in rhythms, constitute the only elements totally foreign to this universe of percussion instrumental. They affirm, however, the same species: shock explosive, resonance, rhythm. For the realization of this band, I resorted to many composition programs, acting either at the level of whole sections, the establishment of frameworks, the detailed specification of stochastic structures, or even the arrangement of the components of certain complex sounds and textures, and the direct synthesis of some sounds. Depending on the case, these programs were written in VLISP, FORMES or C. Most of the sound elements have been calculated in deferred ...
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Date: 1985
Creator: Lorrain, Denis, 1948-
Partner: UNT Music Library