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Au nord du lac supérieur

Description: Recording of Michel Longtin's Au nord du lac supérieur.
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Date: 1972
Creator: Longtin, Michel
Partner: UNT Music Library

Concertino

Description: Recording of Miroslav Bázlik's Concertino.
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Date: 1972
Creator: Bázlik, Miroslav
Partner: UNT Music Library

Concerto grosso I

Description: Recording of Ted Dawson's Concerto grosso I.
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Date: 1972/1974
Creator: Dawson, Ted
Partner: UNT Music Library

Capriccio

Description: Recording of Ensemble Team Brno's Capriccio. Ensemble Team Brno, founded in 1967, is comprised of the members Alois Pinoš, Arnošt Parsch, Rudolf Růžička, and Miloš Štědroň. All members of the Team studied and graduated at the High Musical School at Brno, the Janáček Academy of the Musical Arts.
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Date: 1972/1974
Creator: Pinoš, Alois, 1925-2008; Parsch, Arnošt, 1936-2013; Růžička, Rudolf & Štědroň, Miloš
Partner: UNT Music Library

Batucada

Description: Recording of Gabriel Brnčić's Batucada.
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Date: 1972
Creator: Brnčić, Gabriel
Partner: UNT Music Library

Ceremony of Shrugs

Description: Recording of David Koblitz's Ceremony of Shrugs. This piece was originally composed as music to a dance choreographed by Amy Ellsworth and performed by members of the University of Michigan Dancers. It is heard here in a slightly altered form. The sounds used in the piece were produced by electrical acoustic instruments, in addition to purely electronic sources. All were subject to modification and rearrangement in the University of Michigan Electronic Music Studio.
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Date: 1972
Creator: Koblitz, David
Partner: UNT Music Library

Hardlag

Description: Recording of Alvise Vidolin's Hardlag.
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Date: 1972
Creator: Vidolin, Alvise
Partner: UNT Music Library

Voix en Miroir

Description: Recording of Dieter Kaufmann's Voix en Miroir.
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Date: 1972
Creator: Kaufmann, Dieter, 1941-
Partner: UNT Music Library

Lentement mais pas trop (suite des Saisons)

Description: Recording of Peter Kolman's Lentement mais pas trop (suite des Saisons).
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Date: 1972
Creator: Kolman, Peter, 1937-
Partner: UNT Music Library

Gérémie

Description: Recording of Pierre Bernard's Gérémie.
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Date: 1972
Creator: Bernard, Pierre
Partner: UNT Music Library

Freeze

Description: Recording of Hubert Howe's Freeze
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Date: 1972
Creator: Howe, Hubert
Partner: UNT Music Library

Subcontra X

Description: Recording of Camilla Söderberg's Subcontra X
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Date: 1972
Creator: Söderberg, Camilla
Partner: UNT Music Library

Mobile

Description: Recording of Eugeniusz Rudnik's Mobile.
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Date: 1972
Creator: Rudnik, Eugeniusz
Partner: UNT Music Library

Creación de la tierra

Description: Recording of Jacqueline Nova's Creación de la tierra
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Date: 1972
Creator: Nova, Jacqueline
Partner: UNT Music Library

Oil

Description: Recording of Pekka Siren's Oil. The piece was Siren's protest against the harbor plan proposed by the Finnish oil company Neste in the 1970s to establish a huge oil harbor in the nature preservation area in the southern coast of Finland. It was realized in YLE TV Studio two and three in 1972.
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Date: 1972
Creator: Siren, Pekka
Partner: UNT Music Library

Ordinali - ordinati

Description: Recording of Leonardo Gribaudo's Ordinali - ordinati.
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Date: 1972
Creator: Gribaudo, Leonardo, 1949-
Partner: UNT Music Library

Etude

Description: Recording of Carl Stone's Etude.
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Date: 1972
Creator: Stone, Carl
Partner: UNT Music Library

Fantasie über Zerbrochenes glas

Description: Recording of John Maryn's Fantasie über Zerbrochenes glas.
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Date: 1972
Creator: Maryn, John
Partner: UNT Music Library

Stereopticion

Description: Recording of Jon Appleton's Stereopticon.
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Date: 1972
Creator: Appleton, Jon
Partner: UNT Music Library

Omaggio a Gesualdo

Description: Recording of Peter Kolman's Omaggio a Gesualdo.
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Date: 1972
Creator: Kolman, Peter, 1937-
Partner: UNT Music Library

Embarque, on ira pas vite

Description: Recording of Michel Longtin's Embarque, on ira pas vite.
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Date: 1972
Creator: Longtin, Michel, 1946-
Partner: UNT Music Library

Psych'art

Description: Recording of Henri Pousseur's Psych'art.
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Date: 1972
Creator: Pousseur, Henri
Partner: UNT Music Library

Signal Messe

Description: Recording of Peter Tod Lewis's Signal Messe. "Signal-messe" is an attempt to make a single coherent "bi-sensory" experience from two independent media expressions. The "performers" were the creators, having long since stored their improvisations on magnetic tape or film. The "mess" of stored "signals" was severely cut, edited, processed, mixed, according to a structure that seemed to be dictated by the material itself (though, naturally, in light of subjective considerations). The structure continued to emerge when the two elements, tape and film, were presented together. It was evident they had much in common: the film seemed, incredibly, a visual analogy of the music, their internal rhythms identical. It remained simply to synchronize the two to match certain salient audio features with video ones. The film is a movie of various video patterns produced largely through video feedback of a black and white system and then converted to color by a video color quantized, a unique device which allows the operator to assign virtually any color to any value in the video grey scale. The film provides a window (a “space gate?”) into a fantastic color world that just might be the same aesthetic realm as that of the sound.
Date: 1972
Creator: Lewis, Peter Tod
Partner: UNT Music Library

Metallika Glypta III

Description: "Metallika Glypta III", is the third release of a series of three works under the same title, was written in February 1972. Their processing and the final realization were made in the studio of the author. The sculpture exhibition of Loukoupoulos (1972) was the starting point of "Metallika Glypta". The idea of ​​using sounds taken exclusively from metal sculptures was a particularly challenging stimulus. The musical activity starts at the first moment when the sound material was collected. The ideas on the making of sounds were preconceived, they came one after the other. Each successful essay highlights the emotion of the first creative success. The same emotion was found in later treatments and their inclusion in large units. The form of the work -fluent and evolving without stop- serves the integration of musical ideas in a composition that has not denied the original material. The feeling of metal is thus always present.
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Date: 1972
Creator: Adamis, Michael
Partner: UNT Music Library