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Analogias paraboloides

Description: Recording of Pedro Caryeyschi's Analogias paraboloides.
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Date: 1970
Creator: Caryeyschi, Pedro
Partner: UNT Music Library

Pythagoreis

Description: Recording of Lucian Mețianu's Pythagoreis.
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Date: [1970..1971]
Creator: Mețianu, Lucian
Partner: UNT Music Library

Two-part invention n°8

Description: Recording of Gustav Ciamaga's Two-part invention n°8 for tape.
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Date: 1970
Creator: Ciamaga, Gustav, 1930-2011
Partner: UNT Music Library

El gloton de pepperland

Description: Recording of Ariel Martínez's El gloton de pepperland.
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Date: 1970
Creator: Martínez, Ariel, 1940-
Partner: UNT Music Library

Graphie III

Description: Recording of Debravko Detoni's Graphie III.
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Date: 1970
Creator: Detoni, Dubravko
Partner: UNT Music Library

Ultra

Description: Recording of Jan W. Morthenson's Ultra.
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Date: 1970
Creator: Morthenson, Jan W., 1940-
Partner: UNT Music Library

Quodlibet VIII (version 2a)

Description: Recording of Gabriel Brnčić's Quodlibet VIII (version 2a)
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Date: 1970
Creator: Brnčić, Gabriel
Partner: UNT Music Library

L'ascension d'Euclide

Description: Recording of Horacio Vaggione's L'ascension d'Euclide.
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Date: 1970
Creator: Vaggione, Horacio, 1943-
Partner: UNT Music Library

Sueño de un niño

Description: Recording of Juan Amenábar's Sueño de un niño.
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Date: 1970
Creator: Amenábar, Juan, 1922-1999
Partner: UNT Music Library

La Panaderia

Description: Recording of Eduardo Kusnir's La Panaderia
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Date: 1970
Creator: Kusnir, Eduardo
Partner: UNT Music Library

Stereo electronic music n°2

Description: Recording of Bülent Arel's Stereo electronic music n°2.
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Date: 1970
Creator: Arel, Bülent, 1919-1990
Partner: UNT Music Library

Douze Regards dans le Monde du Son

Description: The piece was made in 1970 with the ANS synthesizer from Murzin. The work begins with an introduction made with an instrument of the family of jew's harps, the "Temir-Komonz", Kyrgyz instrument whose sound is produced by the pinching of a small steel blade and whose resonator is the oral cavity . During the performance, there is a permanent drone, the basic sound of the harmonic scale. The melody is modulated by changing the opening of the mouth. In German, it is called "Monltrommel" (drum of mouth). 12 parts: first part: "The acoustic versions", second part: "The spectral line", third part: "The decomposition of the timbre", fourth part: "The harmony of the timbre", fifth part: "Variations of the movements and of rhythm ", sixth part" The inverted harmonic versions ", seventh part:" Horizontal-vertical polyphony ", eighth part:" The variation ", ninth part:" The symbolism ", tenth part:" The mounting of the stamp ", eleventh part: "Free play", twelfth part: "It's the same timbre in a free game of all its harmonic sounds that are reproduced in a free rhythm at an even dynamic level. To continue these variations could be interesting. The general line of the variations is the passage by zones and blocks towards the separated harmonics, towards their destruction and in the contrasted sense by collecting together the harmonics. The timbre space - this is the space of perspective. From here comes the form of the composition - from unity to the details that make up the structure.
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Date: 1970
Creator: Artemiev, Eduard, 1937-
Partner: UNT Music Library