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Si tan solo fueramos libres...

Description: Recording of Rodolfo Acosta's Si tan solo fueramos libres. This work is for guitar and electronics. This work explores the possibilities of electronically manipulated guitar and a wide variety of traditional electroacoustic technique.
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Date: 1993
Duration: 7 minutes 20 seconds
Creator: Acosta R., Rodolfo, 1970-
Partner: UNT Music Library

Hake

Description: Recording of Armeno Alberts' Hake. The title refers to singing in traditional Javanese music, meaning a cry of joy. The work was entirely composed on the UPIC system, exploiting in particular the possibilities of tuning with the frequency tables. I also used frequency modulation to give an "orchestral" aspect to the sound. Many waveforms were taken from samples of gamelan orchestra instruments. The tape can be played alone or with a score for four gamelan instrumentalists.
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Date: 1993
Duration: 10 minutes 05 seconds
Creator: Alberts, Armeno, 1959-
Partner: UNT Music Library

Abrazos

Description: Recording of Daniel Almada Abrazos. For cello, double bass, and electronics.
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Date: 1993
Duration: 12 minutes 45 seconds
Creator: Almada, Daniel Alejandro, 1964
Partner: UNT Music Library

Gdod kreasi baru

Description: Recording of Ron Averill's Gdod kreasi baru. For electronics.
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Date: 1993
Duration: 14 minutes 28 seconds
Creator: Averill, Ron, 1962-
Partner: UNT Music Library

Painting legs on the snake

Description: Recording of Ron Averill's Painting legs on a snake. This work refers to an exercise in futility, which describes why the composer came to appreciate piano composition. Many literary works of the 19th century deals with the piano reflecting a dissatisfaction linked to the timbre of this instrument, which sparked questions about tonal modes and tone color. Rather than composing a tonal piece on the piano, modified already existing piano works were put through the NEXT computer and organized to c… more
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Date: 1993
Duration: 15 minutes 53 seconds
Creator: Averill, Ron, 1962-
Partner: UNT Music Library

Darkness

Description: Recording of Curtis Bahn's Darkness. This piece used traditional electronic technique to create a soundscape.
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Date: 1993
Duration: 9 minutes 32 seconds
Creator: Bahn, Curtis
Partner: UNT Music Library

Dream

Description: Recording of Curtis Bahn's Dream. This work represents dreams with a slowly changing and developing soundscape.
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Date: 1993
Duration: 9 minutes 30 seconds
Creator: Bahn, Curtis
Partner: UNT Music Library

Affranchi

Description: Recording of Alain Basso's Affranchi. This piece involves discourse between two sets of sounds, all of which are from sound recordings. The first set of sounds is comprised of aggressive tool and machine sounds, while the second set of sounds comes from soundscapes with more peaceful elements. As the composition progresses, the two sets of sounds mingle in a violent unison, while gradually a third element comes to weaken this turbulence: human breathing, calm and deep, described as a reminder … more
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Date: 1993
Duration: 7 minutes 16 seconds
Creator: Basso, Alain
Partner: UNT Music Library

Crepiter

Description: Recording of Carlos Mauricio Bejarano Calvo's Crepiter. The sound material proposes the creation of a physical and mythical environment, the transformation of the material and the transforming material. Unprocessed materials with living arts intertwine with synthetically processed materials. The voice and the metal represent the fusion of these sounds.
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Date: 1993
Duration: 13 minutes 23 seconds
Creator: Bejarano Calvo, Carlos Mauricio
Partner: UNT Music Library

Para Bla

Description: Recording of Enrique Belloc's Para Bla. This work is dedicated to the composer's daughter, Barbara. This composition does not intend to transcribe the spirit of poetry into musical discourse, but rather to pay homage to the creative nature of the writer. The work offers both, and in a veiled way, the use of a certain rhythmic gesticulation specific to techno music and the use of pitch as a type of sound material, without letting it appear for so much the notion of tonality.
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Date: 1993
Duration: 6 minutes 05 seconds
Creator: Belloc, Enrique, 1936-
Partner: UNT Music Library

LZY

Description: Recording of Valeriĭ Belunt͡sov's LZY. The Polish word Lzy means "tears" and at the same time identical to the articulation of sobbing pronounced with breath. The sound of funeral music playing in the background symbolize sobbing. Sound which breaks through the texture resembles reality.
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Date: 1993
Duration: 7 minutes 23 seconds
Creator: Belunt͡sov, Valeriĭ
Partner: UNT Music Library

Self-Portrait no.3

Description: Recording of Valeriĭ Belunt͡sov's Self Portrait no.3. This piece uses sound processing and sound effects to manipulate voice, combines with electronically built sounds.
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Date: 1993
Duration: 12 minutes 17 seconds
Creator: Belunt͡sov, Valeriĭ
Partner: UNT Music Library

Stages

Description: Recording of Daniel Bernstein's Stages. The entire composition can be understood as a single cycle of a pendulum swing. The pendulum is released in the beginning of the piece. The first and third movements were realized on MIDI synthesizers, the remixed digitally on the NeXT computer. The second section was programmed digitally on the NeXT computer, using live acoustic sounds in conjunction with, Paul Lansky's real-time mixing program rt.
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Date: 1993
Duration: 28 minutes 24 seconds
Creator: Bernstein, Daniel
Partner: UNT Music Library

Tavola IV

Description: Recording of Michele Biasutti's Tavola IV. This work is for amplified viola and electronics. This work is one of a series of pieces called Tavole where timbre and dynamic possibilities of music instruments were studied. The organization of the piece is developed by starting from a single note. The technical set-up is made up of reverb, delay, two voice harmonizer's, pitch change program, and the Yamaha SPX 1000; was used in this recording.
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Date: 1993
Duration: 11 minutes 33 seconds
Creator: Biasutti, Michele, 1963-
Partner: UNT Music Library

Within Without

Description: Recording of Thomas Bjelkeborn's Within Without. This piece is about the difficulty of evoking and retaining the sublime in our existence despite the painful awareness that our erstwhile innocent hypersensitivity won't be regained. The principle sound sources are diverse human voices and instrumental sounds.
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Date: 1993
Duration: 12 minutes 27 seconds
Creator: Bjelkeborn, Thomas, 1959-
Partner: UNT Music Library

J'ai dix doigts

Description: Recording of Philippe Blanchard's J'ai dix doigts. The piece includes sounds from the saxophone and utilizes the instrument as a sound object. It also features squeaks of hands, snapping of fingers, sounds of mouth, and more while being accompanied by samples, electronic sounds, speech, and distortive sound processing.
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Date: 1993
Duration: 19 minutes 08 seconds
Creator: Blanchard, Philippe
Partner: UNT Music Library

Cinco Epitafios

Description: Recording of Juan Blanco's Cinco Epitafios. This work was recorded in real time with processing and digital synthesis. It is separated into 5 movements.
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Date: 1993
Duration: 9 minutes 31 seconds
Creator: Blanco, Juan, 1919-2008
Partner: UNT Music Library

Loops

Description: Recording of Juan Blanco's Loops. This work uses sine tones and electronically built sounds to resemble loops for the listener.
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Date: 1993
Duration: 9 minutes 42 seconds
Creator: Blanco, Juan, 1919-2008
Partner: UNT Music Library

Variantes

Description: Recording of Juan Blanco's Variantes. This piece is built on synthetic sound and effects.
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Date: 1993
Duration: 13 minutes 24 seconds
Creator: Blanco, Juan, 1919-2008
Partner: UNT Music Library

Ensemble: 1993-04-21 - Brass Chamber Music

Description: Brass ensemble concert performed at the UNT College of Music Concert Hall.
Date: April 21, 1993
Duration: 37 minutes 29 seconds
Creator: Brass Chamber Ensemble
Partner: UNT Music Library

Ensemble: 1993-07-13 - Brass Choir

Description: Brass choir concert performed at the UNT College of Music Concert Hall.
Date: July 13, 1993
Duration: 38 minutes 48 seconds
Creator: Brass Choir
Partner: UNT Music Library

Buccharelli's Lamento

Description: Recording of Jonas Broberg's Buccharelli's Lamento. The piece was composed in December '92 and January '93 at E.M.S. in Stockholm. The sound material was generated on a Serge Modular analogue synthesizer. The work is based upon the idea of stopping for a moment in the bustle of everyday life, taking a break to find space for contemplation. Soon, however, distractions and shifting impressions from the opening of the composition reappear. Although the material was generated electronically, the sp… more
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Date: 1993
Duration: 6 minutes 58 seconds
Creator: Broberg, Jonas, 1962-
Partner: UNT Music Library
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