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Panta rhei

Description: Recording of Jürgen Bräuninger's Panta Rhei. This piece is connected for one female dancer who is connected to a synthesizer via a cable ("Umbilical cord"). "Panta Rhei" ("everything flows") refers to the Greek myth of the Three Fates (Clotho, Lachesis and Atropos). The cable represents the string of life which the performer can not escape. This dependency forces her to react to the sound events with reach her through the cable.
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Date: 1978/1979
Duration: 11 minutes 40 seconds
Creator: Bräuninger, Jürgen, 1956-
Partner: UNT Music Library

Tanz-Trypticon

Description: Recording of Jürgen Bräuninger's Tans-Trypticon.
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Date: 1979
Duration: 34 minutes 11 seconds
Creator: Bräuninger, Jürgen
Partner: UNT Music Library

Chacoel (Musik für den frühen Abend)

Description: Recording of Martin Rudolf Schwarzenlander-Fischer's "Chacoel (Musik für den frühen Abend)" for tape.
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Date: 1980
Duration: 9 minutes 54 seconds
Creator: Fischer, Martin
Partner: UNT Music Library

The waste land

Description: Recording of Elżbieta Sikora's The waste land, for fixed media. The piece is a journey through time and spaces. The present is mixed with the past, the ordinary with the extraordinary, dream with reality. The work was commissioned by the Experimental Studio of Polish Radio and was realized in October 1979. The text comes from T. Elliot's poem "The Waste Land."
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Date: 1979
Duration: 24 minutes 09 seconds
Creator: Sikora, Elżbieta, 1943-
Partner: UNT Music Library

Andere die Welt, sie braucht es

Description: Recording of Wilhelm Zobl's Andere die Welt, sie braucht es.
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Date: 1973
Duration: 15 minutes 14 seconds
Creator: Zobl, Wilhelm, 1950-1991
Partner: UNT Music Library

Abominable A

Description: Recording of Luigi Ceccarelli's "Abominable A" for magnetic tape. The piece includes the voices of Kadigia Bove, Francesca Furlanetto, Eugenio Giordani, Luciano Martinis, Michela Mollia, Achille Perilli, Marina Poggi, Enrico Pulsoni, Giovanni Puma, Kerstin Riemer, Claudio Rufa, Stefano Scodanibbio, Gaetano Trusso, and Catherine Verwilgen. The piece contains a recitation of all the words in the Italian vocabulary that begin with the letter A, read in sequence from voices with different stamps, rhythms, and intonations. To these are added other sequences in French, German, and English. The work is divided into fifteen sections, each of which has a different criterion for processing the timbre, rhythm, and space. It was realized at the Electronic Laboratory for Experimental Music at the Conservatory "G. Rossini" in Pesaro from 1978 to 1980.
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Date: 1978/1980
Duration: 27 minutes
Creator: Ceccarelli, Luigi
Partner: UNT Music Library

Le grand silence d'un seul oiseau

Description: Recording of Will Eisma's "Le grand silence d'un seul oiseau" ("The great silence of a single bird") for tape. During World War II, a network of 40,000 km of trenches crossed South Flanders and the North of France. Still today, there remains part of these trenches as a long underground tunnel somewhere around Metz and Verdun. The composition represents an imaginary underground journey from Calais to the Swiss border, through the infernal moles, in the gloomy and frightening obscurity of this absurd war. The poem of Ab Van Eyk tells of these horrors: "Someone walks forward, slowly spitting out his lungs, while a bird pass near me, the gas ......... The night shows fiery angels, among the lights of the "no man's land "; until the twilight silence arrives, the great silence of a only bird, just before sunrise raspberry color." The piece was composed and realized in the studio Five Roses in April 1981.
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Date: 1981
Duration: 14 minutes 37 seconds
Creator: Eisma, Will, 1929-
Partner: UNT Music Library

Sicher sein...

Description: Recording of Max E. Keller's Sicher sein... This piece confronts newspaper articles on the subject of redundancies, read by the orator, with the advertising slogan "Sicher sein, Bankverein."
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Date: 1976
Duration: 23 minutes 29 seconds
Creator: Keller, Max E., 1947-
Partner: UNT Music Library

Hymnen

Description: Recording of Max E. Keller's Hymnen ("Hymns"). This is the Radio Version of the piece which was broadcasted in 1979. This piece confronts the authentic account of a Chilean's experience of torture by the Chilean fascists by means of a collage of national anthems. Hymns and anthems from countries that directly supported the fascist coup (or indirectly benefited from it) are used as base material. At first, only fragments of hymns are presented, then they are processed as a whole, and finally they are put together into a new anthem. This demonstrates their interchangeability in their music and lyrics (therefore, they are used without text). The idealistic glorifications tilt in the face of reality in stark mockery. This is further articulated by the fact that between the individual texts of the collage, the Chilean hymn sings and unprocessed re-sounds. The chivalric song of the French Revolution is the cipher and historical source of all the promises of freedom, equality and fraternity that the hymns give, but history has not fulfilled to this day.
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Date: 1979
Duration: 14 minutes 17 seconds
Creator: Keller, Max E., 1947-
Partner: UNT Music Library

Moulin diabolique

Description: Recording of Eugeniusz Rudnik's Moulin Diabolique" ("Devilish Mill"). The work consists of six sequence that have their own dramatic, musical, and architectural meaning independent of the piece as a whole. The piece is based on military orders in different languages, as well as the sounds emitted by human groups (soldiers), which constitute the answer itself or accompany the answer that is required. The composer processes the sounds of the orders to deepen the grotesque and lugubrious character that these orders contain.
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Date: 1979
Duration: 17 minutes 13 seconds
Creator: Rudnik, Eugeniusz
Partner: UNT Music Library

Play bach

Description: Recording of Mayako Kubo's Play bach for eight channel tape. Play Bach is mainly based on two elements: first, there is no fixed form and no fixed duration because the composition consists in a mobile-system; second, the sound material uses only the tones B (Si-flat), A (La), C (Do), and H (Si) in different octaves performed by three instruments and with the letters B, A, C, and H spoken with human voice. Because the eight tracks are combined using a mobile system, each performance presents different combinations and thus a different performance each time.
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Date: 1980/1981
Duration: 18 minutes 23 seconds
Creator: Kubo, Mayako
Partner: UNT Music Library

Son recif

Description: Recording of Jacqueline Ozanne's "Son recif" for voice and tape. This piece comes from a work on the myth of the sirens and includes texts written on this theme in their original languages. As the singer/speaker repeats the story, it is crossed by the sounds of these languages, by songs that cannot continue, as well as successive states of emotion. The electroacoustic tape plays a constant dramatic role: sometimes worrisome, sometimes reassuring, sometimes enveloping presences, it continually influences the interpreter in their vocal and dramatic production. The performance includes a video projection.
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Date: 1981
Duration: 20 minutes 52 seconds
Creator: Ozanne, Jacqueline
Partner: UNT Music Library

Mr Frankenstein's Babies

Description: Recording of Klaus Röder's Mr Frankenstein's Babies for tape. The sound material consists only of voice sounds recorded by Röder himself. The sounds were worked out in an envelope shape and then copies upon the other so that there was a "chorus" sound.
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Date: 1979
Duration: 10 minutes 52 seconds
Creator: Röder, Klaus, 1948-
Partner: UNT Music Library

Pax

Description: Recording of Gottfried Martin's Pax for tape. Includes electronic and natural sounds, including voice, news recordings, and recordings of war sounds.
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Date: 1983
Duration: 18 minutes 03 seconds
Creator: Martin, Gottfried
Partner: UNT Music Library

Chanson

Description: Recording of Dieter Kaufmann's Chanson.
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Date: 1971
Duration: 8 minutes 22 seconds
Creator: Kaufmann, Dieter
Partner: UNT Music Library

Hommage aux grands faux penseurs

Description: Recording of Sven-Erik Bäck's Hommage aux grands faux penseurs.
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Date: unknown
Duration: 7 minutes 35 seconds
Creator: Bäck, Sven-Erik
Partner: UNT Music Library

Unter dem Pflasterstein liegt der Strand

Description: Recording of Martin Schwarzenlander's Unter dem Pflasterstein liegt der Strand. The music is interspersed with text about demonstrations in East Germany during the 1970s.
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Date: 1977
Duration: 12 minutes
Creator: Schwarzenlander, Martin
Partner: UNT Music Library

Maa'ts

Description: Recording of Bogusław Schäffer's Maa'ts for tape (4-lane). The composition if a collage for voices and electronics. The choir sings in harmonically exact microcompositions.The piece was produced in February 1981 in the studio of the Technical University Berlin.
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Date: February 1981
Duration: 9 minutes 51 seconds
Creator: Schäffer, Bogusław
Partner: UNT Music Library

Twilights "protokolle für tonband gleichzeitiz gespielt mit window"

Description: Recordings of Gerhard Stäbler's Twilights "protokolle für tonband gleichzeitiz gespielt mit window" (Ewilights "Protocols for tape played simultaneously with window"). Poems were written by Ernestro Cardenal and other texts were taken out of "NEWSWEEK" issues between Auguest 1 and 8, 1983. Produced at the Computer Center of Stanford University/California.
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Date: 1983
Duration: 2 hours 2 minutes 56 seconds
Creator: Stäbler, Gerhard
Partner: UNT Music Library

3 elektronische Studien

Description: Recording of Lothar Voigtländer's 3 elektronische Studien. The basis for the composition are the poems of the poet Erich Arendt. The poems were written around 1925 in his Expressionist creative period. Accordingly, the compositional means: concrete musical material is mixed with electronic sounds to achieve a strongly expressive and suggestive associative effect. It is less thought of as a "setting" of the texts, but should be added to the often strongly symbolic language formulations as a different, musical dimension. The vocals and the piano usually work live. The piano is mostly treated as unrecognizable - this is to achieve a seamless insertion into the electro-acoustic sound material. In a performance, both piano and singer can be electro-acoustically amplified and to a lesser extent technically manipulated (reverberation, iteration, etc).
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Date: 1975
Duration: 9 minutes 49 seconds
Creator: Voigtländer, Lothar, 1943-
Partner: UNT Music Library

Variation und collage

Description: Recording of Lothar Voigtländer's "Variation und collage" for voice and tape. The text is from a poem by F. G. Lorca. The human voice serves at primary sound material (murmurs, screams, editing, deformations). There are few synthetic sounds that were created through the use of the ARP synthesizer.
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Date: 1977/1980
Duration: 7 minutes 28 seconds
Creator: Voigtländer, Lothar, 1943-
Partner: UNT Music Library

Faculty Recital: 2012-09-17 - Jennifer Lane, mezzo-soprano; Paul Leenhouts, recorder; Cynthia Roberts, baroque violin; Allen Whear, baroque cello; Christoph Hammer, harpsichord and organ

Description: A faculty and guest artist recital performed at the UNT College of Music Voertman Hall.
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Date: September 17, 2012
Duration: 1 hour 12 minutes 30 seconds
Creator: Lane, Jennifer, 1954-; Leenhouts, Paul, 1957-; Roberts, Cynthia; Whear, Allen & Hammer, Christoph
Location: 33.210701 -97.150088
Partner: UNT Music Library

Ensemble: 2012-09-25 - Choralfest! 2012

Description: UNT Choralfest! Concert presented at the UNT College of Music Winspear Hall.
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Date: September 25, 2012
Duration: 47 minutes 11 seconds
Creator: UNT Concert Choir
Location: 33.206333 -97.155065
Partner: UNT Music Library
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