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Dizzy Gillespie at Birdland

Description: A French-language program featuring Dizzy Gillespie performing at Birdland, along with an interview with John Hammond.
Date: July 2, 1956
Creator: Gillespie, Dizzy, 1917-1993 & Roberts, Bill
Partner: UNT Music Library

La promenade du dimanche

Description: Recording of Pierre Boeswillwald's La promenade du dimanche. First encounter with the widest possible electroacoustic language. The shape and geometry of sounds fade away in favor of emotion, images and climates. Sunday, day of rest where we do nothing but the simulacrum of what we would like to do!
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Date: 1968
Creator: Boeswillwald, Pierre
Partner: UNT Music Library

Marché calme et irrégulier

Description: Recording of Christian Clozier's Marché calme et irrégulier.
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Date: 1969
Creator: Clozier, Christian, 1945-
Partner: UNT Music Library

Ahora

Description: Recording of Ivan Pequeño's Ahora.
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Date: unknown
Creator: Pequeño, Ivan
Partner: UNT Music Library

Une croix de bouleau au nord

Description: Recording of Michel Longtin's Une Croix de bouleau au nord. A birch cross in the North Black sky, cold, winter, Indian in the rocky who just brought his wife to the cemetery, suicide.
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Date: unknown
Creator: Longtin, Michel
Partner: UNT Music Library

Doctoral Recital: 2007-03-01 - Jessica McCormack, soprano

Description: Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
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Date: unknown
Creator: McCormack, Jessica
Partner: UNT Music Library

Doctoral Recital: 2011-11-22 - Seungmo Lim, tenor

Description: Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
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Date: unknown
Creator: Lim, Seungmo
Partner: UNT Music Library

Grafitti

Description: Recording of René Cesar's Grafitti.
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Date: unknown
Creator: Cesar, René
Partner: UNT Music Library

Presque rien no.2

Description: Recording of Luc Ferrari's Presque rien no. 2. One of the main features of Presque Rien No. 2 is narration, not in the sense of telling a story, but rather to define the time, indicating that something is happening in one place. Contrary to the soundscapes where the place is perceptible, the elements that it uses and designates as the sound of everyday life incite, by the concept of a minimal story and not an event history, to a journey in time; it is the randomness of everyday sounds consisting of a substance and belonging to everyday actions that builds time. The intention to tell is there, but remains unclear.
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Date: unknown
Creator: Ferrari, Luc
Partner: UNT Music Library

Catchwave 71

Description: Recording of Takehisa Kosugi's Catchwave 71.
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Date: 1971
Creator: Kosugi, Takehisa
Partner: UNT Music Library

Chanson

Description: Recording of Dieter Kaufmann's Chanson.
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Date: 1971
Creator: Kaufmann, Dieter
Partner: UNT Music Library

Un téléphone

Description: Recording of Pierre Boeswillwald's Un téléphone.
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Date: 1971
Creator: Boeswillwald, Pierre, 1934-
Partner: UNT Music Library

Personnage

Description: Recording of Makoto Shinohara's Personnage
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Date: 1973
Creator: Shinohara, Makoto
Partner: UNT Music Library

Innominé

Description: Recording of Léo Kupper's Innominé.
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Date: 1974
Creator: Kupper, Léo, 1935-
Partner: UNT Music Library

Tu viens chéri(e)

Description: Recording of Bernard Heidsieck's Tu viens chéri(e). The composer recorded 5 men and 5 women saying the sentence "Tu viens, chéri(e)" 150 times in a row and then combined this recording with mixed tape. The tape is stereo, with the women at the beginning on one track and the men on another, until all voices are together on both tracks. The entire piece represents a verbal orgasm with an unexpected phenomenon of more panic in each voice than of tenderness.
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Date: 1975
Creator: Heidsieck, Bernard, 1928-2014
Partner: UNT Music Library

12 heures 45 minutes

Description: Recording of Patrick Fleury's 12 heures 45 minutes.
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Date: 1976
Creator: Fleury, Patrick
Partner: UNT Music Library

Droite, hommage à Le Corbusier

Description: Recording of Denis Lorrain's Droite, hommage à Le Corbusier. This piece uses ten basic materials whose durations are fixed in the range of 5-30 seconds and marked by percussive strikes. There are two free sequences that incorporate trombone and vibraphone. The piece is elaborated on by simple instrumental sounds and reading of texts.
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Date: 1976
Creator: Lorrain, Denis
Partner: UNT Music Library

Espaces sonores pour des textes de Jean Tortel

Description: Recording of Francis Dhomont's Espaces sonores pour des textes de Jean Tortel. This piece begins with the poet himself (Jean Tortel) reading his poem aloud and then exchanging verses with a female speaker. Instrumental sections of music fill in the gaps between the speakers or play softly beneath the spoken voice.
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Date: 1976
Creator: Dhomont, Francis, 1926-
Partner: UNT Music Library

Guimauve

Description: Recording of Frank Royon Le Mée's Guimauve. Band concert version of a musical theater for: 3 readers 2 dancers 1 walk-on actor and tape recorder As a result of a month's stay in a psychiatric hospital, in all that sick "I succeeded?" After several attempts, gathering memories, various notes to paint a picture of tension, pain, laugh, forces, splinters, implosion, imbalance… Guimauve 4 parts of atmosphere
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Date: 1976
Creator: Royon Le Mée, Frank, 1953-1993
Partner: UNT Music Library

11 september

Description: Recording of Carl Bergstrøm-Nielsen's "11 september." The text is from a document called "What is MIR?" which was sent out illegally in Chile in 1974 and from the appeal of MIR two years after the taking over by the junta, on September 11, 1975. A left-wing party, MIR stayed in Chile in order to contribute as efficiently as possible to the building of the opposition. Other sound material also includes sounds from a typewriter and a demonstration at Bastad, Sweden in September 1975 at a tennis match between Sweden and Chile with more than 4,000 participants. The text is taken in small excerpts from the document in Spanish, English, Swedish, Danish, French, Dutch, and Icelandic. The piece consists of three sections overlapping each other gradually, which shows the relationship between the spoken words and the immediate danger connected with that text. The first section "as a spontaneous statement," deals with the document at its direct background: the silence is broken, in spite of the danger connected with the writing, manifolding papers that criticize the politics and methods of the junta and discuss the strategy of the opposition. The second section deals with the document as a medium of discussion. At the end of this section, the "media-environment," "almost as a magazine on foreign affairs," is broken by shouts from the demonstration at the Bastad which were heard directly in Chilean TV. The third section is about the appeal of MIR as a direct request to the audience: to isolate the junta through a boycott of Chilean products and through demanding from national politicians to break the silence which has long been maintained, among other places in the United Nations of which Chile is still a member. Inspiration for the piece came from the composer's participation in the activities of the ...
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Date: 1977
Creator: Bergstrøm-Nielsen, Carl
Partner: UNT Music Library

Liège à Paris

Description: Recording of Henri Pousseur's Liège à Paris for tape. The preposition "à" refers to several possible verbs: first, Liège thinks of Paris, and his first way of expressing it is to go there in a fictitious way, to play to visit it, to be there. So one can perceive that this is not just an illusion, that Liege (just like Geneva or Montreal) is in Paris, in every sense of the word, including that of 'to belong'. All these cities are part of a vast linguistic and cultural fabric, of which Paris is undoubtedly the heart. Finally, he dreams of a Paris really deserving its title of "City-light", to which Liège would strive to answer (even if its blast furnaces are extinguished one after the other) by that of "Cité ardente". Apart from the spontaneous, daily, improvised words gleaned from here and there by more or less indiscreet tape recorders, apart from four groups of brief quotations from Arcane 17 by André Breton, and apart from a promulgation of a rather official, easy to identify (and that our author has already incorporated into one of his prose), the texts used are all extracts of works by Michel Butor ("I hate Paris", main text, included in "Where" and "The island at the end of the world", in "Repertoire III"). Voice of Frédéric Bosseur, Jean-Yves Bosseur, Jean Drèze, René Hainaux, Isabelle Pousseur, a group of pupils of declamation classes of the Conservatoire de Liège, a group of collaborators of the Center for Musical Research of Wallonia and the children of the collaborators.
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Date: 1977
Creator: Pousseur, Henri
Partner: UNT Music Library

Unter dem Pflasterstein liegt der Strand

Description: Recording of Martin Schwarzenlander's Unter dem Pflasterstein liegt der Strand. The music is interspersed with text about demonstrations in East Germany during the 1970s.
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Date: 1977
Creator: Schwarzenlander, Martin
Partner: UNT Music Library

Abominable A

Description: Recording of Luigi Ceccarelli's "Abominable A" for magnetic tape. The piece includes the voices of Kadigia Bove, Francesca Furlanetto, Eugenio Giordani, Luciano Martinis, Michela Mollia, Achille Perilli, Marina Poggi, Enrico Pulsoni, Giovanni Puma, Kerstin Riemer, Claudio Rufa, Stefano Scodanibbio, Gaetano Trusso, and Catherine Verwilgen. The piece contains a recitation of all the words in the Italian vocabulary that begin with the letter A, read in sequence from voices with different stamps, rhythms, and intonations. To these are added other sequences in French, German, and English. The work is divided into fifteen sections, each of which has a different criterion for processing the timbre, rhythm, and space. It was realized at the Electronic Laboratory for Experimental Music at the Conservatory "G. Rossini" in Pesaro from 1978 to 1980.
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Date: 1978/1980
Creator: Ceccarelli, Luigi
Partner: UNT Music Library

Complices, pour un lendemain fête

Description: Recording of Frank Royon le Mée's Complices, pour in lendemain fête. Extracts from the three big hours of the office for a day-after party. For voice, processing device, magnetic tape, analog synthesizers. The vocal sequences have been elaborated and are sung by the composer. For Complices, techniques used: singing with harmonic (2 voices), Tibetan singing. Complices: made following a study visit during the spring
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Date: 1978
Creator: Royon Le Mée, Frank, 1953-1993
Partner: UNT Music Library