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Senior Recital: 2007-04-14 - Leah Roxanna Milne, soprano

Description: A senior recital presented at the UNT College of Music Concert Hall.
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Date: April 14, 2007
Duration: 27 minutes 22 seconds
Creator: Milne, Leah Roxanna
Partner: UNT Music Library

Catchwave 71

Description: Recording of Takehisa Kosugi's Catchwave 71.
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Date: 1971
Duration: 17 minutes
Creator: Kosugi, Takehisa
Partner: UNT Music Library

Rapid eye movement

Description: Recording of Roger Doyle's Rapid eye movement. The title refers to the type of sleep called "Rapid Eye Movement" or REM, which is dream sleep. During REM sleep, the muscles of the eyes move as though the dreamer were watching something. Structurally, the work is conceived in the same way as Déjà vu occurs in life. There are 30 or 40 instances of mysterious familiarities of the same sounds placed in totally different contexts. Like the human cell, any extract from the composition will reveal the main elements comprising it - the part reflects the whole.
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Date: 1978/1980
Duration: 14 minutes 25 seconds
Creator: Doyle, Roger
Partner: UNT Music Library

The waste land

Description: Recording of Elżbieta Sikora's The waste land, for fixed media. The piece is a journey through time and spaces. The present is mixed with the past, the ordinary with the extraordinary, dream with reality. The work was commissioned by the Experimental Studio of Polish Radio and was realized in October 1979. The text comes from T. Elliot's poem "The Waste Land."
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Date: 1979
Duration: 24 minutes 09 seconds
Creator: Sikora, Elżbieta, 1943-
Partner: UNT Music Library

Sous le regard d'un soleil noir

Description: Recording of Francis Dhomont's "Sous le regard d'un soleil noir" )"Under the Glare of a Black Sun") performed by the speakers Pierre Louet, Marthe Forget, and Arthur Bergeron. This is the original recording of the piece that was created in 1982. The text is primarily by Ronald D. Laing and the piece also features quotes by Plato, Franz Kafka, and K. Georg Buchner. The eight sections of the work were inspired by reading the work of the psychiatrist and psychoanalyst Ronald D Laing. The eight sections of the piece are as follows: 1. Pareil a un voyageur perdu (Like a Traveler Who's Been Lost); 2. Engloutissement (Engulfment); 3. Arrête! Arrête! Elle me tue (Stop it. Stop it. She's Killing Me); 4. Implosion; 5. Le moi divisé (The Divided Self); 6. Citadelle intérieure (Inner Citadel); 7. Pétrification (Petrification); 8. Le message quand vient le soir (The Message at the Coming of Night). The piece focuses on the experience of schizophrenia, something Dhomont calles a "particular form of human tragedy... the dissolution of the being and the exploding of personality, where a universe of implacable confinement is constructed." The "clinical commentaries" of the narrators, as the comments of a therapist/coryphaeus (though not devoid of tenderness), serve as landmarks throughout the work, though they only serve to introduce the distance, using few caesuras that will spare pathos from pathetic, and in regard to ourselves, voyeurism. Dhomont describes the piece as being "the history of a shipwreck: the hallucinated derivation across an obsessional landscape where the note B-natural is the obsessed character, the tonic axis that binds together the eight sections." The veritable ostinato, an "Invention on one note," recalls the idea of Wozzeck by Alban Berg. The original version of "Sous Ie regard d'un soleil noir" was produced in 1979-80 in the studios …
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Date: 1979/1981
Duration: 51 minutes 33 seconds
Creator: Dhomont, Francis, 1926-
Partner: UNT Music Library

Pot Pourri

Description: Recording of Alain Thibault and Marcelle Deschenes's "Pot Pourri," a reduced version of the multimedia work OPERAaaAAH.
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Date: 1984
Duration: 25 minutes 17 seconds
Creator: Thibault, Alain, 1956- & Deschênes, Marcelle, 1939-
Partner: UNT Music Library

Abominable A

Description: Recording of Luigi Ceccarelli's "Abominable A" for magnetic tape. The piece includes the voices of Kadigia Bove, Francesca Furlanetto, Eugenio Giordani, Luciano Martinis, Michela Mollia, Achille Perilli, Marina Poggi, Enrico Pulsoni, Giovanni Puma, Kerstin Riemer, Claudio Rufa, Stefano Scodanibbio, Gaetano Trusso, and Catherine Verwilgen. The piece contains a recitation of all the words in the Italian vocabulary that begin with the letter A, read in sequence from voices with different stamps, rhythms, and intonations. To these are added other sequences in French, German, and English. The work is divided into fifteen sections, each of which has a different criterion for processing the timbre, rhythm, and space. It was realized at the Electronic Laboratory for Experimental Music at the Conservatory "G. Rossini" in Pesaro from 1978 to 1980.
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Date: 1978/1980
Duration: 27 minutes
Creator: Ceccarelli, Luigi
Partner: UNT Music Library

Doctoral Recital: 2007-04-10 - Marilia Gabriela Gimenes, flute

Description: Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree
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Date: April 10, 2007
Duration: 51 minutes 56 seconds
Creator: Gimenes, Marilia Gabriela
Partner: UNT Music Library

Doctoral Recital: 2007-04-09 - Yi-Jan "Rachel" Liu, percussion

Description: Recital presented at the UNT College of Music Recital Hall in fulfillment of the Doctor of Music Arts (DMA) degree
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Date: April 9, 2007
Duration: 56 minutes 31 seconds
Creator: Liu, Yi-Jan "Rachel"
Partner: UNT Music Library

Le grand silence d'un seul oiseau

Description: Recording of Will Eisma's "Le grand silence d'un seul oiseau" ("The great silence of a single bird") for tape. During World War II, a network of 40,000 km of trenches crossed South Flanders and the North of France. Still today, there remains part of these trenches as a long underground tunnel somewhere around Metz and Verdun. The composition represents an imaginary underground journey from Calais to the Swiss border, through the infernal moles, in the gloomy and frightening obscurity of this absurd war. The poem of Ab Van Eyk tells of these horrors: "Someone walks forward, slowly spitting out his lungs, while a bird pass near me, the gas ......... The night shows fiery angels, among the lights of the "no man's land "; until the twilight silence arrives, the great silence of a only bird, just before sunrise raspberry color." The piece was composed and realized in the studio Five Roses in April 1981.
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Date: 1981
Duration: 14 minutes 37 seconds
Creator: Eisma, Will, 1929-
Partner: UNT Music Library

C.A.S.

Description: Recording of Boyko Stoyanov's C.A.S. Stoyanov was inspired by the interpretation of Chopin's Op. 30, no. 1 by the Japanese pianist Rikako Akatsu, performed at the Chopin Piano Competition in Warsaw. In this work, the composer wanted to create a unique form, the basis of which provided by the electroacoustic music.
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Date: 1980
Duration: 16 minutes 17 seconds
Creator: Stoyanov, Boyko
Partner: UNT Music Library

L'agrippe des droits

Description: Recording of Henri Chopin's L'agrippe des droits. One male voice reads the poem which is then electronically processed. Written for Christian Clozier. Henri Chopin's "Audiopoems" was originally realsed on cassette by Edition Hundertmark as 89. Karton in 2001. Only 500 copies were released.
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Date: [1980,1995]
Duration: 10 minutes 09 seconds
Creator: Chopin, Henri
Partner: UNT Music Library

12 heures 45 minutes

Description: Recording of Patrick Fleury's 12 heures 45 minutes.
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Date: 1976
Duration: 9 minutes 16 seconds
Creator: Fleury, Patrick, 1951-
Partner: UNT Music Library

Ahora

Description: Recording of Ivan Pequeño's Ahora.
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Date: unknown
Duration: 16 minutes 31 seconds
Creator: Pequeño, Ivan
Partner: UNT Music Library

Fusar 3

Description: Recording of Arsène Souffriau's Fusar 3 for four mixed voices, four percussionist and two synthesizers. This piece is aleatoric music and is a collective improvisation by the performers. This recording of the collective improvisation took place on Thursday, September 1979 at around midnight. The interpreters were Viollette Beaujeant, Madeleine Fabrice, André Van Belle, and Arsène Souffriau. During the recording, each performer spoke, sang and manipulated various percussion instruments. Then, a selection was made and various sequences retained by Souffriau were reworked electro-acoustically. He then manipulated these sequences in order to create the stereophonic version presented here.
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Date: 1979
Duration: 13 minutes 59 seconds
Creator: Souffriau, Arsène, 1926-
Partner: UNT Music Library

Son recif

Description: Recording of Jacqueline Ozanne's "Son recif" for voice and tape. This piece comes from a work on the myth of the sirens and includes texts written on this theme in their original languages. As the singer/speaker repeats the story, it is crossed by the sounds of these languages, by songs that cannot continue, as well as successive states of emotion. The electroacoustic tape plays a constant dramatic role: sometimes worrisome, sometimes reassuring, sometimes enveloping presences, it continually influences the interpreter in their vocal and dramatic production. The performance includes a video projection.
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Date: 1981
Duration: 20 minutes 52 seconds
Creator: Ozanne, Jacqueline
Partner: UNT Music Library

Droite, hommage à Le Corbusier

Description: Recording of Denis Lorrain's Droite, hommage à Le Corbusier. This piece uses ten basic materials whose durations are fixed in the range of 5-30 seconds and marked by percussive strikes. There are two free sequences that incorporate trombone and vibraphone. The piece is elaborated on by simple instrumental sounds and reading of texts.
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Date: 1976
Duration: 18 minutes
Creator: Lorrain, Denis
Partner: UNT Music Library

Sensors IV

Description: Recording of Alcides Lanza's Sensors IV performed in 1984 by the McGill Concert Choir, conducted by Christopher Reynolds. The tape was realized at the Composer's studio (SHELAN Studio) and McGill University EMS in Montreal, QC, Canada. The piece explores different techniques of vocal wiring, especially the relationship of semantics, languages, and memory. The word "Memory" constitutes the entire text for the piece - using letter sound, recombinations of the word, and adding syllables from other languages that share similar etymology. Recording of the word "memories" -- Meg Sheppard's voice -- is used in the realization of the piece.
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Date: 1983/1984
Duration: 16 minutes 58 seconds
Creator: Lanza, Alcides
Partner: UNT Music Library

Naissance et agonie de ma lampe de chevet

Description: Recording of Michel Redolfi's "Naissance et agonie de ma lampe de chevet" ("Birth and agony of my bedside lamp").
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Date: 1981?
Duration: 10 minutes 14 seconds
Creator: Redolfi, Michel, 1951-
Partner: UNT Music Library

Tu viens chéri(e)

Description: Recording of Bernard Heidsieck's Tu viens chéri(e). The composer recorded 5 men and 5 women saying the sentence "Tu viens, chéri(e)" 150 times in a row and then combined this recording with mixed tape. The tape is stereo, with the women at the beginning on one track and the men on another, until all voices are together on both tracks. The entire piece represents a verbal orgasm with an unexpected phenomenon of more panic in each voice than of tenderness.
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Date: 1975
Duration: 14 minutes 29 seconds
Creator: Heidsieck, Bernard, 1928-2014
Partner: UNT Music Library

Un téléphone

Description: Recording of Pierre Boeswillwald's Un téléphone.
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Date: 1971
Duration: 13 minutes 16 seconds
Creator: Boeswillwald, Pierre, 1934-
Partner: UNT Music Library

Des nombres et des mots

Description: Recording of Louis Chretiennot's "Des nombres et des mots." The piece begins with a man reciting numbers 1-10 in French; after the first reading, electronic manipulation is added.
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Date: 1983
Duration: 13 minutes 43 seconds
Creator: Chrétiennot, Louis 1954-
Partner: UNT Music Library

Adieu petit prince

Description: Recording of Ton Bruynèl's radio composition on the theme of "Le Petit Prince" by Antoine de Saint-Exupéry, "Adieu petit prince." The text of the composition is partly taken from a critical analysis of the children's book entitled "Fantaisie et mystique dans le Petit Prince" by Yves le Hir. The piece was commissioned by the Netherlands Broadcasting Foundation.
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Date: 1982
Duration: 19 minutes 04 seconds
Creator: Bruynèl, Ton
Partner: UNT Music Library
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