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Sacred Set Number 1: Bassoon Part ORCH-02766-10

Description: Bassoon part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hym when pathos are not apparent. No. 2 suggests the patethetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."
Date: 1917
Creator: Luz, Ernst
Partner: UNT Music Library

Sacred Set Number 1: Cello Part

Description: Cello part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hym when pathos are not apparent. No. 2 suggests the patethetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."
Date: 1917
Creator: Luz, Ernst
Partner: UNT Music Library

Sacred Set Number 1: 2nd Clarinet in B-flat Part ORCH-02766-12

Description: 2nd Clarinet in B-flat part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hym when pathos are not apparent. No. 2 suggests the patethetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."
Date: 1917
Creator: Luz, Ernst
Partner: UNT Music Library

Sacred Set Number 1: Timpani (F & C; F & Bb) Part

Description: Timpani (F & C; F & Bb) part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hym when pathos are not apparent. No. 2 suggests the patethetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."
Date: 1917
Creator: Luz, Ernst
Partner: UNT Music Library

Sacred Set Number 1: 1st & 2nd Cornets in B-flat Part ORCH-02766-13

Description: 1st & 2nd Cornets in B-flat part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hym when pathos are not apparent. No. 2 suggests the patethetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."
Date: 1917
Creator: Luz, Ernst
Partner: UNT Music Library

Sacred Set Number 1: Piano Part

Description: Piano part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hym when pathos are not apparent. No. 2 suggests the patethetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."
Date: 1917
Creator: Luz, Ernst
Partner: UNT Music Library

Sacred Set Number 1: Flute Part ORCH-02766-08

Description: Flute part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hym when pathos are not apparent. No. 2 suggests the patethetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."
Date: 1917
Creator: Luz, Ernst
Partner: UNT Music Library

Sacred Set Number 1: Viola Part

Description: Viola part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hym when pathos are not apparent. No. 2 suggests the patethetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."
Date: 1917
Creator: Luz, Ernst
Partner: UNT Music Library

Sacred Set Number 1: 1st Clarinet in B-flat Part ORCH-02766-11

Description: 1st Clarinet in B-flat part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hym when pathos are not apparent. No. 2 suggests the patethetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."
Date: 1917
Creator: Luz, Ernst
Partner: UNT Music Library

Sacred Set Number 1: Bass Part

Description: Bass part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hym when pathos are not apparent. No. 2 suggests the patethetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."
Date: 1917
Creator: Luz, Ernst
Partner: UNT Music Library

Sacred Set Number 1: Horns in F Part

Description: Horns in F part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hym when pathos are not apparent. No. 2 suggests the patethetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."
Date: 1917
Creator: Luz, Ernst
Partner: UNT Music Library

Sacred Set Number 1: Oboe Part ORCH-02766-09

Description: Oboe part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hym when pathos are not apparent. No. 2 suggests the patethetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."
Date: 1917
Creator: Luz, Ernst
Partner: UNT Music Library
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