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Ensemble: 1992-11-09 – UNT Percussion Ensemble Concert

Description: Percussion concert performed at the UNT College of Music Concert Hall.
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Date: November 9, 1992
Duration: 1 hour 14 minutes 17 seconds
Creator: 12:00 Percussion Ensemble
Partner: UNT Music Library

Ensemble: 1990-04-02 - Percussion Ensemble Concert

Description: Percussion ensembles concert performed at the UNT College of Music Recital Hall.
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Date: April 2, 1990
Duration: 1 hour 11 minutes 48 seconds
Creator: 1:00 Monday/Wednesday Ensemble
Partner: UNT Music Library

Ensemble: 1993-11-07 - Percussion Ensemble

Description: Percussion concert performed at the UNT College of Music Concert Hall.
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: November 7, 1993
Duration: 1 hour 12 minutes 23 seconds
Creator: 1:00 Percussion Ensemble
Partner: UNT Music Library

Ensemble: 2006-04-06 - UNT Percussion Ensembles

Description: Percussion ensemble concert performed at the UNT College of Music Recital Hall
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: April 6, 2006
Duration: 1 hour 4 minutes 22 seconds
Creator: 1:00 Percussion Ensemble
Partner: UNT Music Library

Ensemble: 2009-06-11 - 2009 TMTA Ensemble

Description: Original composition recital presented at the UNT College of Music Concert Hall.
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Date: June 11, 2009
Duration: 43 minutes 29 seconds
Creator: 2009 TMTA Ensemble
Partner: UNT Music Library

Ensemble: 2012-06-15 - 2012 TMTA/DMTA Ensemble

Description: Original composition recital performed at the UNT College of Music Voertman Hall.
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Date: June 15, 2012
Duration: 39 minutes 26 seconds
Creator: 2012 TMTA/DMTA Ensemble
Partner: UNT Music Library

Ensemble: 2001-11-05 - Global Rhythms

Description: Ensemble performance at the UNT College of Music Winspear Hall.
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: November 5, 2001
Duration: 1 hour 32 minutes 33 seconds
Creator: 2:00 Steel Drum Band; Afro-Cuban/Brazilian Ensemble; South Indian Cross Cultural Ensemble & Percussion Ensemble
Partner: UNT Music Library

Ensemble: 2002-10-24 - Tuba/Euphonium Ensembles

Description: Recital performed at the UNT College of Music Concert Hall.
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: October 24, 2002
Duration: 56 minutes 29 seconds
Creator: 7:00 Tuba/Euphonium Ensemble
Partner: UNT Music Library

Doctoral Recital: 2010-04-26 - Armin Abdihodzic, guitar

Description: Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: April 26, 2010
Duration: 51 minutes 14 seconds
Creator: Abdihodzic, Armin
Partner: UNT Music Library

Doctoral Recital: 2012-02-13 - Armin Abdihodzic, guitar

Description: Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: February 13, 2012
Duration: 53 minutes 57 seconds
Creator: Abdihodzic, Armin
Partner: UNT Music Library

Doctoral Recital: 2011-02-21 - Armin Abdihodžić, guitar

Description: Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
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Date: February 21, 2011
Duration: 45 minutes 59 seconds
Creator: Abdihodžić, Armin
Partner: UNT Music Library

Fermata via Media

Description: A shower of grains with an average duration of 80 milliseconds but perceived as a continuous sound produces shifts of changing timbres. The sound source for this granulation made in real time comes from samples whose mathematical data are recorded on a hard disk (it is quanta whose frequency modulation (FM) and the spectral envelope (formants) have been predetermined. ). The reading mode of these data is controlled in a way (as if read stuttering) to perceive as a musical gesture what could otherwise be a succession of brief and irreducible sound events. The piece is a psychological poem that explores aspects of pitch and interval, temporal perception, and timbre in a context of selective listening (auditory streaming). "Fermata via media" was produced (1990) at Simon Fraser University's Electroacoustic Music Laboratory with the help of GSAMX sampling programs for granular synthesis and compositional PDFILX developed by Barry Truax.
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: 1990?
Duration: 1 hour 49 minutes 25 seconds
Creator: Ablenas, Robert, 1959-
Partner: UNT Music Library

Doctoral Recital: 2005-11-14 - Shaun Abraham, trumpet

Description: Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
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Date: November 14, 2005
Duration: 39 minutes 01 second
Creator: Abraham, Shaun
Partner: UNT Music Library

Si tan solo fueramos libres...

Description: Recording of Rodolfo Acosta's Si tan solo fueramos libres. This work is for guitar and electronics. This work explores the possibilities of electronically manipulated guitar and a wide variety of traditional electroacoustic technique.
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: 1993
Duration: 7 minutes 20 seconds
Creator: Acosta R., Rodolfo, 1970-
Partner: UNT Music Library

Metallika Glypta III

Description: "Metallika Glypta III", is the third release of a series of three works under the same title, was written in February 1972. Their processing and the final realization were made in the studio of the author. The sculpture exhibition of Loukoupoulos (1972) was the starting point of "Metallika Glypta". The idea of ​​using sounds taken exclusively from metal sculptures was a particularly challenging stimulus. The musical activity starts at the first moment when the sound material was collected. The ideas on the making of sounds were preconceived, they came one after the other. Each successful essay highlights the emotion of the first creative success. The same emotion was found in later treatments and their inclusion in large units. The form of the work -fluent and evolving without stop- serves the integration of musical ideas in a composition that has not denied the original material. The feeling of metal is thus always present.
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: 1972
Duration: 5 minutes 40 seconds
Creator: Adamis, Michael
Partner: UNT Music Library
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