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Some Modern Theories of Tonality

Description: The traditional major-minor tonality and the means for its establishment have been developed and used for the last four centuries, until all the possibilities of musical ideas within the given frame of tonal coherence seem now to be exhausted. Today we see a violent change, affecting the basic vocabulary of music as well as musical grammar and syntax. The possibilities of the major-minor tonality seem to be overgrown and appear to be no longer sufficiently flexible to serve the creative spirit … more
Date: January 1946
Creator: Robert, Dorothy
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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The Role of the Secondary Dominant in the Solo Works for Piano by Brahms and Dvorak

Description: The harmonic practices of the late romantic period are often discussed in general terms, categorical phrases, and a score of subjectivisms characteristic of the era. It is the purpose of this thesis to clarify certain aspects of the harmonic vocabulary which developed in the late romantic period.
Date: January 1964
Creator: Webb, Kristin
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries

Rimsky-Korsakov’s Harmonic Theory: Practical Manual of Harmony, Its Sources, History, and Traditions

Description: Rimsky-Korsakov’s Harmonic Theory is the first comprehensive study of his concept of harmony that also traces the history of tonal relationships. Larisa P. Jackson describes and examines Rimsky-Korsakov’s distinctive harmonic theory using his Practical Manual of Harmony as a basis, and places it in historical context of nineteenth-century music theory. She explores in great detail a concept of tonal relationships, fundamental to Rimsky-Korsakov’s view of harmony, and relates this to ideas by Ge… more
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Date: June 2022
Creator: Jackson, Larisa Petrushkevich
Item Type: Refine your search to only Book
Partner: UNT Libraries
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Georg Joseph Vogler (1749-1814) and His Jesuit-Influenced "System" of Harmony

Description: This dissertation reexamines the music-theoretical writing of Georg Jospeh Vogler (1749-1814) in light of his educational background. His system, which is often characterized as "awkward" or "self-contradictory," is actually indicative of the rationalist/humanist preferences of Vogler's main source of training: the Jesuit Order. I argue that Vogler's theories and compositional style have been marginalized, partially due to their incompatibility with the more prevalent systems of his era, whic… more
Date: August 2021
Creator: Donley, Douglas Michael
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries

Binger Manner-Gesang-Verein

Description: "Binger Men's Singing Society. Sunday, 19th of December, 1920, 8 pm in the Binger Festival Hall - First Society Concert. Conducted by Music Director Joseph Knettel. Contributors: Martha Bommer (of Wiesbaden), soprano; Chamber virtuoso Ernst Lindner (of Wiesbaden), violin (members of the Wiesbaden State Theater); Wendelin Kamp (of Kempten), baritone. The proceeds go to needy children."
Date: 1920
Creator: Knettel, Joseph
Item Type: Refine your search to only Musical Score/Notation
Partner: UNT Music Library
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Form in Popular Song, 1990-2009

Description: Through an examination of 402 songs that charted in the top 20 of the Billboard year-end charts between the years 1990 and 2009, this dissertation builds upon previous research in form of popular song by addressing the following questions: 1) How might formal sections be identified through melody, harmony, rhythm, instrumentation, and text? 2) How do these sections function and relate to one another and to the song as a whole? 3) How do these sections, and the resulting formal structures, relat… more
Date: December 2015
Creator: Ensign, Jeffrey S.
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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Formal Organization in Ground-bass Compositions

Description: This thesis examines formal organization in ground-bass works. While it is true that many or even most works of the ground-bass repertoire are variation sets over a ground, there also exist many ground-bass works that are not in variation form. The primary goal of this thesis is to elucidate the various ways in which such non-variation formal organizations may be achieved. The first chapter of this work discusses the general properties of ground basses and various ways that individual phrases m… more
Date: August 2015
Creator: Stevens, Bryan
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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Decoding Fantasy: An Analysis of Paquito D'Rivera's "Caribbean Berceuse" (2021)

Description: Written for and featuring the Barcelona Clarinet Players, Caribbean Berceuse (2021) is Paquito D'Rivera's (b.1948) first composition for wind band. Along with idiosyncratic expectations of fusing jazz and classical elements according to D'Rivera's oeuvre, the title implies extramusical associations in the composition. This analysis demonstrates how extramusical associations interact with thematic development by using five codes of meaning from Roland Barthes's (1915–1980) S/Z (1970), which was … more
Date: December 2023
Creator: Truan, Robert Michael
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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Transposition and the Transposed Modes in Late-Baroque France

Description: The purpose of the study is the investigation of the topics of transposition and the transposed major and minor modes as discussed principally by selected French authors of the final twenty years of the seventeenth century and the first three decades of the eighteenth. The sources are relatively varied and include manuals for singers and instrumentalists, dictionaries, independent essays, and tracts which were published in scholarly journals; special emphasis is placed on the observation and at… more
Date: December 1988
Creator: Parker, Mark M. (Mark Mason)
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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Using Web-Based Instruction to Teach Music Theory in the Piano Studio: Defining, Designing, and Implementing an Integrative Approach

Description: This dissertation rationalizes the best use of Web-based instruction (WBI) for teaching music theory to private piano students in the later primary grades. It uses an integrative research methodology for defining, designing, and implementing a curriculum that includes WBI. Research from the fields of music education, educational technology, educational psychology, and interaction design and children receive primary consideration. A synthesis of these sources outlines several research-based p… more
Date: May 2010
Creator: Carney, Robert D.
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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Theory and Practice in the Traditional Chinese Music: Observations and Analysis

Description: Chinese music has one of the longest histories of development of all music cultures of the world. A system of music (theory) was formulated, in its unique way, but is differed fundamentally from its occidental counterpart. The discussion of this thesis focuses on the following two aspects: (1) the observations on those musical and non-musical factors, which had conditioned the course of development of Chinese music and (2) the analysis of selected examples to summarize the tonal structures and … more
Date: December 1994
Creator: Huang, Hsun-Pin
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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Symphony no. 1

Description: The Symphony has been composed using traditional Korean idioms and Western style four-movement arrangement. The Symphony requires Western instrumental forces. The discussions about Far Eastern music raised by Western and Eastern scholars, and about some Korean rhythmic aspects, articulations, and ornamentations help explain how the Symphony is constructed. The pitch materials, melodic styles, rhythm, form, and structural materials that are used in the composition are presented. Heterophony, emb… more
Date: December 1991
Creator: Oh, Seykyu
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries

Zehn biblische Sprüche

Description: Autograph score. "Victor Hammer, dem Freunde." For middle woman's voice (alto) with obbligato clarinet accompaniment. Clarinet in A and B-flat. No. 1: Psalm 57:8; No. 2: Psalm 107:1; No. 3: Job 10:15; No. 4: Psalm 139:23-34; No. 5: Psalm 4:9; No. 6: Psalm 116:1,3; No. 7: Psalm 108:14; No. 8: Psalm 12:2; No. 9: Psalm 1:1,3; No. 10: Song of Solomon 8:7. See Box 1, Folder 6 in this collection for English translations of these texts.
Date: unknown
Creator: Weisse, Hans, 1892-1940
Item Type: Refine your search to only Musical Score/Notation
Partner: UNT Music Library

Antiqvæ mvsicæ avctores septem, Græce et latine, Marcvs Meibomivs restituit ac notis explicavit

Description: Contents: I. I. Aristoxeni Harmonicorvm elementorvm libri III. II. Evclidis [i.e. Cleonidae?] Introdvctio harmonica. Euclidis Sectio canonis. III. Nicomachi Geraseni, Pythagorici, Harmonices manvale. IV. Alypii Introdvctio mvsica. V. Gavdentii, philosophi, Introdvctio harmonica. VI. Bacchii senioris Introdvctio artis mvsicæ.--v. II. Aristidis Qvintiliani De mvsica libri III. & Martiani Capellæ De mvsica liber IX.
Date: 1652
Creator: Meibom, Marcus, 1630-1711
Item Type: Refine your search to only Musical Score/Notation
Partner: UNT Music Library
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A Seventeenth-century Musiklehrbuch in Context: Heinrich Baryphonus and Heinrich Grimm’s Pleiades Musicae

Description: Heinrich Baryphonus (1581-1655) and Heinrich Grimm’s (1592/3-1637) didactic treatise, Pleiades musicae (1615/1630), provides a vivid testimony to the state of music education and music theory pedagogy in Protestant Germany in the early seventeenth century. Published initially by Baryphonus for use at the Gymnasium in Quedlinburg and reissued in an expanded format by Grimm for use at the Gymnasium in Magdeburg, the text examines the fundamentals of pitch, intervals, counterpoint, and, in the sec… more
Date: August 2015
Creator: Dobbs, Benjamin M.
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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Evolution of the Scherzo Through Beethoven

Description: It would be impossible to trace the evolution of the form of the scherzo without treating also to some extent the history of the minuet, as the scherzo would hardly have come into being in the way it did had there not been the minuet, even though as the scherzo grew to maturity it resembled less and less its parent-form. This thesis examines the early use and origin of the scherzo, and its use and evolution in the works of Beethoven.
Date: July 1957
Creator: Dower, Tamara
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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