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Primary view of Revisioning a Masterpiece: Jon Magnussen’s “Psalm”
Burnett, Jason
August 2013
Primary view of James Macmillan’s St John Passion: the Role of Celtic Folk Idioms and the Reproaches
Frank, Nathan
May 2014
Primary view of Musical Borrowing in the Choral Music of Andrew Rindfleisch
Glann, Kerry
December 2015
Primary view of Minimalism, Exoticism, and Alternatim in Tarik O’Regan’s Magnificat and Nunc Dimittis and The Ecstasies Above
Choi, Sangyun
December 2011
Primary view of From Germany to Palestine: a Comparison of Two Choral Works by Paul Ben-haim – “Joram” and “Kabbalat Shabbat”
Dalrymple, Holly
August 2013
Primary view of An Approach to the Critical Evaluation of Settings of the Poetry of Walt Whitman: Lowell Liebermann's  Symphony No. 2
Kenaston, Karen S.
May 2003
Primary view of An Analysis of Selected Choral Works by Kirke Mechem: Music-Textual Relationships in Settings of Poetry of Sara Teasdale
Bierschenk, Jerome Michael
August 2003
Primary view of Overview of America's Professional Choirs: Considerations for Establishing, Maintaining and Succeeding in the Creation of a Professional or Community Choir in the United States
Oppenheim, Joshua J.
December 2006
Primary view of Chen Yi and Her Choral Music: A Study of the Composer's Ideal of Fusing Chinese Music and Modern Western Choral Traditions
Yeung, Hin-Kei
December 2006
Primary view of The Stabat Mater of Herbert Howells: The Agony and the Ecstasy
Childs, Kim J.
August 2006
Primary view of Mass for AILM by Geonyong Lee: The Composer and the Elements of Asian Music
Kim, Hong Soo
May 2009
Primary view of Ancient Musical Ideas Through a Twenty-First Century Lens: An Examination of Tarik O’Regan’s Scattered Rhymes and Its Relationship to Guillaume de Machaut’s Messe de Notre Dame
LaBarr, Cameron Frederick
August 2011
Primary view of A Performance Guide to Heejo Kim's Choral Arrangements Based on Traditional Korean Folk Tunes and Rhythmic Patterns
Yi, Chung-han
May 2009
Primary view of Intertextualization: An historical and contextual study of the battle villancico, El más augusto campeón.
Farris, Daniel
December 2009
Primary view of Increasing glottal closure in an untrained male chorus by integrating historical, scientific, and clinical practice into choral voice building exercises
Cottrell, Duane Coles
May 2009
Primary view of Korean Traditional Elements and Contemporary Compositional Techniques in Hyowon Woo’s Choral Music As Reflected in Gloria
Chang, Yoonchung
August 2012
Primary view of Music of the Spheres: Astronomy and Shamanism in the Music of Urmas Sisask
Edmonds, David Michael
August 2012
Primary view of Then Svenska Messan by Johan Helmich Roman: A Study of Text Setting
Lindström, G. Mikael
December 2005
Primary view of Britten’s Op 47, Five Flower Songs: Breaking Trends in Analysis
Jackson, Christopher Michael
August 2013
Primary view of The Choral Works of Robert Ward: A View of His Compositional Approach to Text Settings and His Use of Symbols and Allusions
Tucker, Carlton S.
May 2007
Primary view of Stabat Mater by Frank Ferko, A Mosaic of Mourning: The Universality of Mothers' Grief, Ancient Texts Made Relevant by the Addition of English Interpolations
Wilson, Barbara Sue Johnston
May 2006
Primary view of Hâfez and Betinis: a Conductor’s Approach to Ancient Persian Poetry As Voiced by a Twenty-first Century, Western Composer
Steenblik, Peter C.
December 2015
Primary view of Cross-culture Choral Music Education: Issues for Western Choral Conductors Related to the Performance of Arabic Choral Music
Earnhart, Cari L.
August 2015
Primary view of Choral Resonance: Re-Examining Concepts of Tone and Unification.
Quist, Amanda Renee
August 2008
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