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Factum II

Description: Mixed media collage painting with red, blue, dark green, gold, medium gray and brown painted shapes and dripping rendered stokes. Newspaper and calendar tear outs affixed throughout surface. The letter "T" painted on bottom right corner of painting.
Date: 1957~
Creator: Rauschenberg, Robert
Partner: UNT College of Visual Arts + Design


Description: Recording of Hugh Le Caine's Invocation. The piece opens with a trio of three recorded sounds: a glass that is broken with a hammer, a ping-pong ball hitting a racket, and a drop of water. These sounds are the "instruments" used throughout the piece. Drips are configured as fast ascending and descending glissandi. A series of chords is constructed from a sustained movement of glass stamps. The sound of the ping-pong ball - from the left to the right - gradually accelerates. Severe rumbling and sharp joints appears as sudden changes in channels multiply. The introduction of these gestures disrupts the orderly progression of loops and the inclusion of small strips of paper connected to the ribbon which produces rough and jerky sounds further accentuate this breaking effect. Towards the end of the piece, sustained sounds are played out in a chord, but as soon as this effect is installed, the tape slows down and stops, as if someone had unplugged the music player. Then we hear a particularly violent sound of glass breaking.
Date: 1957
Creator: Le Caine, Hugh, 1914-1977
Partner: UNT Music Library


Description: This abstract painting is painted in hues of red, blue, green and yellow on a white background.
Date: 1957
Creator: Mitchell, Joan
Partner: UNT College of Visual Arts + Design

Walkin' by the River

Description: This is a manuscript score of Joseph [Joe] A. Coccia's arrangement for jazz ensemble of the song "Walkin' by the River," by Una Mae Carlisle. It includes chord symbols and sections of the music, dynamics and solo entrances were marked using red pencil. On the back of the last page of the manuscript, there are suggested performance instructions and an alternative ending addressed to Stan [Kenton]. Each page of the manuscript bears the inscription "Stan Kenton Orch."
Date: July 16, 1957
Creator: Carlisle, Una Mae, 1915-1956. & Sour, Robert, 1905-
Partner: UNT Music Library