22,163 Matching Results

Search Results

TAC Tea Service

Description: The porcelain tea service consists of four pieces, tea pot, tea cup with saucer, sugar bowl and creamer.
Access: This item is restricted to UNT Community Members. Login required if off-campus.
Date: 1969
Creator: Gropius, Walter
Partner: UNT College of Visual Arts + Design

Supply and Demand for Energy in the United States by States and Regions, 1960 and 1965 (In Four Parts): 2. Utility Electricity

Description: Report issued by the U.S. Bureau of Mines discussing supply and demand data from the energy industry. As stated in the introduction, "in this report, the discussions in the text describe the methods used to develop data deficiencies for inputs to the supply-demand tables" (p. 1). This report includes maps, tables, and illustrations.
Date: 1969
Creator: Hall, Franklin P. & Broderick, Grace N.
Partner: UNT Libraries Government Documents Department

Supply and Demand For Energy in the United States by States and Regions, 1960 and 1965 (In Four Parts): 4. Petroleum and Natural Gas Liquids

Description: Report issued by the U.S. Bureau of Mines discussing state and regional supply and demand data. As stated in the introduction, "the primary purpose of this study is to provide, on a state-by-state basis, petroleum and natural gas liquids industry data that can be (1) integrated into state and regional energy balances by source, form, and consumer sectors, and (2) used to determine interstate and inter-regional energy flows" (p. 1). This report includes maps, tables, and illustrations.
Date: 1969
Creator: Crump, Lulie H. & Yasnowsky, Phillip N.
Partner: UNT Libraries Government Documents Department

Pennsylvania Anthracite Refuse: A Survey of Solid Waste from Mining and Preparation

Description: Report issued by the U.S. Bureau of Mines discussing coal mining production and waste disposal. As stated in the introduction, this circular discusses anthracite refuse disposal (removal and utilization) practices and their effectiveness. Attention is also directed toward the rate of growth of the material, costs of disposal, and problems involving ownership of the refuse" (p. 2). This report includes maps, tables, illustrations, and photographs.
Date: 1969
Creator: MacCartney, John C. & Whaite, Ralph H.
Partner: UNT Libraries Government Documents Department

Supply and Demand for Energy in the United States by States and Regions, 1960 and 1965 (In Four Parts): 1. Coal

Description: Report issued by the U.S. Bureau of Mines discussing regional supply and demand data between 1960 and 1965. As stated in the introduction, "in this report, the discussions in the text describe the methods used to develop data deficiencies for inputs to the supply-demand tables" (p. 1). This report includes maps, tables, and illustrations.
Date: 1969
Creator: Broderick, Grace N.
Partner: UNT Libraries Government Documents Department

Structure, Function, and Evolution in Proteins: Report of Symposium held June 3-5, 1968, Volume 1

Description: Report issued by the Brookhaven National Laboratory containing conference proceedings from the first three sessions of the Symposium in Biology, held June 3-5, 1968. It includes research and papers discussing developments in the structure, function, and evolution in proteins with tables, illustrations, and photographs.
Date: February 1969
Creator: Brookhaven National Laboratory
Partner: UNT Libraries Government Documents Department

Respiratory Protective Devices Approved by the Bureau of Mines as of December 31, 1968: A Revision of Information Circular 8281

Description: Report issued by the U.S. Bureau of Mines discussing a revision on the breathing devices approved for use in mines and mineral industries. As stated in the abstract, "this publication lists the respiratory protective devices approved by the Bureau of mines as of December 31, 1968, and the names and addresses of their manufacturers" (p. 1). This report includes tables.
Date: 1969
Creator: Schutz, R. H. & Kloos, E. J.
Partner: UNT Libraries Government Documents Department

Behavioral Outcomes of Client-Centered Play Therapy

Description: This study was concerned with determining the effectiveness of play therapy as measured by behavioral changes in interpersonal relationships, mature behavior patterns, and more adequate use of intellectual capacities. Client-centered play therapy appears to have grown out of the concept that it is the relationship between the therapist and the child that brings about change and growth. Rather than diagnostic or as preliminary to therapy, the relationship itself is seen as therapy. Problems are seen not in terms of their historical past, but rather as they exist in the immediate present and in terms of the child's own means of expression. The relationship offers to the child the opportunity to experience growth under the most favorable conditions. Like its adult counterpart, client-centered counseling, client-centered play therapy is based upon the hypotheses that the individual has within himself the capacity for growth and self-direction, and that these growth impulses are released within the therapeutic relationship established between the therapist and the child. This study was conducted to investigate changes in behavior which occur as a result of play therapy and to determine that such changes do not occur in the absence of play therapy. It was a direct outgrowth of an ongoing program developed at the Pupil Appraisal Center of North Texas.
Date: May 1969
Creator: Herd, Ruby H. (Ruby Helm)
Partner: UNT Libraries

Chopin's Mazurka: A Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, F. Busoni, D. Scarlatti, W.A. Mozart, L.V. Beethoven, F. Schubert, F. Chopin, M. Ravel and K. Szymanowski

Description: This dissertation consists of four programs: one lecture- recital, two recitals for piano solo, and one (the Schubert program) in combination with other instruments. The repertoire of the complete series of concerts was chosen with the intention of demonstrating the ability of the performer to project music of various types and composed in different periods.
Date: August 1969
Creator: Drath, Jan
Partner: UNT Libraries

Three Recitals of Music by German and Danish Composers, J.S. Bach, and Contemporary North American Composers, and a Lecture Recital on the Registration of Orchestral Textures in Organ Music

Description: Four contrasting recitals were presented to fulfill the requirements for the degree Doctor of Musical Arts. The first recital contained music of miscellaneous composers. Two Preludes and Fugues by the North German Baroque composers Vincent Libeck and Dietrich Buxtehude were separated by Samuel Scheidt's Variations on the Netherlands folk song "Ach du feiner Reiter". The Brahms Chorale Prelude "0 wie selig seid ihr doch, ihr Frommen" and the Louis Vierne "Intermezzo" from the Third Symphony represented Romantic-style composition. The major work of the program was the Carl Nielsen Commotio, a large work in orchestral style. The second recital consisted completely of music by J. S. Bach. Four works of contrasting styles were presented: Concerto, Opus 3, No. 8, composed by Antonio Vivaldi and transcribed by Bach, Partita on Sie gegrisset, Jesu gtig, Sonata IV, and Fantasy and Fugue in G Minor. The third recital was the lecture recital: Registration of Orchestral Textures in Organ Music. This lecture was an attempt to deal with the contemporary problem in performance practice of registration of Romantic organ music. The trends in organ building in the twentieth century have ranged from a deeper exploration of the possibilities of the Romantic organ to the reevaluation of and rededication to principles of organ building popular in the seventeenth and eighteenth centuries.
Date: August 1969
Creator: Haller, William P. (William Paul)
Partner: UNT Libraries

A Course in Freshman English Composition Based on Theories of Creativity

Description: Today's colleges and universities are faced with the challenges of reforming their curriculums in an effort to hold a generation of students who are now demanding more than just a degree. Today prominent writers in the field of higher education point to the necessity of assessing and reconstructing college courses so that new direction will be provided. Each student entering college for the first time usually must enroll in an English composition course. Such a course offers great potential to encourage the creative capacity of the incoming student and foster an attitude of personal inquiry. The diversity of subjects and intentions which can be introduced in the beginning composition course offers a healthy reservoir of opportunity for exploring personal meaning. Introducing some of the goals and concepts of creativity may thus inspire the design of a new course given to meeting the challenges of higher education.The problem of this study was to develop a course in freshman English composition based on the theories of creativity and directed towards the development of the student's creative and critical capacity.
Date: August 1969
Creator: Garrett, Patrick Posey
Partner: UNT Libraries

Truncilla macrodon, Specimen #1560

Description: One preserved mussel specimen including both the left and right valves. The specimen exhibits an elliptical shape; white internal coloring; olive external coloring; no external sculpturing. The specimen measures between 0 - 60 mm in length and was assessed to be relatively-recently dead when collected.
Date: October 18, 1969
Creator: Pratt, W. L.
Partner: Elm Fork Natural Heritage Museum

Truncilla macrodon, Specimen #1561

Description: One preserved mussel specimen including both the left and right valves. The specimen exhibits an elliptical shape; white internal coloring; olive external coloring; no external sculpturing. The specimen measures between 0 - 60 mm in length and was assessed to be relatively-recently dead when collected.
Date: October 18, 1969
Creator: Pratt, W. L.
Partner: Elm Fork Natural Heritage Museum

Truncilla macrodon, Specimen #1562

Description: One preserved mussel specimen including both the left and right valves. The specimen exhibits an elliptical shape; white internal coloring; tan external coloring; no external sculpturing. The specimen measures between 0 - 60 mm in length and was assessed to be relatively-recently dead when collected.
Date: October 18, 1969
Creator: Pratt, W. L.
Partner: Elm Fork Natural Heritage Museum

[Junebug Clark. U.S. Marine]

Description: Narrative by Junebug Clark: Studio Photograph of Junebug Clark in U.S. Marine Corps uniform. First trip home after Boot Camp. I don't think I ever wore that formal uniform again. I was in from 1968-1971. My MOS was a 4631 (Photographer) what else could they make me? I ended up a Sergeant E-5 in 15 months and was stationed with Helicopters in Santa Ana, California and with F-4 Phantom Jets in Iwakuni Japan with brief stints in Okinawa, Treasure Island, California and in El Toro California. Photo by: Joe Clark, HBSS.
Date: 1969
Creator: Clark, Joe
Partner: UNT Libraries Special Collections

[Speeches, One O'Clock Lab, and office work]

Description: Video footage of numerous speeches given around the University of North Texas (UNT) campus. The next segment shows men holding copies of the '68 and '69 One O'Clock Lab Band records. There is footage of the lab bands rehearsing. The final segment briefly show women on a bus and proceeds to feature a woman in an office looking through books and sitting at a typewriter.
Date: [1969..]
Partner: UNT Libraries Special Collections

["Mean" Joe Greene NTSU promo video]

Description: Video footage of "Mean" Joe Greene speaking about North Texas State University for a promotional video. He discusses the music program as well as the graduate scientific research conducted at the university.
Date: [1969..]
Creator: Center for Media Production
Partner: UNT Libraries Special Collections

Music and its Relation to Futurism, Cubism, Dadaism, and Surrealism, 1905 to 1950

Description: Inasmuch as this investigator can determine, no major study has been done concerning music's relation to the "isms" selected for this discussion. The contemporary interest in the movements themselves has been so widespread that the documentation of them, in scattered accounts, is enormous. It is disappointing that these records provide little or no information about the musical aspects of the movements; the graphic and literary accounts, on the other hand, have been accorded generous treatments. Since futurism, cubism, and surrealism, in their origins, were oriented toward the visual and literary arts, it is not surprising that these two aspects would receive the greatest amount of attention. The meager attention to music and the distortion of its role in the movements, as has largely been the case, has created an artistic imbalance, This writer's efforts have been directed toward an exhaustive search for factors which have, in some way or other, linked music with these movements. Musical futurism has been the easiest to identify, although its underlying theories are not always clear, since the futurists, in explaining their theories, were not always convincing, perhaps even to themselves. This writer's main attempt has been to interpret ideas that were frequently vague and poorly explained to begin with. It will become evident to the reader, in the case of the dadaists, and to some extent the surrealists, the provocative nature of their activities was deliberately designed to create incomprehension, incoherency, and confusion.
Date: January 1969
Creator: Greer, Thomas H. (Thomas Henry), 1916-
Partner: UNT Libraries

Ensemble - Coat and Dress

Description: A) Coat of light brown leather printed with dark brown "squiggles". Full-length, double-breasted, with two vertical rows of three each circular brown plastic buttons and hidden snaps at top. Long raglan sleeves. Two patch pockets on front with decorative flaps. Lined in light brown silk(?). Designer's label at inside back collar: "Adele Simpson", with written annotation "1008". B) Dress with matching scarf, of light tan jersey with printed dark brown "squiggles" matching the rest of ensemble. Mid-length, sheath style. Roll collar with slit through which scarf threads. Long sleeves with cuffs having two hidden snaps each. Center back zipper with hook-and-eye at top. Lined in peach silk crepe(?). With wide belt of leather matching the coat, the square buckle covered in same leather. Designer's label at inside back on left: "Adele Simpson". Stamped on reverse of belt: "Z 1095"
Date: 1969
Creator: Simpson, Adele
Partner: UNT College of Visual Arts + Design