An Analysis of Arnold Schoenberg's Suite for Piano, Op. 25
Description:
It now seems necessary to follow the further development of Schoenberg and his first pupils, Berg and Webern. "Starting from their twin conceptions of the dethronement of tonality and the free use of the former 'discords', they produced a series of pieces of which the foremost characteristics were their extreme expressiveness and their extraordinary brevity."
Date:
August 1962
Creator:
Mayhew, Thomas E. (Thomas Elmo)
Partner:
UNT Libraries