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Lapinkyla jaa tckojarven alle

Description: Recording of Åke Andersson's Lapinkyla jaa tckojarven alle.
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Date: 1975/1976
Duration: 5 minutes 26 seconds
Creator: Andersson, Åke, 1934-
Partner: UNT Music Library

Peregrine

Description: Recording of Eduard Artemiev's Peregrine. The composer wrote this work under the theme of "pilgrims" and attempted to combine electroacoustic music with the energy and instruments of rock music. The main sounds in this piece are electronic as well as a soprano voice.
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Date: 1975/1999
Duration: 8 minutes 06 seconds
Creator: Artemʹev, Ėduard
Partner: UNT Music Library

Solipsismo

Description: Recording of Bruno D'Auzon's Solipsismo. This work combines a finished text (in Portuguese) and its relation to a musical context. The composer has tried to combine the movement between sounds and speech, a poetic language without concern for meaning and in which sound objects or musical phrases may more easily support a concept or an image than words. The piece is divided into five parts, with the middle part playing a relaxing role where the theme is no longer human language.
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Date: 1975/1976
Duration: 34 minutes 50 seconds
Creator: Auzon, Bruno d', 1948-
Partner: UNT Music Library

Simple Electronic Symphony

Description: Recording of Miroslav Bázlik's Simple Electronic Symphony. This piece is arranged into four rather independent parts: Sonata, Cantus firmus, Madrigal and Ciaccona, designations of which reveal the author's effort to make the cyclic form of a symphony. The polarity of traditional and unconventional can be found also in the use of vocal or pre-composed material in a variety of transformations by studio means so that the cycle loses neither homogeneity nor tension.
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Date: 1975
Duration: 22 minutes 29 seconds
Creator: Bázlik, Miroslav
Partner: UNT Music Library

It always takes a short time

Description: Recording of Peter Beyls' It always takes a short time. The work combines tape music and spoken words live with electronic transformation of vocal material. This work is a version for tape alone. The electronic sound material as well as the original sounds were used and structured on 4 tracks. The vocal material, spoken by Herman Sabbe, consists of a textual structure by the Belgian artist Yves Desmet. This material has been intensively manipulated, with particular attention to the purely sonic… more
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Date: 1975
Duration: 1 hour 37 minutes 38 seconds
Creator: Beyls, P. (Peter), 1950-
Partner: UNT Music Library

Tramos

Description: Recording of Eduardo Bértola's Tramos for tape. The piece was made from two sound sources: radio broadcasts and direct recordings of popular events. These materials were structured by simple juxtaposition excluding the mixes and any kind of development of the original sound. It is therefor a purely horizontal structure in which we note the union of fragments of hard edge, perfectly delimited, similar to that used in some works of North American Pop Art. In this way, Bértola expresses his own po… more
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Date: 1975
Duration: 16 minutes 51 seconds
Creator: Bértola, Eduardo, 1939-1996
Partner: UNT Music Library

Musik Dari Jalan

Description: Recording of Jack Body's Musik Dari Jalan. This piece depicts the musical sounds and ever-varied texture of resonances of Indonesian streets. There are street sellers advertising their products and a street musician who accompanies himself with anklung (bamboo resonators which are shaken) and a small gong.
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Date: 1975
Duration: 8 minutes 14 seconds
Creator: Body, Jack, 1944-2015
Partner: UNT Music Library

Drama

Description: Recording of Rainer Boesch's Drama
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Date: 1975
Duration: 17 minutes 35 seconds
Creator: Boesch, Rainer, 1938-2014
Partner: UNT Music Library

Champs

Description: Recording of Georges Boeuf's Champs.
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Date: 1975
Duration: 23 minutes 29 seconds
Creator: Boeuf, Georges
Partner: UNT Music Library

Telesuono Hologram

Description: After an intense period of analog familiarization with the range and enormity of available sounds extraterrestrially and in nature, I tried the only techniques then available to me, tape manipulation and speaker placements. The only coloration that I employed in early sound handling was through equalization, balancing and combining mix-downs. I have always monitored from nearly neutral sensors, and my interest has been in trading, configuring and juxtapositionings and in the presentation of… more
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Date: 1975
Duration: 19 minutes 52 seconds
Creator: Brush, Leif 1932-
Partner: UNT Music Library

For Dance

Description: Recording of William Buxton's For Dance
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Date: 1975
Duration: 12 minutes 02 seconds
Creator: Buxton, William
Partner: UNT Music Library

Il Contingente Cambia Colore

Description: Recording of Luigi Ceccarelli's Il Contingente Cambia Colore, installation for 4 tape loops with concrète sounds.
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Date: 1975
Duration: 1 hour 42 minutes
Creator: Ceccarelli, Luigi
Partner: UNT Music Library

Micro-Macro

Description: Recording of John Anthony Celona's Micro-Macro. The composition deals with the illusion and timbral fusion of mixing voices with tape material. The voices were produced using the Extended Vocal Techniques Ensemble of the Center for Music Experiment who were instructed to utilize chanting, reinforced harmonics, dental trills, other extended technique, and imitation with the recorded bell material. The tape consists of a 4-channel Hybrid controlled filter sweeping of tuned oscillators and pre-rec… more
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Date: 1975/1976
Duration: 54 minutes 03 seconds
Creator: Celona, John, 1947-
Partner: UNT Music Library
transcript

Music USA #7428-B, funeral of Duke Ellington, Part II

Description: The entire program for the jazz hour (second hour) of Music USA, broadcast May 2, 1975. The program contains Part II of the funeral of Duke Ellington, on May 27, 1974, as broadcast on radio, possibly by station WRVR.
Date: May 2, 1975
Duration: 46 minutes 20 seconds
Creator: Conover, Willis
Partner: UNT Music Library
transcript

Music USA #7429-B, funeral of Duke Ellington, Part III

Description: The entire program for the jazz hour (second hour) of Music USA, broadcast May 3, 1975. The program contains Part III of the funeral of Duke Ellington, on May 27, 1974, as broadcast on radio, possibly by station WRVR.
Date: May 3, 1975
Duration: 46 minutes 21 seconds
Creator: Conover, Willis
Partner: UNT Music Library
transcript

Willis Conover interviewed in Denmark

Description: An interview with Willis Conover, following an introduction in Danish.
Date: 1975?
Duration: 11 minutes 42 seconds
Creator: Conover, Willis
Partner: UNT Music Library
transcript

Willis Conover's eulogy for Duke Ellington

Description: Recording of a eulogy for Duke Ellington by Willis Conover, likely incorporated into one of the memorial programs following Ellington's death. It may have been included in Music USA #7427-B, broadcast May 1, 1975.
Date: 1975
Duration: 12 minutes 20 seconds
Creator: Conover, Willis
Partner: UNT Music Library

Miroirs

Description: Recording of Micheline Coulombe Saint-Marcoux's Miroirs. This work identifies the problem of togetherness with the coexistence of the two sound sources, mainly using as basic material a harpsichord score previously recorded and subsequently subjected to various electroacoustic treatments. Concrete sounds and modulated sounds (EMS synthesizer) are used, to which are added some electronic sounds recorded directly in the studio. The final cut of the magnetic tape then served as the basic material … more
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Date: 1975/1976
Duration: 10 minutes 21 seconds
Creator: Coulombe Saint-Marcoux, Micheline, 1938-1985
Partner: UNT Music Library

Effetti Collaterali (for clarinet in A and computer generated electronic sounds)

Description: The specified pitches are made to generate their own accompanying frequencies, generally inharmonic with respect to the pitches themselves, as a result of FM or AM procedures. Each interval, or, in fact, each pitch-pair (or if you don't want to limit yourself to the chromatic scale, each pair of arbitrarily decided upon frequencies) can generate several possible spectra, but the similarity in sound quality between kinds of spectra quickly reduces to a limited number of readily manageable famili… more
Date: 1975
Duration: 10 minutes 07 seconds
Creator: Dashow, James
Partner: UNT Music Library

Effetti Collaterali

Description: Recording of James Dashow's Effetti Collaterali performed by the clarinetist Phillip Rehfeldt. The composer's first effort in using systematically his concept of AM and FM spectra as inharmonic harmonizations of specific dyads. The specified pitches are made to generate their own accompanying frequencies, generally inharmonic with respect to the pitches themselves, as a result of FM or AM procedures. Each interval or each pitch-pair can generate several possible spectra, but the similarity in… more
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Date: 1975
Duration: 10 minutes 07 seconds
Creator: Dashow, James, 1944-
Partner: UNT Music Library

Whispers Out of Time

Description: Recording of James Dashow's Whispers Out of Time. The title of this piece refers to the last line in a poem titled "Portrait in a Convex Mirror" by John Ashbery (1975). The composer used a VCS3, three ReVox tape recorders each with vari-speed gadget, and an AKG reverberation unit in an attempt to express with electronic sounds the moods, feelings, and sensations the four words of the title invoked in him.
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Date: 1975
Duration: 11 minutes 19 seconds
Creator: Dashow, James, 1944-
Partner: UNT Music Library

Adagio

Description: Recording of Raoul de Smet's Adagio. For this work the composer had proposed harmony and relaxation "before anything else.” From there, a slow and steady tempo and very simple form. The sound material is provided by twelve ordinary sound generators. The work begins with a chord in the treble, slowly emerging from the silence or void sound and sustained by a regular pulsation in the bass, the result of differential sounds. Then several new sounds are added while others change timbre, octave, or … more
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Date: 1975
Duration: 9 minutes 42 seconds
Creator: De Smet, Raoul
Partner: UNT Music Library

Syntagmes

Description: Recording of Francis Dhomont's Syntagmes. This work obeys a double concern: formal rigor and vagrancy of the imagination. Seemingly contradictory proceedings, they are inspired by linguistic mechanisms which - within the limits of a code - allow innumerable discoveries.
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Date: 1975
Duration: 10 minutes 22 seconds
Creator: Dhomont, Francis, 1926-
Partner: UNT Music Library

...Despues el silencio...

Description: Recording of Hilda Dianda's "...Despues el silencio..." ("...After the silence..."). The piece is complex in its apparent simplicity. The slow evolution of the piece, with its predominantly dark and static sounds from which material of greater brightness and mobility emerge occasionally. Silence also plays an important role in the composition. It was realized at the SISMAT Laboratory.
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Date: 1975
Duration: 14 minutes 39 seconds
Creator: Dianda, Hilda, 1925-
Partner: UNT Music Library
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