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Perceived ease of use and usefulness of sustainability labels on apparel products: application of the technology acceptance model

Description: This article explores consumers' perceptions of sustainability labels on apparel products and examines sustainability labels as an effective means of determining consumers' purchase intentions using the technology acceptance model.
Date: May 28, 2017
Creator: Ma, Yoon Jin; Gam, Hae Jin & Banning, Jennifer
Partner: UNT College of Visual Arts + Design

Allaying Terror: Domesticating Vietnamese Refugee Artisans as Subjects of American Diplomacy

Description: This article explores how the photographs of a basketmaker, as well as photographs of other refugee artisans published in the August 1956 issue of Interior magazine, served the American State Department agenda by characterizing its subject in terms of pathos and need.
Date: August 1, 2018
Creator: Way, Jennifer
Partner: UNT College of Visual Arts + Design

Internet Use in Latin America

Description: This paper explores the development of Internet use in Latin America by exploring the macro- and micro-social expectations and actualities of Internet use.
Date: August 18, 2011
Creator: Salzman, Ryan & Albarran, Alan B.
Partner: UNT College of Visual Arts + Design

Visibility & Control in the Vendee

Description: This article uses fieldwork and the concept of relative aging to argue that the system of canals within the Vendee region of western France were begun in the tenth and eleventh centuries in conjunction with the Maillezais Abbey relocation and rebuilding.
Date: 2016
Creator: Deines, Dory & Wilson-Chavez, Owen
Partner: UNT College of Visual Arts + Design

The Lady of the Marshes: Place, Identity, and Coudrette’s Mélusine in Late-Medieval Poitou

Description: This article discusses the use of the poetic romance, Mélusine or Le Roman de Parthenay, as a tale of identity, place, and the foundational role of women in the creation of dynastic, land-based legacies, supported through visual imagery analysis and theoretical models from cultural geography.
Date: 2016
Creator: Thompson, Shana
Partner: UNT College of Visual Arts + Design

Geography, Archaeology, Art History: A Case Study for a Multidisciplinary Approach to Mapping Architectural Heritage

Description: This article examines how technology may be incorporated into an art historical research program, through a cross-disciplinary project combining the visual methodologies of the art historian with the technical tack of the geographer.
Date: 2009
Creator: McCarty, Kim; Gregory, Britteny & Abel, Mickey S.
Partner: UNT College of Visual Arts + Design

Day Dress

Description: Day dress of blue silk shantung with black flecks and black linen embellishment. A) Dress - Street length, with high rounded neckline, and 3/4 or longer sleeves. Neckline with three concentric bands/borders, each with a button making them look as if they should unbutton. Outer and inner bands of the blue/black shantung, inner band of black linen. Buttons of each band are same fabric as that band. A-lline skirt with "pleated placket" at front. Narrow blue/black thread belt loops at sides. Center back zipper, with hook and thread loop at top of collar. Unlined. Combined designer/retailer label in lower part of skirt: "Irene / Exclusively for / Neiman-Marcus" B) Belt. Narrow leather curving belt faced with the blue/black silk shantung, with large rectangular covered buckle. Stamped on reverse: "10 9524"
Date: 1959
Creator: Irene
Partner: UNT College of Visual Arts + Design

Dress

Description: Dress of orange wool jersey knit. Knee-length or slightly above. Slight standing collar. Long sleeves. Yoke and collar with white panel lined in pale aqua band. Similar patches on sleeves at cuffs, with two gilt metal chased domed buttons. Attached belt matching the patches on sleeves closes in back with two matching buttons;3-1/2" wide. Center back zipper closure with hook-and-eyes at neck. Lined in orange. Designer's label: "Ronald Amey / New York"
Date: 1970/1979
Creator: Amey, Ronald
Partner: UNT College of Visual Arts + Design

Shirt Dress

Description: Shirt dress of plaid woven cotton in shades of yellow, brown, black and white on black ground. Street-length. Short sleeves and spread collar, center front opening with 6 buttons, and single hook-and-eye at waist. Buttons are small faceted black plastic(?) collar settings with a clear rhinestone at center. Tie belt at waist, attached at side seams. Skirt is pleated into lower edge of bodice. Unlined.
Date: 1950/1959
Partner: UNT College of Visual Arts + Design

Maternity Dress

Description: Maternity dress of white silk chiffon with leaf motif of gray bugle beads and iridescent sequins. Sack style silhouette; V-shaped neck line. Elbow length sleeves have ragged hem at cuffs and at knee length skirt hem. Kick pleat at center back is outlined in matching gray bugle beads. Center back zipper. Lined in white polyester. Designer's label at back right neckline: "Page Boy / Maternity"
Date: 1980
Creator: Page Boy Maternity
Partner: UNT College of Visual Arts + Design

Maternity Evening Dress

Description: Maternity evening dress of black silk in all-over black sequins with 3 bands of white diamonds in white bugle beads at cuffs of the long sleeves and at lower hem of the knee-length dress. Rounded neckline. Bands of black bugle beads at neckline, cuffs, lower hem, along shoulders, along side seams, and around armscyes. Center back zipper with hook & eye. Lined in black rayon. Designer's label at center back neckline: "Page Boy / Maternity" Size labels attached to lower edge of designer's label: "P" and "S" Care/content/origin label at inside side seam: "100% Pure Silk / Rayon Lining / Dry Clean Only" and "Made in India".
Date: 1980/1989
Creator: Page Boy Maternity
Partner: UNT College of Visual Arts + Design

Maternity Evening Dress

Description: Maternity evening dress/top in black silk and all-over black sequins with bands of bugle beads at neckline, sleeve ends, and lower hem. Straight, shift style. Rounded neckline and short sleeves. Center back zipper with hook & eye; 7" kick pleat at center back. Lined in black polyester; padded shoulders. Designer's label at inside back neckline: "Page Boy / Maternity" Size label at inside back neckline: "L" Content/Care label at inside back neckline: "100% Pure Silk / Polyester / Lining / Made in India / Dry Clean / Only"
Date: 1980/1989
Creator: Page Boy Maternity
Partner: UNT College of Visual Arts + Design

Maternity Blouse

Description: Maternity blouse of rose pink douppioni silk. Sleeveless with cape style yoke which falls over the shoulders. Trim of yoke extends to form tie at front. Blouse gathers under yoke. Center front opening with closure of four large rhinestone buttons and barred buttonholes; supplemented with snap at yoke. Large patch pockets at sides are quilted with rhinestone accents at corners of quilting. Unlined. Designer's label at center back neckline: "Page Boy / Dallas"
Date: 1950/1970
Creator: Page Boy Maternity
Partner: UNT College of Visual Arts + Design

Child's Dress

Description: Child's dress of blue cotton batiste with white embroidery. Short, puffed sleeves with rolled cuff and white embroidered scalloped edges. Rounded neckline with white embroidered scalloped edges. Small pin tuck pleats at front shoulders; center front is embellished with embroidery in scroll and floral motif. Center front opening of six white buttons (one missing) and barred buttonholes.
Date: 1942
Creator: Alesta, Bertie
Partner: UNT College of Visual Arts + Design

Coat Dess

Description: Coat dress of light mauve boucle wool. Standing collar. Long raglan sleeves. Knee length. Single breasted with closure of 3 rectangular bronze metallic buttons supplemented with 3 covered snaps. Attached half-belt of self; 4" wide. Lined in pale chiffon. Designer's label at left side seam: "Galanos" Retailer's label at right side seam: "Neiman-Marcus"
Date: 1964
Creator: Galanos, James
Partner: UNT College of Visual Arts + Design