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Cape

Straight cape/cloak of black long-hair monkey fur. Full length, no arm holes, arm slits nor sleeves and no collar. 5 heavy hook and eye closures down center front. Fully lined in black wool crepe-felted. Very heavy. Likely to be Colobus monkey. Designer's label at right side at seam "Hattie Carnegie" Retailer's label at back center top "Neiman-Marcus Dallas";

Date: 1930~

Creator: Carnegie, Hattie

Partner: UNT College of Visual Arts + Design

Man's Vest

Vest of blue, red and white leather suede. The blue body of the vest has star-shaped cut-outs, revealing the white lining. Floor-length red fringe hangs from the body of the vest. Label at center back neckline: "Great Northern / Leather & Tea Co. / 100% Leather & Suede / 113 Elizabeth St. New York City" Inside back signed: "Roy A. Schueler"

Date: 1965/1969

Creator: Great Northern Leather & Tea Co

Partner: UNT College of Visual Arts + Design

Evening Ensemble - Jacket and Dress

Evening ensemble consisting of: A) Evening dress of black wool crepe, knee-length, sleeveless, and with jewel neckline. Center back zipper, with hook & eye. Attached belt of 2-1/2" wide black satin ribbon at waist. Side in-seam pockets. Lined in black silk. B) Jacket of black wool crepe with satin cuffs, and jewel neckline, and long sleeves. Center front opening. Jacket is completely covered in vertical lines of clear/ mirror rhinestones. Lined in black silk. Jacket has combined Designer's/Retailer's label at center back neckline: "Norman Norell for Bonwit Teller"

Date: 1970~

Creator: Norell, Norman

Partner: UNT College of Visual Arts + Design

Man's Coat

Man's coat of chocolate brown polyurethane. Trench coat style, double-breasted with 7 (1 missing) circular gold-tone buttons with centers of self. Convertible collar with large lapel and smaller, matching button. Epaulets at shoulders. Vertical slotted pockets with 1-1/2" welt. Long vent down center back closes with single, hidden button. Lined in olive green synthetic fiber fabric. Inner zipper for lining, now missing. With matching belt with brown, rectangular buckle. Brand (?) label inside: "Dimension IV"

Date: 1969

Partner: UNT College of Visual Arts + Design

Coat

Coat of red wool knit. Double-breasted with 10 self covered circular buttons and 5 bound buttonholes. Full length. Bracelet-length set-in sleeves with white satin, notched cuffs. Notched collar with white satin covered lapels. Vertical welt pockets at sides. Lined in matching white silk. Designer's label at center back neckline: "Norman Norell / New York"

Date: 1968

Creator: Norell, Norman

Partner: UNT College of Visual Arts + Design

Dress

Day dress in shift style of red/orange wool jersey. Knee length, with short dolman sleeves. 1-1/2" stand-up collar. Center front opening with 28 round self-covered buttons and loops. Side slit pockets. Lined in red silk. Attached tie belt of same fabric at waist. Designer's label at inside left seam of lining: "Norman Norell / New York" Retailer's label at inside right opening near neckline: "Marie Leavell"

Date: 1960/1968

Creator: Norell, Norman

Partner: UNT College of Visual Arts + Design

Shoes - Japanese Traditional Ensemble

Pair of Geta. The sandals are straight last, with thick white plastic soles, having horizontal bands of orange in two shades. Orange and white straps to fit between toe and back to sides of foot.

Date: 1960/1979

Partner: UNT College of Visual Arts + Design

Shoes - Turkish Festival Outfit

Pair of shoes. Styled as low, backless slippers with upturned, pointed toes. Toe-box of striped cotton (silk?) with stripes of purple, yellow, orange, etc., with small diamonds of white. Stripes run from toe up to throat of shoe. The toe-box is edged in gold. Insole lined in orange. Soles of leather.

Date: 1940/1960

Partner: UNT College of Visual Arts + Design

Pillbox Hat

Pillbox hat of off-white linen(?) formed as a short cylinder with flattened top, somewhat sunken around edges and slightly domed at center. The whole is overlaid with an off-white net veil to which are affixed scattered small "puffs", and four large satin cording devices shaped as looped bows or modified trefoils. Hat is unlined, allowing woven straw base to show, and has inner off-white grosgrain ribbon hat band.

Date: 1955~

Partner: UNT College of Visual Arts + Design

Shoes - Egyptian Traditional Ensemble

Shoes. Slip-on, low-heeled, open back slippers of red leather. Toe-box decorated with Egyptian motifs, including lotus flowers and a "Nefertiti" head. Lined in read leather. Black rubber soles. Note: mis-matched pair. Both are left shoes.

Date: 1975/2000

Partner: UNT College of Visual Arts + Design

Ensemble - Jacket, Blouse, and Skirt

Ensemble consisting of: A) Jacket of woven silver metallic, heavy-weight thread in a diamond pattern; scoop neckline; short, raglan sleeves; open-front; reverse pleat at center-back below waistline; crescent, princess seams at back and front; 2 slit pockets at sides; knee-length; fully lined in ivory silk organdy. B) Blouse of off-white silk organza moire, sleeveless and cinched under the armpit; scoop neckline embellished at front with various rectangular pieces of fabric swatches in self-fabric and white knit with triangular and square crystal gem accents; under-layer of self-moire with an extended hem; attached tie at waist sides of white cotton. C) Mini-skirt of ivory crisp woven fabric (wool) with wide waistband, with box pleat at center-front; 2 pleats at back; waistband has double breasted snap closure at back and is lined in ivory silk; center-back zip closure that adjusts to a slit with 2 zipper tabs; lined in silk taffeta; 18 ½” length.

Date: 2007

Creator: Wang, Vera

Partner: UNT College of Visual Arts + Design

Ensemble - Japanese Traditional Ensemble

Complete "Geisha" traditional Japanese women's ensemble, of the Kyoto style. The complete ensemble includes various under garments and accessories not seen in images, as well as primary components: Kimono - Salmon colored polyester outer garment with woven geometric design ground decorated with cherry blossoms, mums, and other flowers. Applique of flowers across back of neck/right shoulders. Hand sewn, this is a "Spring" kimono.; Obi of white, silver, and orange brocade; Sash of pink and white shibori; Obi Jimi braided orange cord belt to tie around obi; Tabi socks; Geta sandals (not in images); Fan, and traditional wig, embellished with artificial flowers.

Date: 1960/1979

Partner: UNT College of Visual Arts + Design

Pumps

Pumps of black satin. The shoes are designed with gently pointed toes, rounded at ends, with rounded vamp. At vamp is set a bow of thin black satin ribbon, threaded into the lobes of which are black spherical beads studded with rhinestones. The plain uppers are top-stitched in parallel lines, giving them the appearance of corduroy. The 3 1/5" continental heels are covered in plain black satin. Designer's label, Right: "design by / Evins" and "Maxine Last" Retailer's label, Left: "Neiman-Marcus" Handwritten note: "7B / 1912-2EVS / 31836"

Date: 1960~

Creator: Evins, David

Partner: UNT College of Visual Arts + Design

D'Orsay Pumps

Pair of D'Orsay pumps of pink leather. The shoes have cut-away sides and rounded toes. The toebox and heel uppers of pink leather, with pink leather strap from heels to secure around ankle with small oval gilt metal buckle. 3 1/4" high stacked wooden heel tapers to base. Stamped leather label inside: "Joan & David Too / Made in Italy" Stamped on sole: "Made in Italy / Vero Cuoio / 8 1/2"

Date: [1987..1997]

Creator: Joan & David Too

Partner: UNT College of Visual Arts + Design

Pumps

Pair of pumps of multicolored leather and lace. The pumps are designed with rounded toes and almost squared-off vamps. The uppers are made of off-white mesh overlaid with a lattice of beige lace, with diamond shapes of yellow, green, and coral pink leather set in the openings. The upper is edged with white leather. The medium-high heels are curved around sides and back, taper to base, and are covered with same white leather. Front of heel is cut straight across, covered with light tan leather. Designer's label: "design by / Evins" Retailer's label: "Neiman Marcus" Handwritten, partly illegible, inside: "7 1/2 B Luis(?) / 29223 - 1E / 6(?) 152Y9"

Date: [1960..1978]

Creator: Evins, David

Partner: UNT College of Visual Arts + Design

Pumps

Pair of pumps of black grosgrain. The shoes are designed with a pointed toe and plain upper. The 4" high stiletto heel tapers gently to base. Retailer's label stamped on sole: "Neiman-Marcus" Stamped inside: "8 1/2 B 3509 / 250"

Date: 197u

Partner: UNT College of Visual Arts + Design

Pumps

Pair of pumps of black leather. The shoes are designed with a pointed toe and plain upper. The high stiletto heel tapers gently to base. Retailer's label stamped on sole: "Neiman-Marcus" Stamped inside: "8 1/2 B 3507 / 250"

Date: 1970~

Partner: UNT College of Visual Arts + Design

Ensemble - Kutchi Group, Pashtun Peoples, Afghanistan

Ensemble - Kutchi Dress, Pashtun Peoples, Afghanistan. This assembled ensemble consists of: 1. Dress. Full-length. High neckline, slight V-shape. Front yoke/bib panel of fine needlework geometric shapes and patterns, in orange, purple, green, and blue. Front of bodice with four large embroidered rosettes of silver couching with orange silver/white, and black borders. Over-length, wide sleeves of patchwork of materials, including red, purple, and pink. Cuffs of heavy silver couching with central band of small circular mirrors in needlework frames. High, narrow waistband of silver/gold couching. Front of skirt formed of thin black fabric heavily gathered to form voluminous front panel. Wide band of red fabric lining inside of front panel at hem. Back of bodice formed of red cloth with vertical white stripes. Embroidered panels under arms. Back of skirt formed of upper panel of purple printed with blue and off-white flowers and leaves, heavily gathered into waistband. Lower panel of purple fabric, as full as upper panel. Black hem on back of skirt. 2. Headpiece of silver set with glass and plastic(?) rubies and emeralds, center plaque with glass segments simulating lapis and jade(?). Central circular plaque with central red circular glass "stone" surrounded by 6 alternating triangular green and blue glass plaques forming a star. Star is encircled by ring of glass (plastic?) simulated rubies and emeralds. Outer openwork border. Extending above central plaque and connected by 4 small metal bar-shaped links is a triangular plaque set with same simulated rubies and emeralds. Extending horizontally from central plaque on either side are three rectangular metal plaques set with same simulated rubies and emeralds. All plaques connected by metal bar-shaped links. Hanging below connected plaques is fringe of short metal chain sections terminating in hollow spheres. The plaques are sewn to a narrow black cloth band designed to fit ...

Date: 1940/1960

Partner: UNT College of Visual Arts + Design

Powder Compact

Pendant compact of sterling silver and enamel. The small, circular compact has plain silver sides and base; the lid embellished with pale blue enamel over engraved guilloche patterns. Plain silver circle at center, surrounded by blue circular field with engraved pinwheel design; the outer border with silver edges, divided into four arcs, and with 4 "keystone" or "T" shapes at cardinal points, the fields enameled pale blue over engraved ground. Pressure clasp opens to reveal interior, plain, with circular mirror in lid. On outside at hinge is loop to suspend from a chain or ribbon. Stamped on base: "Sterling" Contains small circular "puff" of dense beige felt-like material.

Date: 192u

Partner: UNT College of Visual Arts + Design

Purse

Drawstring purse of silver thread crochet with circle and flower appliques. Near top of purse on front and back are sewn-on single metal rings and evidence of second lost ring where the top crochet border may have been folded down and attached to the purse. Lined in pink silk satin. Closure of two silver braided drawstrings at sides.

Date: 192u

Partner: UNT College of Visual Arts + Design

Purse

Pouch purse of ivory cotton with red trim at top and bottom; red piping at seams. Rectangular shape. Covered in floral embroidery. Zipper closure across top with wooden ring attached to zipper pull. Lined in ivory crepe silk with interior pockets at each side.

Date: 193u

Partner: UNT College of Visual Arts + Design

Ensemble - Egyptian Traditional Ensemble

Egyptian Ensemble. A) Galabeya. Full-length galabeya of black cotton, with rounded neckline cut at base to for a shallow "V". Caftan style, with long sleeves and slit from hem upwards on right side. Front of galabeya with embroidered and applique decoration. Around neck and front of bodice is floral decoration and scrolls in gold, greens, red, and blue, and central shield-shaped gold satin applique piece with embroidered scroll work in gold and blue. Lower part of galabeya with matching, but inverted similar gold satin appliques with embroidered scrolls, and embroidered floral forms. Long sleeves with thin rectangular embroidered gold bands along wrist. Unlined. B) Head Scarf. Rectangle of fine red fabric, lower edge scalloped. Upper edge with sewn border incorporating spaced gold cylindrical beads. Ends of scarf and scalloped area of lower edge with thin crocheted/sewn band with spaced gold tear-drop beads and simulated gold coins. Applied to center of scarf are two bands of red crocheted/knitted net with gold spherical beads and pendant simulated gold coins.

Date: 1975/2000

Partner: UNT College of Visual Arts + Design

Hatlet

Hatlet of black velvet. Black velvet hatlet has a shallow domed crown edged with large upstanding "M" shapes and descending "V" shapes of black velvet edged with black beads. The overall effect is of a child's image of a coronet. The whole is overlaid with black net veil, with triplets of black beads worked into some intersections of the net. Crown is lined in black mesh netting and edged with black grosgrain ribbon. Two plastic combs inside crown help secure hat to wearer's head. Designer's Label: "Bes-Ben / Made in Chicago". Gift of Mr. John C. Murphy, through the Chicago Historical Society.

Date: 1955

Creator: Green-Field, Benjamin B.

Partner: UNT College of Visual Arts + Design

Hatlet

Hatlet of straw and velvet. Formed as a modified X-shaped skullcap, the hatlet is made of woven straw with white straw warp and gold ribbon weft, edged in a narrow ribbon of light tan velvet. At the center of the crown is applied pair of bows of the same velvet ribbon. Evidence of fine brown veiling, now gone. Interior of crown lined in taupe mesh and edged with taupe gros-grain ribbon. Attached at either side is a small plastic comb to secure hat to wearer's head. Designer's label inside crown: "Bes-Ben / Made in Chicago". Gift of Mr. John C. Murphy, through the Chicago Historical Society.

Date: 1955

Creator: Green-Field, Benjamin B.

Partner: UNT College of Visual Arts + Design

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