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Chopin's Mazurka: A Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, F. Busoni, D. Scarlatti, W.A. Mozart, L.V. Beethoven, F. Schubert, F. Chopin, M. Ravel and K. Szymanowski

Description: This dissertation consists of four programs: one lecture- recital, two recitals for piano solo, and one (the Schubert program) in combination with other instruments. The repertoire of the complete series of concerts was chosen with the intention of demonstrating the ability of the performer to project music of various types and composed in different periods.
Date: August 1969
Creator: Drath, Jan
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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Music and its Relation to Futurism, Cubism, Dadaism, and Surrealism, 1905 to 1950

Description: Inasmuch as this investigator can determine, no major study has been done concerning music's relation to the "isms" selected for this discussion. The contemporary interest in the movements themselves has been so widespread that the documentation of them, in scattered accounts, is enormous. It is disappointing that these records provide little or no information about the musical aspects of the movements; the graphic and literary accounts, on the other hand, have been accorded generous treatments… more
Date: January 1969
Creator: Greer, Thomas H. (Thomas Henry), 1916-
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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Arabic 1620: An Analysis and Procedure for Composing Computer Music VOL. 2

Description: Computers are used in the music field for generation of sound, for composing music, for analysis of music, and for musicological applications, such as cataloguing a bibliography of music literature. These areas are relatively new aspects of computer usage, and research is being conducted to stay abreast of current technological advancements. Avant-garde composers are challenged by new advances in music. Computer-generated music is one of the new trends, but the composer is usually limited in th… more
Date: August 1968
Creator: Lott, William Loyd
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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Chromaticism in Piano Sonata, Opus 120 by Franz Schubert

Description: Sonata in A major, Opus 120, was written by Franz Schubert in 1819. The sonata was chosen for this study because of its proximity to the middle of the span of time in which Schubert wrote his piano sonatas. His first piano sonata was written in 1815 and the last in 1828. Since no sonatas were written in either 1821 or 1822, the years in the middle of this span, the sonata written in 1819 was chosen.
Date: June 1965
Creator: Kerr, Clara Barbee
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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The Solo Piano Works of Alfredo Casella: A Comparative Analysis of His Diverse Styles

Description: The compositions to be considered in this study have been divided into three periods, corresponding with certain times in the life of Alfredo Casella. There is enough consistency of style in the compositions of each period to justify this division. The first period, characterized by lyricism and virtuosity, includes the works written in Paris after Casella left the Paris Conservatory. The second period, with its chromaticism and dissonance, comprises his output during the first years after his … more
Date: August 1966
Creator: Davidson, Donna Ruth
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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The a Cappella Choral Music of Benjamin Britten

Description: The twentieth century has witnessed a renaissance in the composition of choral music. Not since the Baroque, has choral writing held the prominent position with composers that it has today. At the same time, English composers have regained a stature and influence they have not held since the time of Purcell. It was not until the time of Edward Elgar, Gustave Holst, and Ralph Vaughn-Williams that English music began to recover from the decline of the nineteenth century. Benjamin Britten has play… more
Date: August 1963
Creator: Corse, Larry B.
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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The History of the Keyed Brasses

Description: This study examines what makes a keyed brass instrument, early keyed brass instruments, and keyed brass instruments of today. Focuses on the Cornett, the Serpent, the Basshorn and Russian Bassoon, the Ophicleide, the Horn, the Keyed Trumpet, and the Keyed Bugle.
Date: May 1963
Creator: Montgomery, Ralph W. (Ralph William)
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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The Development of Schoenberg's Twelve-Tone Technique From Opus Nine to Opus Twenty-Six

Description: The real importance of the twelve-tone system would seem to lie in its structural possibilities. It combines the inherent potentialities of the theme of a movement in sonata form with those of the theme of a fugue and of variations. It creates a coherent texture throughout the single movements and the work as a whole. It is needless to say that this kind of coherence can also be achieved in serial compositions, that is, in movements in which not the full row of twelve tones, but only seven or e… more
Date: August 1968
Creator: Bryant, James Ronald
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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The Brahms Variations on a Theme of Paganini and the Rachmaninoff Rhapsody on a Theme of Paganini

Description: Born April 2, 1873, on the estate of Oneg in the province of Novgorod, Russia, Sergei Vassilyvitch Rachmaninoff was the fifth of the six children of Vassili and Lyoubov Boutakova Rachmaninoff. Rachmaninoff's aristocratic descent was traced to the Hospodars Dragosh, rulers of the realm of Molday from the fourteenth to the sixteenth century. One of the daughters from this family had married a son of the Grand Duke Ivan III of Moscow. The son's nephew was named Rachmanin, and from this source the … more
Date: June 1961
Creator: Teel, Carl Brown
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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A Stylistic and Pianistic Evaluation of Aaron Copland's Piano Fantasy

Description: The Piano Fantasy will be compared to Aaron Copland's other major piano works, the Piano Variations and Piano Sonata, to determine if he has retained his basic stylistic features, although he has employed serial principles more extensively in the piano fantasy than in the other two works and has passed through two different style periods, the "Abstract" (1929-1935) and the American "Folksong" (1934-1955).
Date: August 1968
Creator: Hutchison, Merilyn Kae
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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Aaron Copland's Symphonic Use of Brass Instruments

Description: Traditions in orchestration can be described by relating the practices of most of the important composers of a particular time. This was done with great success by two composers of the nineteenth century, Hector Berlioz and Nicolai Rimsky-Korsakov, in their books on orchestration. These texts are the basis for the traditional uses of brass instruments appearing in the chapter.
Date: August 1965
Creator: Hasty, Patrick R. (Patrick Robert)
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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The Slide Trumpet in England From 1796 to 1900

Description: Definitions of the trumpet, although disagreeing in certain details, generally concur in a fundamental precept: that the tube of the trumpet is cylindrical for the greater part of its length while flaring into a bell at its end. This study outlines the history of the slide trumpet in England.
Date: August 1963
Creator: Royster, Lawrence Denton
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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A Study of the Factors Related to Tuba Instruction and Performance

Description: The two basic needs which motivated this study were instructional material and instruments. By investigating these problems the writer hopes to improve not only his own techniques of teaching, but to present a useful source of information concerning the tuba. Analysis of the problem statement led to subordinate questions, or sub-problems, which may be stated as follows: 1. What do the authorities consider to be the desirable physical and mental characteristics in the tuba player? 2. How do the … more
Date: January 1965
Creator: Segress, Terry
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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The Saxophone: Its Development and use in the Orchestra

Description: The purpose of this study is to trace the invention and development of a greatly abused instrument, the saxophone, and its use in the symphony orchestra. The first chapter concerns the instrument's invention and acceptance. The second chapter discusses physical characteristics of the saxophone. The third chapter deals with the particular methods of using the saxophone in orchestral literature by various composers, from its use in the nineteenth century through the present. An appendix provides … more
Date: May 1969
Creator: McFarland, Randall R. (Randall Roberts)
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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A History of the Clarinet and its Music from 1600 to 1800

Description: It is the purpose of this thesis to present a study of music written for the clarinet during the period from 1600 to 1800. The first part is a history of the clarinet showing the stages of development of the instrument from its early predecessors to its present form. Part one also explains the acoustics of the clarinet and its actual invention. The second part deals with composers and their music for the clarinet. No attempt is made to include all music written for the instrument during the pre… more
Date: August 1964
Creator: Kireilis, Ramon
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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Organ Compositions on the Motive B A C H

Description: Since the time of Johann Sebastian Bach many musical compositions have been written on the letters of his last name. In German musical notation, these letters are the equivalents of out B flat, A, C, and B natural. This study traces the use of this motive in works written for the organ throughout the past two centuries. The discussion in these chapters has been an attempt to illustrate the use of the motive B A C H in organ compositions from before the time of Bach up to the present. Time limit… more
Date: August 1965
Creator: Stegall, Ruth Ellen
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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The Development of the Clarinet as a Solo Instrument During the Eighteenth Century

Description: This study examines the development and creation of the clarinet in the seventeenth and eighteenth century, and the start of their use as a solo instrument in the eighteenth century. This explores Mozart's utilization and development for the clarinet to other various composers and their contributions.
Date: June 1966
Creator: Mahoney, James Mack
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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The Music of Anton Webern

Description: In this study, the Anton Webern's music is considered in two groups: that which was written before Webern adopted the twelve-tone technique, Opp 1-16, and that written in the twelve-tone technique, Opp. 17-31. This division is not intended to represent an attempt at periodization of Webern's music, for the changes of style in Op. 17 are not that significant. But the fact that Webern employed the twelve-tone technique in all the works he wrote after Op. 16 makes this a natural point of division … more
Date: May 1960
Creator: McKenzie, Wallace Chessley
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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Nineteenth-Century New Orleans Composers

Description: A comprehensive study of all nineteenth-century New Orleans composers is far beyond the scope of this paper. There are simply too many. An attempt has been made, however, to include as many possible in the text. Others, about whom there is insufficient information to include in a narrative, have been relegated to the appendix, where they are treated in the style of a biographical dictionary. The two most important and influential composers of the century, Gregorion Curto and Theodore von La Hac… more
Date: May 1968
Creator: Wolfe, Alvin Duain
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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The Unaccompanied Choral Music of Felix Mendelssohn

Description: The purpose of this study was to analyze for reasons of interpretation the unaccompanied choral music of Felix Mendelssohn. What are the stylistic characteristics in each of the compositions selected for examination in this study? What comparisons and conclusions based on the analyses can be made concerning the character of compositional style in Felix Mendelssohn's unaccompanied choral music? What conclusions can be made concerning the interpretation of Felix Mendelssohn's unaccompanied choral… more
Date: January 1967
Creator: Shearer, Clarence Maynard
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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The Treatment of the Chorale Wie SchöN Leuchtet Der Morgenstern in Organ Compositions From the Seventeenth Century to the Twentieth Century

Description: The chorale Wie schðn leuchtet der Morgenstern was popular from its very outset in 1589. That it has retained its popularity down to the present day is evident by its continually appearing in hymnbooks and being used as a cantus in organ compositions as well as forming the basis for other media of musical composition. The treatment of organ compositions based on this single chorale not only exemplifies the curiously novel attraction that this tune has held for composers, but also supplies a com… more
Date: August 1961
Creator: Renick, Paul Winston
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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Sonata Form in the Symphonies of Mozart

Description: For this study, the forms of the movements of forty-four symphonies of Mozart-those appearing in the Breitkopf and Hartel "complete" edition of his works- were analyzed. For convenience of reference, the symphonies are discussed in this thesis in their conventional numbering-that of the Breitkopf and Hartel edition- except for six symphonies that appeared in a supplementary volume and are inserted in this study into their approximately correct chronological positions.
Date: May 1964
Creator: Chism, Oscar Olin
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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