53 Matching Results

Search Results

[News Script: News briefs - Shearing]

Description: Script from the WBAP-TV station in Fort Worth, Texas, covering a news story about blind jazz pianist George Shearing arriving in Dallas to begin a nine-day engagement at the Colony Club.
Date: March 16, 1956
Creator: WBAP-TV (Television station : Fort Worth, Tex.)
Location Info:
Partner: UNT Libraries Special Collections

[News Script: Jazz]

Description: Script from the WBAP-TV station in Fort Worth, Texas, covering a news story about the jazz band of Norman Granz' "Jazz at the Philharmonic" arriving in Fort Worth for a concert in Dallas at the State Fair Auditorium. The band features Ella Fitzgerald, Gene Krupa, Buddy Rich, Dizzy Gillespie, Oscar Peterson, Illinois Jacquet, and Whitey Mitchell.
Date: October 4, 1955
Creator: WBAP-TV (Television station : Fort Worth, Tex.)
Partner: UNT Libraries Special Collections

[News Script: Torme]

Description: Script from the WBAP-TV station in Fort Worth, Texas, covering a news story about singer Mel Torme arriving in Fort Worth on his way to the West Coast.
Date: December 29, 1955
Creator: WBAP-TV (Television station : Fort Worth, Tex.)
Partner: UNT Libraries Special Collections

A multi-dimensional entropy model of jazz improvisation for music information retrieval.

Description: Jazz improvisation provides a case context for examining information in music; entropy provides a means for representing music for retrieval. Entropy measures are shown to distinguish between different improvisations on the same theme, thus demonstrating their potential for representing jazz information for analysis and retrieval. The calculated entropy measures are calibrated against human representation by means of a case study of an advanced jazz improvisation course, in which synonyms for "entropy" are frequently used by the instructor. The data sets are examined for insights in music information retrieval, music information behavior, and music representation.
Date: December 2005
Creator: Simon, Scott J.
Partner: UNT Libraries

Woody Shaw: Development of Style in Three Versions of "The Moontrane”

Description: Woody Shaw is one of the most influential jazz trumpet players of the past fifty years. Despite his importance, very few models exist that contextualize Shaw's improvisatory approach inside modern jazz pedagogy. Writers such as Rex Richardson, Eric O'Donnell, and Gavin Franklin have identified key elements of Shaw's style, and have begun a critical examination of Shaw's music. While extensive, these approaches do not take into consideration the impact free jazz had on Shaw's technique, nor do they provide a model for how to duplicate Shaw's style. This project examines four elements of Shaw's style as seen in three improvised solos on "The Moontrane." These solos are taken from early, middle, and late stages of Shaw's career. By studying scale choice, sequence and the sequential treatment of motifs, pentatonic approaches to harmonic sequence, and atypical rhythmic phrasing, this study is able to show (1) how these elements developed over the totality of Shaw's career, (2) provide a better understanding of Shaw's improvisational style, and (3) provide a basis for implementing these procedures in modern music.
Date: May 2016
Creator: Karns, Keith Thomas
Partner: UNT Libraries

Miz Markley

Description: Lisa Markley, a.k.a. "Miz Markley", is a genuinely happy person even if she is not particularly financially successful as a musician. In an effort to validate my own choices as an artist, I chose to follow her. What was intended to be a portrait of a working musician, becomes instead a feminist musical essay film about the transformative power of art making.
Date: May 2016
Creator: Vance, Sharie
Partner: UNT Libraries

Gunther Schuller and John Swallow: Collaboration, Composition, and Performance Practice in Eine Kleine Posaunenmusik, with Three Recitals of Selected Works by Berio, Bogle, Gregson, Pryor, Suderburg and Others

Description: Gunther Schuller is credited with coining the term Third Stream, meaning compositions where twentieth-century art music forms exist simultaneously with jazz. Furthermore, Schuller specifically states in the liner notes to the debut recording of Eine Kleine Posaunenmusik "The work is not a Third Stream piece." Yet the concerto alludes to jazz through a multitude of slide glissandi and plunger mute effects, Solotone mute passages, specific references to the jazz trombone styles of Tommy Dorsey and Lawrence Brown, musical quoting or indirect reference, and the use of a walking bass line in Movement V, Finale. What makes one piece Third Stream and another simply a modern composition with jazz implications? Is Third Stream primarily a compositional designation or a performance practice stipulation? How does a celebrated trombone soloist inspire and collaborate with a distinguished composer in the creation of a major work? The somewhat conspicuous title, Eine Kleine Posaunenmusik, seems to point towards Mozart's famous string serenade Eine Kleine Nachtmusik. What connection to Mozart, if any, does Schuller's title suggest? All of these questions are elucidated in this study through careful investigation and research of Gunther Schuller's Eine Kleine Posaunenmusik. New interviews with John Swallow and Gunther Schuller are included.
Access: This item is restricted to UNT Community Members. Login required if off-campus.
Date: May 2000
Creator: Bogle, James Michael
Partner: UNT Libraries

Musical Ekphrasis in the Poetry of Nicolás Guillén, Federico García Lorca, and Langston Hughes

Description: Musical ekphrasis was occurring in the twentieth century in different centers around the world, Cuba: Andalusia, Spain; and Harlem, New York, simultaneously. The writers at the heart of this movement used poetry about music as a means to celebrate the cultures of the marginalized people in their lands, los negros, los gitanos, and African-Americans. The purpose of this study is to define musical ekphrasis and identify it in the works of Nicolás Guillén, Federico García Lorca, and Langston Hughes. Also explored are the common characteristics in ekphrastic poetry by the three poets and the common themes found in their ekphrastic poetry, as well as common influences. Each author is considered in the context of his surroundings and his respective culture, and how that influenced his musical tastes as well as his writing style.
Date: December 2016
Creator: Divett, Andrew Brennan
Partner: UNT Libraries