Search Results

A Source Book for the Teacher of Film Art

Description: How does one teach the language and literature of the film? Where does one begin? What should be included in such a study? The answers to these questions do not exist and will not until much earnest effort and time have been spent toward their discovery. Certainly this thesis does not contain the final answers. It does contain some tentative answers, however, answers that can be put into practice in the classroom, examined, modified, rejected, or accepted. The ideas and suggestions are only invitations to explore; from such exploration will come the real advancements in this important field.
Date: August 1969
Creator: Pratt, Lorraine N.
Partner: UNT Libraries

The Effect of Relationship Films on the Attitudes of Homemaking Girls

Description: Films have been used with varying degrees of success to influence the attitudes of pupils of different ages and interests. Little has been done, however, to measure the attitudes of girls in high school homemaking classes. It is the purpose of this study to use films as an integral part of a group relationships unit and to determine what attitude changes, if any, are directly attributable to film content.
Date: August 1950
Creator: Brown, Mary Angeline
Partner: UNT Libraries

Dangerous, Desperate, and Homosexual: Cinematic Representations of the Male Prostitute as Fallen Angels

Description: The purpose of this study is to frame the cinematic male prostitute as a "fallen angel" to demonstrate that the evolution of the cinematic hustler has paralleled historicized ideological definitions of male homosexuality. Because cultural understandings of male homosexuality frequently reflect Judeo-Christian ideological significations of sin and corruption, the term "fallen angel" is utilized to describe the hustler as a figure who has also succumbed to sin due to his sexual involvement with other men. This study constructs an epochal analysis of eight films that explores the confluence of the social understanding of homosexuality with the cinematic image of the hustler from the mid 1960s through the present. In doing so, this study shows that the image of the cinematic hustler is intricately tied to the image of the male homosexual in material cultures and eras that produce them. A filmography is included.
Date: May 2008
Creator: Lay, John Phillip
Partner: UNT Libraries

Desert victory : the actual story of the rout of Rommel by the British Eighth Army : a full-length feature picture.

Description: Movie poster in brown and red tones, promoting the film, "Desert Victory". At the top is a close-up image of a portion of a typed document: "Directive to General Alexander, Commander-in-Chief in the Middle East" and photographs of Bernard Montgomery (left) and Harold Alexander (right) in uniform; along the left side are three photographs of wartime scenes; and at the lower right is an illustration of a battle scene.
Date: unknown
Partner: UNT Libraries Government Documents Department

Campania In-Felix (Unhappy Country)

Description: This documentary film explores the damages produced by the illegal dumping of toxic waste in the environment and the rise in health concerns specific to the Campania region in Southern Italy. The management of waste material in the region is in the hands of the Camorra - a mafia organization with vast economic and political power. Through the narration of personal stories, the documentary reveals the broken emotional and cultural balance between the people from the region and their land.
Date: May 2011
Creator: Corsale, Ivana
Partner: UNT Libraries

Lowest of the Low: Scenes of Shame and Self-Deprecation in Contemporary Scottish Cinema

Description: This thesis explores the factors leading to the images of self-deprecation and shame in contemporary Scottish film. It would seem that the causes of these reoccurring motifs may be because the Scottish people are unable to escape from their past and are uneasy about the future of the nation. There is an internal struggle for both Scottish men and women, who try to adhere to their predetermined roles in Scottish culture, but this role leads to violence, alcoholism, and shame. In addition, there is also a fear for the future of the nation that represented in films that feature a connection between children and the creation of life with the death of Scotland's past. This thesis will focus on films created under a recent boom in film production in Scotland beginning in 1994 till the present day.
Date: May 2008
Creator: McCracken, Michael
Partner: UNT Libraries

A New Circle

Description: This reflexive documentary film explores the Alabama-Coushatta Indian Tribe of Texas and examines questions of cultural identity. The twenty-one minute film uses footage of cultural events, reservation landscape, photographs, and interviews to bring the viewer into the lives of the Alabama-Coushatta people. The written portion of this thesis details the entire processes of making the film, from the proposal stage to the post-production stage. This includes an examination of the film's evolution from using a proposed ethnographic approach to one less scientific and more personal.
Date: December 2001
Creator: Shutt, Jason
Partner: UNT Libraries

Wine & Beer

Description: Wine & Beer tells the story of childhood friends Brian and Vic who, after spending some time apart, deal with the tensions of sexual orientation after they attempt to renew their friendship. At the beginning it seems that Vic's sexuality will not be a problem, but after the two friends hang out in a local bar, Brian realizes his hometown is not as tolerant as he is. The couple is faced with family and social concerns, which goes from the argumentative to the violent. As the main characters try to mingle with the conservative town, they soon find themselves looked upon by a small town resistant to change. This 35-minute film explores homophobia and violence in small town USA.
Date: December 2005
Creator: Maysonet, Joel R.
Partner: UNT Libraries

Pershing's crusaders.

Description: In the foreground is an image of General Pershing on horseback, leading his troops. Two soldiers behind him hold flags: a U.S. flag and a red flag with a gold emblem. Hovering in the background is a hazy image of medieval crusaders on white horses, carrying heart-shaped shields with cross images on them.
Date: 1918~
Creator: United States. Army. Signal Corps.
Partner: UNT Libraries Government Documents Department

True Bromance: Representation of Masculinity and Heteronormative Dominance in the Bromantic Comedy

Description: This project explores the representation of white, American masculinity within the Hollywood bromantic comedy cycle. By analyzing three interrelated components (close homosociality, infantilization, and relationship to patriarchy) of the model of masculinity perpetuated by this cycle of films, this study reveals the hegemonic motives therein. Despite the representation of a masculinity nervously questioning its position within the romantic comedy narrative and the broader patriarchal structure, the results of this representation are, ultimately, regressive and reactionary. Cultural gains made concerning gender, sexuality, and race are doubled back upon in a cycle of films that appeal to regressive modes of misogyny, homophobia, and racism still present in Hollywood filmmaking, and the hegemony of white, patriarchal heteronormativity is rigorously maintained.
Date: December 2013
Creator: Hartwell, David B.
Partner: UNT Libraries

El Cine De Terror Español Como Espejo De La Cultura Española

Description: This study traces the history and culture of Spain as seen through the lens of the nation´s production of horror cinema. Starting from the boom of Spanish horror film in the early 1960s, the thesis compares and contrasts the political and social aspects of Spanish society throughout three distinct eras of the 20th century: 1962 – 1975 (the boom of Spanish horror film through the Franco dictatorship), 1975 – 1999 (the transition to democracy through the end of the 20th century) and 2000 – present (the 21st century). Movies as diverse as Gritos en la noche (1962, Jesús Franco), ¿Quién puede matar a un niño? (1976, Narciso Ibáñez Serrador) and Angustia (1987, Bigas Luna) are framed by culturally-related anectodes as well as correlations to their respective social environments. Special attention has been paid to the production and release of each film, especially in regards to censorship during the Franco dictatorship. The results show that Spanish horror cinema has acted as a true mirror to culture, society and politics in its native country throughout the 20th century and that this trend will likely extend in to the future.
Access: This item is restricted to UNT Community Members. Login required if off-campus.
Date: May 2014
Creator: Donahue, Tyler
Partner: UNT Libraries

Light, Bright, and Out of Sight: Hollywood’s Representation of the Tragic Mulatto

Description: The purpose of this research is to examine the longevity of the stereotype of the tragic mulatto in American film history. Specifically, my research focuses on the portrayals and perceptions of biracial actresses. Media informs, entertains, and influences how we, and especially youth, self-identify and interact with others. This research focuses on the portrayal of biracial actresses throughout film history. It is also important in its investigation of the perpetuation of the one-drop rule. In this research, I will examine if historical stereotypes of tragic mulatto are apparent in contemporary Hollywood film. The methodologies used in this research include a content analysis of films with biracial actresses and an online survey of respondents’ perceptions of four actresses. Statistical techniques used for analysis include ordinary least square regression and multinomial logistic regression. Findings suggest that the tragic mulatto stereotype is not blatant in contemporary Hollywood film, but issues of colorism may be apparent.
Date: December 2013
Creator: Brunson, Alicia
Partner: UNT Libraries

[Ann Sheridan Scrapbook]

Description: Scrapbook filled with news clippings related to the career of Ann Sheridan, a Denton, Texas native who rose to become a renowned Hollywood film actress. The scrapbook was compiled and donated by Sheridan's cousin, Ora Lee Sheridan Paschall.
Date: 193u
Partner: UNT Libraries Special Collections

The Categorization and Use of Three Dimensional Computer Generated Special Effects in Film

Description: There has been a growing trend in the film industry in the use of three dimensional computer generated images (3D CGI) for special effects. With the popularity of this relatively new medium comes the need for new terminology. This exploration developed a general system of classification for 3D CGI effects for use in film. This system was based on a study of various writings about the significant films, which employ 3D CGI effects. A three-group system of classification system was developed. The three-group system was composed of the Elements Group, Level of Reality Group, and the Kind Group. These terms were developed to aid in the day-to-day production of 3D CGI special effects in the future.
Date: May 2000
Creator: Johnson, Charlie
Partner: UNT Libraries

Reconstructing Strata Lines of Reality

Description: This problem in lieu of thesis centers around my work and involves the production of the film trilogy Knife, Fork and Spoon. The methodology for this project comes from my investigation of postmodernist theory and social norms. Three problems are addressed and my professional procedures and practices that helped me find solutions while working on these films are included in chapter two.
Date: May 2001
Creator: Crawford, William James
Partner: UNT Libraries

Room 2046: A Political Reading of Wong Kar-Wai's Chow-Mo Wan Trilogy through Narrative Elements and Mise-en-scene

Description: As ownership of Hong Kong changed hands from the United Kingdom to the People's Republic of China in 1997, citizens and filmmakers of the city became highly aware of the political environment. Film director Wong Kar-Wai creates visually stimulating films that express the anxieties and frustrations of the citizens of Hong Kong during this period. This study provides a political reading of Days of Being Wild (1991), In the Mood for Love (2000), and 2046 (2004) through analyzing various story elements and details within the mise-en-scene. Story elements include setting, dialogue, character relationships, character identities, thematic motifs, musical references, numerology, and genre manipulation. Wong also uses details within the films' mise-en-scene, such as props and color, to express political frustrations. To provide color interpretations, various traditional aesthetic guidelines, such as those prescribed by Taoism, Cantonese and Beijing opera, and feng shui, are used to read the films' negative comments on the handover process and the governments involved. When studied together the three films illustrate how Wong Kar-Wai creates narrative and visual references to the time and atmosphere in which he works, namely pre-and-post handover Hong Kong.
Date: December 2006
Creator: Baldwin, Jillian
Partner: UNT Libraries

On Objects and Affections: Contemporary Representations of the Gay Man/Straight Woman Dyad in Popular Film and Television

Description: This project explores the representational strategies used to depict a gay male/straight female dyad across a variety of popular media. The study problematizes and critically evaluates how the narrativization of the dyad both challenges and reinforces stereotypes of gay men and at the same time circulates a troubling image of femininity in the figure of the straight woman. This line of argument is extended to the context of "Lifestyle Television" to demonstrate how the dyad implicitly structures two particular programs. It is suggested that the prevalence of the dyad is in part indicative of an assimilation of a particular gay identity into mainstream culture. The ideological implications of the dyad are discussed throughout this thesis.
Date: December 2000
Creator: Pillion, Owen L.
Partner: UNT Libraries

Harbor: The Act of Autobiography

Description: This written thesis accompanies a sixteen-minute documentary video, Harbor, in which the filmmaker explores her relationship with her father who has suffered a stroke. Detailed accounts of the pre-production, production and post-production of the video allow the reader to understand the challenging and rewarding process of making an autobiographical documentary. Theoretical issues are also discussed, including the validity, criticisms, artistic nature and ethical concerns of autobiographical filmmaking. The filmmaker stresses the universality of her story, and how, despite the film's very personal nature, it is applicable for anyone who has dealt with the illness and/or disability of a parent.
Access: This item is restricted to UNT Community Members. Login required if off-campus.
Date: August 1999
Creator: Doeren, Catherine Wallace
Partner: UNT Libraries

"Black Reparations Film Project: Descendants of Slavery and Institutional Racism"

Description: Black Reparations Film Project: Descendants of Slavery and Institutional Racism is a character driven film that sheds light on the consequences of slavery in the U.S. Through a personal narrative, the viewer comes to understand how these consequences support the argument for slavery reparations. The purpose of the film is to bridge the generational gap in awareness of reparation history. The film can be used to enlighten young Americans of all ethnicities to encourage them to find their purpose in this country, help build better race relations, and work towards building a true democracy.
Date: August 2016
Creator: Hodge, Tuarean M
Partner: UNT Libraries