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Social Circumstance and Aesthetic Achievement: Contextual Studies in Richard Wright’s Native Son

Description: This collection of essays on Richard Wright’s Native Son developed from a research-oriented, upper- division University of North Texas Honors College course, spring 2015. It contains the following seven chapters: Chapter I: The Cognitive Dissonance of Bigger Thomas (by Rachel Martinez) Chapter II: The Equal of Them: Violence and Equality in Native Son and “The Man Who Was Almost a Man” (by Molly Riddell) Chapter III: Above the Sceptered Sway: Holy Justice, and the Trials of Bigger and Shylock (by Alberto Puras) Chapter IV: Through His Eyes: Critical Analysis of Wright’s Native Son and Dostoyevsky’s Crime and Punishment (by Rachel Torres) Chapter V: Perceptual Misadventure: Becoming Rather than Enacting the Stereotype in Wright’s Native Son and Melville’s “Benito Cereno” (by Stormie Garza) Chapter VI: Psychologically Rather than Physically Dismembered: Reconsideration of Self-conception in Native Son and Moby-Dick (by Yacine Ndiaye) Chapter VII: Specious Dialectic in Wright’s Native Son (by Nicholas Grotowski). The student authors have exhibited burgeoning skills as historical contextualists, mindful of the author’s times, social circumstance, personal reading, narrative point of view, and aesthetic achievement, evidenced by six of these essays having been accepted for presentation at the annual conference of the American Studies Association of Texas.
Date: June 2016
Creator: Duban, James
Partner: UNT Libraries

The Slavic Aspects of Joseph Conrad

Description: Since the problem of criticism of Conrad has deteriorated often into a case study of supposed or imagined abnormalities, this study will survey this body of criticism and then attempt to place in proper perspective the various elements which comprise Conrad's artistic individuality. This thesis is intended to present an over-all view of the artistic individuality of Conrad, coupled with a more intensive interpretation of representative novels to illustrate this individuality.
Date: 1955
Creator: Parker, R. W.
Partner: UNT Libraries

Techniques and Content in Thornton Wilder: a Critical Re-Evaluation

Description: The aim of this paper is not to disprove previous interpretations of Wilder's work, but to enlarge on them. The problem is not that the opinions of the early critics and many of the later ones were incorrect; the were merely incomplete. This paper shall attempt to show that Wilder's major thematic material falls into two interlocking and overlapping groups. Repeatedly Wilder deals with the relationship of man to something beyond himself, and the relationship of man to individual man and to mankind.
Date: August 1959
Creator: Smith, Carolyn June
Partner: UNT Libraries

Gavin Stevens : Faulkners's Ubiquitous Knight

Description: In 1931 William Faulkner introduced to the scrutiny of the public eye one of his most admirable and delightful characters, and for the following three decades the history of Yoknapatawpha County was enriched and deepened by the appearance of this gentleman and man of words--Gavin Stevens. There has been no lack of critical attention given to Gavin Stevens and his role in Faulkner's stories and novels, and that criticism encompasses a variety of opinions, ranging anywhere from intelligent and sympathetic interpretation to unsympathetic rejection. With such an abundance of critical opinions and evaluations, perhaps justification for another piece of criticism on Stevens might best be stated in negative terms, in pointing out limitations in the criticism that already centers on Stevens.
Date: August 1970
Creator: Williams, Georganna Moon
Partner: UNT Libraries

The Development of a Critical Standard for the Novel in Fraser's Magazine, 1830-1850

Description: This thesis is concerned with establishing the nature of the critical standard which Fraser's Magazine, a Victorian journal, used in evaluating the artistic merit of current English novels. Eminent critics such as William Thackeray, Thomas Carlyle, and William Maginn were associated with the magazine during its early years of publication: thus, the early numbers contain some of its most valuable criticism. Because the English novel was in a period of transition in the decade of the 1840's and the years immediately preceding and following it, this study is confined to the twenty-year period from I830 to 1850. Imitative writers of romance and novels of manners were gradually being replaced with novelists concerned with social reform and with the artistic merit of the genre itself. Thackeray's and Maginn's associations with the magazine also occurred during this period, and their literary opinions are an important indication of the magazine's critical development.
Date: December 1972
Creator: Lively, Cheryl L.
Partner: UNT Libraries

The Literary Criticism of H. L. Mencken

Description: The thesis of this paper is that Mencken was a better critic than he is credited with being, that he was unusually discerning in his judgment of the fiction of his time, and that his criteria are clearly stated in various of his writings. It is conceded, however, that his taste in poetry was limited and that his contribution to dramatic criticism was not? greatly significant.
Date: December 1970
Creator: Sellers, Stephen W.
Partner: UNT Libraries

Current Trends in the Interpretation of Othello

Description: This thesis will be mostly concerned with the twentieth-century criticism of Othello; some attention will be given to earlier criticism to determine to what extent twentieth-century criticism fits into patterns of thinking before the twentieth century. Some consideration will be given to the background of Othello before taking up the various aspects and periods of criticism.
Date: January 1962
Creator: Uselton, Bethel May
Partner: UNT Libraries

Art Criticism and the Gendering of Lee Bontecou's Art, ca. 1959 - 1964

Description: This thesis identifies and analyzes gendering in the art writing devoted to Lee Bontecou's metal and canvas sculptures made from the 1959 - 1964. Through a careful reading of reviews and articles written about Bontecou's constructions, this thesis reconstructs the context of the art world in the United States at mid-century and investigates how cultural expectations regarding gender directed the reception of Bontecou's art, beginning in 1959 and continuing through mid-1960s. Incorporating a description of the contemporaneous cultural context with description of the constructions and an analysis of examples of primary writing, the thesis chronologically follows the evolution of a tendency in art writing to associate gender-specific motivation and interpretation to one recurring feature of Bontecou's works.
Access: This item is restricted to the UNT Community Members at a UNT Libraries Location.
Date: December 2005
Creator: Estrada-Berg, Victoria
Partner: UNT Libraries

Style and the Art of Chaim Soutine: Ethnicity, Nationalism and Geography in the Critical Reception and Historiography

Description: This thesis argues that art criticism published during Soutine's lifetime emphasizes ethnicity, nationalism and geography in discussions of the artist's style. These critical discussions have influenced the historiography of Soutine published after his death, resulting in a continued emphasis on style that includes references to ethnicity. Ethnicity, nationalism and geography are identified in the critical reception and historiography by noting references, both specific and implied, to Jewishness, French art, and foreign status (among others). These references are analyzed in terms of existing scholarship that addresses concepts of ethnicity and nationalism, and with consideration to how the critical reception has impacted the historiography.
Access: This item is restricted to UNT Community Members. Login required if off-campus.
Date: August 2006
Creator: Grance, Heather Anne
Partner: UNT Libraries

Letters to the Editor

Description: Three letters written to the editor of the Journal of Near-Death Studies on the following topics: "The Theory of Essence," "Review of Parting Visions," and "Response to Angerpointer."
Date: Autumn 1999
Creator: Krishnan, V.; Angerpointner, Thomas A. & Horacek, Bruce J.
Partner: UNT Libraries

Discussion of "The Ketamine Model of the Near-Death Experience: A Central Rold for the N-Methyl-D-Aspartate Receptor," by Karl L. R. Jansen

Description: Abstract: We review strengths and weaknesses of Karl Jansen's approach to the near-death experience (NDE). Strengths include his limited goals and avoidance of the trap of explaining all features of the NDE with his theory, although he surprisingly misunderstood our previously published position. Additional, we applaud the possible intersection of psychological and biological theories, demonstrated in Jansen's biochemical explanations for the individualized variations in manifestation and adaptive role of the NDE. However, he failed to take into account the pitfalls in the use of analogy, modeling oversimplification, and in taking association as causality and causes as meaningful, in the arguments for his theory.
Date: Autumn 1997
Creator: Twemlow, Stuart W. & Gabbard, Glen O.
Partner: UNT Libraries

Letters to the Editor

Description: Two letters written to the editor of the Journal of Near-Death Studies on the following topics: "Harold Widdison's Book Review of Children of the New Millenium" and "Harold Widdison Responds."
Date: Summer 2002
Creator: Atwater, P. M. H. & Widdison, Harold A.
Partner: UNT Libraries

Letters to the Editor

Description: Four letters written to the editor of the Journal of Near-Death Studies on the following topics: "Embellishment of Near-Death Experiences," "Study of Perception in Autoscopic NDEs," "Four Errors Commonly Made by Professional Debunkers," and a response by Augustine.
Date: Spring 2008
Creator: Atwater, P. M. H.; Sabom, Michael B.; Grossman, Neal & Augustine, Keith
Partner: UNT Libraries

Letters to the Editor

Description: Four letters written to the editor of the Journal of Near-Death Studies on the following topics: "Were Some Shamans Near-Death Experiencers First?," "Bringing the NDE Home," "Concerns About Ring and Rosing's Omega Project," and a response by Kenneth Ring.
Date: Summer 1991
Creator: Serdahely, William J.; Nichelson, Oliver; Vincent, Ken R. & Ring, Kenneth
Partner: UNT Libraries

Comments on "Does Paranormal Perception Occur in Near-Death Experiences?"

Description: Abstract: Keith Augustine's critique of studies of veridical perception in near-death experiences is based on unsubstantiated speculation from the popular media, rather than on supportive data or peer-reviewed literature. Nevertheless, addressing the issues he raises would improve the methodology of near-death research and strengthen the evidential database for veridical perception.
Date: Summer 2007
Creator: Greyson, Bruce
Partner: UNT Libraries

Caught Between Jazz and Pop: The Contested Origins, Criticism, Performance Practice, and Reception of Smooth Jazz.

Description: In Caught Between Jazz and Pop, I challenge the prevalent marginalization and malignment of smooth jazz in the standard jazz narrative. Furthermore, I question the assumption that smooth jazz is an unfortunate and unwelcomed evolutionary outcome of the jazz-fusion era. Instead, I argue that smooth jazz is a long-lived musical style that merits multi-disciplinary analyses of its origins, critical dialogues, performance practice, and reception. Chapter 1 begins with an examination of current misconceptions about the origins of smooth jazz. In many jazz histories, the origins of smooth jazz are defined as a product of the jazz-fusion era. I suggest that smooth jazz is a distinct jazz style that is not a direct outgrowth of any mainstream jazz style, but a hybrid of various popular and jazz styles. Chapters 2 through 4 contain eight case studies examining the performers of crossover jazz and smooth jazz. These performers have conceived and maintained distinct communicative connections between themselves and their audiences. In the following chapter, the unfair treatment of popular jazz styles is examined. Many early and influential jazz critics sought to elevate jazz to the status of art music by discrediting popular jazz styles. These critics used specific criteria and emphasized notions of anti-commerciality to support their theoretical positions. In Chapter 6, the studio recordings and live performances of smooth jazz are discussed. Critics frequently complain that most smooth jazz recordings feature glossy packaging and pristine studio editing, resulting in a too-perfect product. Although this aesthetic is the result of a unique series of interactions, recordings do not represent the complete musical nature of smooth jazz. Live performances contain important, but typically neglected aspects of smooth jazz. Live performances enable performers to extend solos, interact, and communicate directly to the audience. While recordings are a useful source for musical analysis, smooth jazz, ...
Date: December 2008
Creator: West, Aaron J.
Partner: UNT Libraries