A Study of Large-Scale Auxiliary Cadence Types in Songs of Schubert, Brahms and Berg
Description:
Heinrich Schenker's concept of the auxiliary cadence can be considered as a middleground manifestation of the Ursatz; his definition of the auxiliary cadence caters only to tonal compositions with a single background tonic, such as Brahms's songs. However, there exist compositions in which the a single background tonic cannot be easily ascertained. Such unorthodox compositions, in fact, can be found even prior to Brahms's songs. In such cases, although the opening and closing tonics are differe…
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Date:
May 2022
Creator:
Wang, He
Partner:
UNT Libraries