Search Results

RAG Ladies visit the Texas Fashion Collection, November 21, 2013

Description: Video of 5 members of the RAG Ladies (Retired Apparel Group) visiting the Texas Fashion Collection on November 21, 2013 at the new facility at 405 S. Welch St., Denton, Texas, on the campus of the University of North Texas. The ladies were interviewed by Myra Walker, Curator of the TFC, about their lives in the world of fashion and the apparel industry, and their roles in bring the Dallas Museum of Fashion to UNT. The ladies interviewed were: Jacque Prager, Frances Maloney, Nan Alexander, Naomie Rudelson, and Mary Beth Hoeffner.
Date: 2013
Creator: Texas Fashion Collection
Partner: UNT College of Visual Arts + Design

Fashion Circles

Description: Through this body of work and this paper the possibilities of using Fashion Design to express the concepts of the circle has been explored. This was done with three questions in mind: How can I use the shape of the circle as inspiration for fashion design? How can I express related words and phrases in my design? and How can I use the colors black and white to emphasize the concept of my design. To answer these questions I have created two groups of garments: one was inspired by circular objects, such as cherries and drops, and the other starting from words and phrases such as "study circle" and "circle the wagons." In the first group the emphasis was on the aesthetics of the garment while the second group was more focused on meaning. All garments are black and white.
Date: December 2003
Creator: Öhrn, Linda
Partner: UNT Libraries

Origami in Fashion

Description: The focus of my work is the incorporation of three-dimensional sculptural forms into the design of my garments while still maintaining the functional purpose of the garment. Origami paper folding is the inspiration for the sculptural forms. The major endeavor was to explore and solve the relationship between the organic human forms and the geometric forms created by the origami paper folds. This presented a challenge of exact precision. During this process, I experimented with different fabrics, which can accommodate the sharp creases and retain the shape. A variety of folding patterns were also explored. Although the design should be innovative and creative, the final garment must be wearable and comfortable.
Date: August 2003
Creator: Wu, Chia-Lin
Partner: UNT Libraries

Fashion Designs for Women

Description: This colored engraving depicts two women wearing dresses designed in the 1860s.
Access: This item is restricted to UNT Community Members. Login required if off-campus.
Date: 186?
Creator: Worth, Charles Frederick
Partner: UNT College of Visual Arts + Design

[ArtWear '83 fashion show]

Description: Video footage of male and female models participating in "ArtWear '83," the annual juried fashion exhibition put on by fashion design students at North Texas State University.
Date: 1983
Creator: Center for Media Production
Partner: UNT Libraries Special Collections

The Appeal of Fashion Retailing as a Career: Perceptions of Fashion Merchandising Students

Description: This study investigated the (1) relationship of students' family and educational background to their opinions of fashion retailing as a career, and (2) preferences for fashion retail job attributes in relationship the appeal of fashion retail job profiles. A sample of 131 fashion merchandising students from five state-funded universities completed a four-part survey which measured two independent variables: student background and preferences of fashion retail job attributes and two dependent variables: opinions of fashion of retailing as a career and the appeal of fashion retail job profiles. Analyses included multiple regression, t-test, and correlations. For opinions of fashion retailing as a career, parental background was not significant while attendance at a retailing course, semester hours completed and G.P.A. had limited relationships. Fashion retail job attribute preferences were related to the appeal of fashion retail job profiles; the most preferred attribute was high personal freedom.
Date: August 1994
Creator: Daniels, Susan Leigh
Partner: UNT Libraries

Hat

Description: Hat of natural straw. Circular straw crown, slightly domed, with black grosgrain ribbon around base and surrounded by shaped straw brim. Brim is rounded in front for about 2/3 of circumference, and bound up with red stitching at back to form three corners at back. All edges of brim turned-up and edged in black velvet ribbon. From above, brim shape resembles a baseball field. Inside of crown with black grosgrain inner hatband, to which is attached two black elastic cords to secure combs to help hold hat on wearer's head. At front of hat is stitched a small "F" on the inner hatband to show front of hat. Designer's label inside crown at inner band: "Wm Silverman / New York", with smaller logo-form tag sewn in under larger label: "Wm Silverman" with scissors, needle and thread.
Date: 1950
Creator: Silverman, William
Partner: UNT College of Visual Arts + Design

Dress

Description: A) Daytime sheath-style dress of natural silk with bateau neckline. Sleeveless. Fly opening at center back neckline with two large abalone buttons with bound buttonholes reinforced with snaps. Two large patch pockets placed low on hips which wrap around side seams from front to back. Knee length. Fitting darts at bust. Lined in natural colored silk. Combined retailer and designer label: "Neiman-Marcus Dallas / Traina-Norell" B) Matching 4 inch wide belt of self fabric. False closure on front right trimmed with two large abalone buttons. Closure at front left with two matching buttons. Bound buttonholes.
Date: 1958
Creator: Norell, Norman
Partner: UNT College of Visual Arts + Design

Dress

Description: Dress of black crochet knit; sheath style. Bracelet length or 3/4 length sleeves, crew neck. Princess seaming. Below knee length. Center back zipper. Unlined. Combined designer/retailer label on right inside seam: "Norman Norell for Neiman-Marcus.
Date: 1960~
Creator: Norell, Norman
Partner: UNT College of Visual Arts + Design

Fan

Description: Folding fan with intricately carved and decorated tortoiseshell guards and sticks. Leaf of stiffened off-white organdy, heavily embroidered with steel paillettes and gold sequins. Embroidered and sequined peacock feathers applied to ends of alternating sticks. Pivot-point at end set on each side with blue stone. Measurements: 45 cm width (open) Guard: 22 cm length, 2 cm width
Date: 187u
Partner: UNT College of Visual Arts + Design

Dress

Description: Dress of brown/beige coffee-colored wool. The short, A-line dress with shallow boat-neckline, short, cap-sleeves. Front and back of dress with diamond-shaped motif created by slot seams with cream background/under layer. Similar seaming across top of sleeves and joining diamond motifs around sides. Center back zipper with hook-and-eye at neckline. Lined in off-white silk(?). Designer's label: "Jean Marie Armand / Paris / Made in France" Retailer's label: "Made in France especially for / Neiman-Marcus"
Date: 1969
Creator: Armand, Jean Marie
Partner: UNT College of Visual Arts + Design

Suit

Description: Late day three-piece suit of black velvet. a) Jacket in modified bolero style with squared bottom corners. Long sleeves with 5" wide cuffs of heavy, white, open cut lace. Lined in cream satin. Combined designer/retailer label at center back neckline: "Neiman-Marcus Dallas / Traina-Norell" b) Blouse of white linen. Sleeveless. Collar of 6-1/2" wide lace matching cuffs of jacket. Tie of black ribbed silk attaches to collar with hook & loops. Center front opening with 5 small, circular white pearl buttons and tailored buttonholes reinforced with a snap at the neckline and a hook & eye at the waistline. Half-inch pin tucked front. c) Skirt of black velvet. Slight A-line with a 4" purple silk satin cummerbund waistband. Waistband is reinforced with boning and black grosgrain petersham. Center back zipper with hook & eye. Lined in black silk crepe.
Date: 1941/1949
Creator: Norell, Norman
Partner: UNT College of Visual Arts + Design

Bodice

Description: Dress top/bodice of black silk brocade in "tree branch" geometric design with lavender silk vestee front over-laid with black point d'esprit in pattern of squares. Modified leg of mutton sleeve with black passementerie trim. Stand-up collar of matching lavender silk covered in black lace. Collar and vestee close on left with hook & eyes. Black fabric lining of bodice is boned and closes at center front with hook & eyes in which hooks and eyes alternate sides. 29" waist.
Date: 1890/1899
Partner: UNT College of Visual Arts + Design

Hat

Description: Hat of green felt. Based in part on a "Eugenie-style" hat, the domed crown is of Kelly green felt surrounded by an asymmetrical cut brim which is rolled up at one side. Rolled brim is hand-sewn to crown, and narrows to point in back. Affixed at cut/roll is spray of vari-colored pheasant feathers. Hat is unlined, with Kelly green grosgrain ribbon inner hatband. Sewn to the inner hatband are two small simulated tortoise shell combs to secure hat to wearer's head. Maker's label sewn inside at hatband: "Estelle Peters / 50 E. 56th St. N.Y.".
Date: 1935
Creator: Estelle Peters, Inc.
Partner: UNT College of Visual Arts + Design

Fan

Description: Folding fan. Thin polished wood or bamboo guards lacquered a dark mahogany. The thin sticks are dyed purple. Paper leaf with hand-painted abstract design of flowers and foliage on a reddish ground. Metal bail. Reverse is unadorned. No visible labels or marks. Gift of Mrs. Arthur Kramer, Sr., from the original Dallas Musuem of Fashion collection.
Date: 1900/1950
Partner: UNT College of Visual Arts + Design

Hat

Description: Red leaf hat. Rounded conical hat of netting partly covered with red and pink silk leaves. Inside the hat, which has aspects of both a cloche and a toque, at the base of the crown, is a band of red grosgrain ribbon. Sewn into the ribbon band is designer's label: "Balenciaga / 10 Avenue George V Paris".
Date: 1956
Creator: Balenciaga, Cristobal
Partner: UNT College of Visual Arts + Design

Hat

Description: Turban-style hat created of henna colored wound silk rope stitched to form the hat. Net backing/lining. At front of hat is a oval spiral of same material, from which extends a spray of cinnamon colored feathers. Label sewn inside: "John Frederics Inc / New York"
Date: 1934
Creator: Frederics, John
Partner: UNT College of Visual Arts + Design

Hat

Description: Hat of dull golden horsehair mesh over wire framework. Cylindrical crown widening to base of horsehair constructed in a spiral, on wire armature. Side of crown with wide black velvet band with self bow at back. Slightly oval brim of same horsehair set so sides are wider than front or back. Brim slopes slightly from crown to outer rim, with thin wire framework to retain shape. Attached at sides are sprays of artificial flowers and leaves. Underside of brim lined with gathered extremely fine pale chiffon. Crown has inner rigid structure that extends below brim, creating a "support" that rests on wearer's head. Exterior of inner structure lined with black velvet, inner lining of white fabric with "drawstring" center gather. No labels or tags.
Date: 1904
Partner: UNT College of Visual Arts + Design

Hat

Description: Hat of almond green felt with a narrow rolled brim. Shallow crown hand sewn to brim with rolled edge. Gathered on side with felt roll and feather trim. Bow of same on back. Designer's label on inside hat brim: "Estelle Peters / 50 E. 56th St. N.Y." Stamped at inside base of crown: "Merrimac / Merrivale / Fur Felt"
Date: 1932
Creator: Peters, Estelle
Partner: UNT College of Visual Arts + Design

Cloche

Description: Cloche hat of royal blue velvet and silver lace. The cylindrical crown is of royal blue velvet, slightly domed and slightly "crushed". The top panel of the crown is of silver lace over a dark fabric. Around the sides of the crown, nearer the top than the base, is a horizontal band of the same silver lace. The shallow brim is constructed of the royal blue velvet and overlaid with the silver lace, which extends beyond the edge of the velvet. The crown is lined in a cream/iridescent satin; most of the underside of the brim is lined with blue velvet. Maker's label embroidered to center inner lining panel of crown: [pseudo coat of arms] "The Denver Dry Goods Co. / Paris New York / Denver", with small embroidered "FRONT" indicating the front of the hat. Retailer's label sewn to inner side of crown: "Parisian / Abilene, Tex."
Date: 1920/1925
Creator: The Denver Dry Goods Co. (Denver, Colorado)
Partner: UNT College of Visual Arts + Design

Cloche

Description: Cloche hat of tan milan straw. The high crown is slightly dished, and narrows to brim, with wide band of tan/very pale green grosgrain ribbon at base with large "bow" at side. The straw brim is down-turned. The crown has an inner brown grosgrain ribbon hatband. Designer's label sewn to inner hatband: "Roger Heim / Made in France Paris", and retailer's ribbon sewn just above designer's label: "Made in France for / Neiman-Marcus".
Date: 1959
Creator: Heim, Roger
Partner: UNT College of Visual Arts + Design

Boots

Description: Pair of boots or "High Button Shoes" of black leather. The shoes, designed with rounded toes, button closed along outer side, with 14 domed black glass buttons on each shoe. The low, stacked heels are rounded at sides and back, and are curved at front, and taper slightly to base. Maker's label stamped inside: "The Krippendorf / Dittmann Co. / Cincinnati" Stamped on sole: "3 36" Stamped inside: "36 3 14522"
Date: [1880..1915]
Creator: Krippendorf, Dittmann & Co.
Partner: UNT College of Visual Arts + Design

Hat

Description: Hat of ivory leather. Narrow brim curves up in back and down in front. High cylindrical crown. Entire hat has horizontal top stitching with exception of narrow hatband. Lined in pink silk with white grosgrain ribbon inner headband. Designer's label: "Yves Saint Laurent / Paris Chicago" Size tag at left of designer's label: "22"
Date: 1969
Creator: Saint Laurent, Yves
Partner: UNT College of Visual Arts + Design