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Student Recital: 1995-10-30 - CEMI Event Series

Description: CEMI (Center for Experimental Music and Intermedia Division of Composition Studies) recital presented at the UNT College of Music Merill Ellis Intermedia Theater.
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Date: October 30, 1995
Creator: Duke, Stephen; Phelps, James & Browder, Zoe
Partner: UNT Music Library

Haiku Seasons

Description: Haiku Seasons is a choral work that uses several haiku to portray moments in nature. Spread throughout the performance space, four choirs (SATB, 3/part) depict larger parts of the pastoral scene (i.e., mountains, the moon, etc.). Soloists depart from the choirs in order to perform solo, duo, trio, and quartet passages, which take place throughout the work. If enough singers are available, individual soloists may be used. The soloist groups display the more intimate moments of the scenes (i.e., sparrows, a blade of grass, etc.). The intent of Haiku Seasons is to create an image of nature isolated from human interaction. Thus, the image is a pastoral setting with many independent parts all coexisting in a relatively silent world. I combine aspects of tonality, time, space, and silence to create this image.
Date: December 2000
Creator: Smith, Steven Lyle
Partner: UNT Libraries

A Pattern Oriented Data Structure for Interactive Computer Music

Description: This essay describes a pattern oriented data structure, or PODS, as a system for storing computer music data. It organizes input by sequences or patterns that recur, while extensively interlinking the data. The interlinking process emulates cognitive models, while the pattern processing draws specifically from music cognition. The project aims at creating open source external objects for the Max/MSP software environment. The computer code for this project is in the C and Objective-C computer programming languages.
Date: May 2011
Creator: Lockhart, Adam
Partner: UNT Libraries

Nihilism and the Formulation of a Philosophy of Art

Description: Nihilism is often associated with feelings of despair, hopelessness and meaningless. It is certainly true that once the implications of this philosophy become apparent that these feelings are valid. However, this reaction is merely the first stage of dealing with nihilism and stopping here fails to examine the various types of nihilism that deal specifically with knowledge, ethics, metaphysics, truth, and art. Nihilism at its base is a philosophy that recognizes the history of human thought and what it means to be and to think. My focus is the way in which a completed nihilism is in fact an emancipatory act and the implications it has for art and the artist in the 21st century.
Date: May 2011
Creator: Hernandez, Brian
Partner: UNT Libraries

Source-bonding as a Variable in Electroacoustic Composition: Faktura and Acoustics in Understatements

Description: Understatements for two-channel fixed media is a four-movement study of the sonic potential of acoustic instruments within the practice of electroacoustic studio composition. The musical identity of the entire composition is achieved through consistent approaches to disparate instrumental materials and a focused investigation of the relationships between the various acoustic timbres and their electroacoustic treatments. The analytical section of this paper builds on contemporary research in electroacoustic arts. The analysis of the work is preceded by a summary of theoretical and aesthetic approaches within electroacoustic composition and the introduction of primary criteria of sonic faktura (material essence) used in the compositional process. The analyses address the idiosyncratic use of the concept of faktura to contextualize and guide the unfolding of the work. The reconciliation of the illusory electronic textures and the acoustic sources that parented them may be considered the ultimate goal of Understatements.
Date: December 2010
Creator: Rostovtsev, Ilya Y.
Partner: UNT Libraries

Rete Mirabile: An Installation

Description: Rete Mirabile is my new installation piece combining scientific principles with live computer generated music. The title is a Latin term meaning "Wonderful Net," which I use to refer to the highly convoluted network of biological data that drives my installation. The sonification of data, computer modeling of biological processes, kinetic sculptures, and user interactivity are central parts of the installation. The paper is organized as follows: First, brief history of the forerunners that inspired my work is given. This includes a short discussion on how John Cage and David Tudor influenced current artists works, and how those works have influenced my own work. Then I review current installation works that share similarities with my own. Finally, a detailed discussion and analysis of the construction and function concludes the paper.
Date: August 2009
Creator: Rivera, Philip Andrew
Partner: UNT Libraries

Never Odd Or Even: Using Temporal Structures In Composing Music For Dance

Description: This study engages the collaboration of dance and music, focusing primarily on experiences in the production of a large scale collaborative concert entitled Never Odd or Even. Famous historical collaborations offer archetypal collaborative models, the more unconventional of which are applied to the pieces of the concert. Issues and observations regarding cross-influence, project evolution, and application of the collaborative models are engaged to determine effective means of collaboration given different circumstances. The key focus of the study, the temporal relationship between music and dance, is explored in great detail to determine three models for relating time between music and dance. These temporal relationship models are applied to the pieces and evaluated on effectiveness and potential strengths when applied to dance.
Date: May 2012
Creator: Bernardo, Daniel
Partner: UNT Libraries

The Creative Process in Cross-Influential Composition

Description: This dissertation describes a compositional model rooted in cross-influential methodology between complementary musical compositions that share generative source material. In their simultaneous construction, two composition pairs presented challenges that influenced and mediated the other's development with respect to timbre, transposition, pitch material, effects processing, and form. A working prototype first provides a model that is later developed. The first work Thema is for piano alone, and the companion piece Am3ht is for piano and live computer processing via the graphical programming environment Max/MSP. Compositional processes used in the prototype solidify the cross-influential model, demanding flexibility and a dialectic approach. Ideas set forth in the prototype are then explored through a second pair of compositions rooted in cross-influential methodology. The first work Lusmore is scored for solo contrabass and Max/MSP. The second composition Knockgrafton is scored for string orchestra. The flexibility of the cross-influential model is revealed more fully through a discussion of each work's musical development. The utility of the cross-influential compositional model is discussed, particularly within higher academia.
Date: May 2010
Creator: Anderson, Jonathan Douglas
Partner: UNT Libraries

Modern Api Design and Physical Computing Techniques in Just Intonation Performance Practice

Description: approached previously by both Harry Partch and Ben Johnston, and proposes the decoupling of interface and sound production as a way forward. The design and implementation of a software instrument and a hardware prototype are described, both using a simple API for variable tuning instruments. The hardware prototype uses physical computing techniques to control the tuning of a string with a servo motor, while the software instrument exists entirely in a web browser. Finally, potential algorithms for clients of the API are presented, and the effectiveness of the hardware prototype is evaluated by measuring its pitch accuracy.
Date: May 2013
Creator: Sonnabaum, Mark
Partner: UNT Libraries

Prayers of Adoration, Confession, Thanksgiving and Supplication: A Composition for Soprano and Chamber Ensemble

Description: This paper examines the relationship between text and music in Prayers of Adoration, Confession, Thanksgiving and Supplication - a four-movement composition, fourteen minutes in length, for soprano, clarinet, bassoon, trumpet, trombone, violin, double bass, and percussion. The text of the composition is taken from the Psalms and The Book of Common Prayer. The names and themes of the movements follow an ancient pattern for prayer identified by the acronym, A.C.T.S. Compositional considerations are contrasted to those of Igor Stravinsky and Steve Reich, with special emphasis on the use of musical structures, motives, and text-painting to highlight the meaning of religious texts.
Date: August 2004
Creator: Monroe, Deborah J.
Partner: UNT Libraries

Critical Discussion of Pleroma: A Digital Drama and Its Relevance to Tragic Form in Music

Description: Pleroma is a digital drama: a work composed of digital animation combined with electroacoustic music, presenting an original dramatic narrative. Pleroma's dramatic elements evoke both the classical form of tragedy and the concept of perceptual paradox. A structural overview of the drama and its characters and a plot synopsis are given to provide context for the critical discussion. Analytical descriptions of Beethoven's Coriolan Overture Op.62 and Mahler's Symphony No. 9 are provided to give background on tragic form and Platonic allegory in music. An investigation into the elements discussed in the analysis of the instrumental works reveals several layers of possible interpretation in Pleroma. Dramatic elements allow for tragic narratives to be constructed, but they are complemented by character associations formed by pitch relationships, stylistic juxtapositions, and instrumentation. A copy of the dramatic text is included to supplement the multimedia production.
Date: December 2010
Creator: Lucas, Stephen
Partner: UNT Libraries

Something About Marybell

Description: Something About Marybell is a children's book with audio compact disk, in which I combined three art forms: storytelling, illustrating, and music composition. The nature of the story reflects my love of animals, which has been the essence of all my previous works as well. Beyond the technical matters I practiced and obstacles I encountered while working on each of the aforementioned art forms, the most important point I discovered was that all three were consistently interrelated, and I never could develop one medium without considering the others. Working on this project also was a journey to trace my major influences in different subjects. My drawing style is influenced by cartoons and animation films, which are now considered significant artistic styles in Japanese subculture. My music composition reflects a broad influence from many composers' works working in a variety of genres, especially piano works, of all eras. There are two specific works I studied as model works for this project: Poulenc's L'Histoire de Babar le petit éléphant (The Story of Babar the Little Elephant) and Prokofiev's Peter and the Wolf. It was a challenge to blend one stylistic approach into another to accurately realize my musical conception.
Date: May 2008
Creator: Yonemaru, Tomoko
Partner: UNT Libraries