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How to Select Foods: [Part] 1. What the Body Needs

Description: "This bulletin does not attempt to make definite suggestions for obtaining food at low cost or to recommend any special foods or combinations of foods. It tells very simply what the body needs to obtain from its food for building its tissues, keeping it in good working order, and providing it with fuel or energy for its muscular work. It shows in a general way how the different food materials meet these needs and groups them according to their uses in the body. It suggests that, by remembering these groups and having them all suitably represented in the daily diet, the housekeeper can easily plan attractive meals which meet the needs of her family without waste of money or material." -- p. 2
Date: 1917
Creator: Hunt, Caroline Louisa, 1865-1927 & Atwater, Helen W.
Partner: UNT Libraries Government Documents Department

Sibelius's Seventh Symphony: Genesis, Design, Structure, and Meaning

Description: This study explores Sibelius's last and, perhaps, most enigmatic Symphony from historical (source-critical), Schenkerian, and transtextual perspectives. Through a detailed study of its genesis, musical architecture, and meaning, the author maintains that the Seventh, its composer, and its generative process, can best be understood as a series of verges: conceptual points of interaction between two or more forces. Verges between Sibelius's nature mysticism and the dramatic biographical circumstances of the period (1914-1924), between inspired and reasoned modes of composition, between genres (symphony and fantasy), between various form types, between tragic despair and hopeful yearning, between innovation and classicism, and between a host of other seeming oppositions, all define the Seventh Symphony and illuminate various facets of the composer's life and thought.
Date: May 2004
Creator: Pavlak, F. William
Partner: UNT Libraries

Rhapsody for Piano and Small Orchestra

Description: Rhapsody for Piano and Small Orchestra is a one-movement composition in a concerto fashion for seventeen players, and is about nine minutes in duration. The overall form of this work is A B C D E D1 C1 B1 A1. This work contains various hidden compositional devices such as the golden section principle and a palindrome structure. These devices are applied not only to the structure of the work, but also to the pitch related and rhythm-related matters. Also, certain melodic and rhythmic cells are employed for each section in the developmental procedure of that section almost exclusively. Since this work is a concerto-like piece, there are two cadenza-like passages for the piano with an accompanying solo instrument, which plays the obbligato passage. The following essay addresses the form, pitch materials, harmony, rhythm and technical difficulties, orchestration, and variant elements between the corresponding sections used in this work.
Date: December 2001
Creator: Ahn-Kim, Yong Hee
Partner: UNT Libraries

How to Select Foods: [Part] 3. Foods Rich in Protein

Description: "This bulletin deals with food materials which are rich in protein and tells why the body needs this nutrient and how much is supplied by different foods. Since the protein foods include many of the more expensive foods in common use, and since an adequate supply of protein is essential to the growth and upkeep of the body, it is especially important for the housekeeper to know how much her family needs and to be able to choose the materials which, in her particular circumstances, will best provide the proper kind and amount." -- p. 2
Date: 1917
Creator: Hunt, Caroline Louisa, 1865-1927 & Atwater, Helen W.
Partner: UNT Libraries Government Documents Department

A Conductor's Guide to Un-Yung La's Choral Music as Reflected in Easter Cantata

Description: Un-Yung La was one of the first Korean composers of Western style choral music who used Korean folk elements in his composers. According to Un-Yung La's musical theory, which he demonstrated in Easter Cantata. Korean-style melody and rhythm were created based on Korean traditional scales and he also used Western-style harmonization. He attempted a new Korean style of expression through Sikimsae technique in Korean traditional vocal music genres: Pansori and Sijo. The purpose of this paepr is to discuss traditional Korean performance elements related to melody, harmony, and rhythm as employed in La's Easter Cantata. The study will increase the knowledge of western conductors who wish to understand Korean folk music in preparation for performance of choral works such as La's Easter Cantata.
Date: August 2016
Creator: Ryu, Hanpill
Partner: UNT Libraries

Present Absence: A work for string quintet and live electronics

Description: Present Absence is a work that integrates electronic processing and live performance. It is approximately 20 minutes long and is divided into three movements. The movements are distinct from each other, but are related through various elements. Incorporating electronic processing and live performance can be cumbersome. The primary objective of this piece is to use electronic processing in a manner that liberates the performers from any restrictions imposed by the use of electronic processing. The electronic processing in the work is accomplished through the program MAX/Msp, a real-time digital signal processing environment. The patch that was created for this piece is called MOO-V. This paper discusses the both the technical details in the construction of this patch, and the aesthetic it serves.
Date: May 2001
Creator: Bell, Jeffrey C.
Partner: UNT Libraries

Presencing Absence

Description: This thesis is a 'big-picture' look at the course of Western philosophy and its eventual arrival at ideas that look remarkably similar to the revelations of Guatama Buddha 2500 years ago. I look at the roots of how the West has understood itself and understood "being" through the centuries and at the revolutions in thought that took place in the 20th century. I look more closely at 20th century thinkers to demonstrate how their thinking begins to align with the ancient insights of Eastern philosophy, particularly the notions of a prevailing emptiness as "ground" of Being and of the fallacy of the individual subject. I also look at how some 20th century artists have engaged with these new ideas. I see generally two responses to the postmodern (post-subject) position: that of a play of surfaces, such as in the work of Andy Warhol and the philosophy of Jean Baudrillard; and that of an embracing of absence, presented in the philosophy of Martin Heidegger and the works of such artists as John Cage, George Brecht, Pauline Oliveros, Bill Wegman, David Hammons and others.
Date: August 2003
Creator: McMullen, Tracy
Partner: UNT Libraries

Michael Daugherty's Red Cape Tango: A Comparative Study of the Original Version for Symphony Orchestra and its Transcription for Wind Orchestra, with Four Recitals of Selected Works by Beethoven, Dvorák, Verdi, Bartók and Daugherty

Description: Michael Daugherty has created his niche in the music world by composing works inspired by icons of American popular culture. Red Cape Tango is the final movement of his Metropolis Symphony, a work inspired by the life and times of the comic book character Superman. This movement in particular deals with the death of the superhero through the use of musical elements, most notably the Latin Sequence of the Mass for the Dead, Dies irae. Daugherty's ingenuity in blending profoundly dark subjects with humor is particularly evident in this work. Death is personified as a temptress and lures Superman through the power of a seductive tango. This study concentrates on Daugherty's compositional style and its impact in musical circles. A transcription for wind orchestra was created by another composer/conductor precisely because of the need to bring such an important work to another medium, thus making it accessible to a wider audience. In addition, this study looks at the changes in instrumentation necessary to create a second, equally formidable version of the work.
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Date: May 2002
Creator: Ortega, Arturo
Partner: UNT Libraries

Killing Horses and Curing Pork

Description: "Choice ham and breakfast bacon can be produced by the farmer for much less than the cost of purchased meat. The cheapest meat a farmer can use is the product of his own farm. This is also true of the suburban or town farmer who fattens one or two hogs on kitchen and truck-garden wastes. Many farmers, for the first time, this year will have their own meat supply. Home-cured pork of the right kind always has a ready market in many cases it will prove the best way to market hogs. The home curing of pork is a good practice and should be more extensively adopted. This publication explains how to slaughter hogs and cure pork. Butchering and cutting up the carcass, lard rendering, brine and dry curing, smoking, and sausage making are all discussed in the following pages." -- p. 2
Date: 1917
Creator: Ashbrook, F. G. (Frank Getz), 1892- & Anthony, G. A.
Partner: UNT Libraries Government Documents Department

Breaking Through: A Composition for Symphony Orchestra

Description: Breaking Through is a single-movement composition for symphony orchestra based on a fourteen-note melody. Every harmonic and melodic figure except the bass line is derived from this source melody. The structure of the work is based on a number of musical dichotomies that work on both local and large-scale levels. The local dichotomies contrast consonance with dissonance and ambiguity with clarity (in respect to texture and rhythm). The dichotomy of two-part form versus three-part form and the dichotomy of simplicity versus complexity operate on the large scale. The unity lended by the single source melody coupled with the contrasts furnished by the aforementioned dichotomies allow Breaking Through to be both coherent and interesting.
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Date: August 2002
Creator: Dribus, John Alexander
Partner: UNT Libraries

Clockwork Plums

Description: Based on a story by Joshua Forehand with additional lyrics by Joshua Bradford, Clockwork Plums is an original musical work that integrates techniques and ideas from composers and different cultures. The accompanying essay about the work includes a summary of the story, "Clockwork Plums," some historical background covering 30 years of pop music, an analysis focusing on the use of African and Reichian compositional devices, and discussion about controlled improvisation and use of the voice as compositional tools. The music consists of three sections scored for 5 voices (lead male vocalist and SATB), flute (doubling tenor saxophone), Bb clarinet (doubling baritone saxophone), violin, cello, piano, electronic keyboard, electric guitar, electric bass, drum set, and percussion.
Date: May 2004
Creator: Bradford, Joshua
Partner: UNT Libraries

East Meets West: Nationalistic Elements in Selected Piano Solo Works of Chen Yi

Description: Since the founding of "New China" in 1949, the musical culture has undergone numerous periods of identity crisis, particularly during the ten-year "Cultural Revolution," due to the fact that music had always been used to serve the needs of political propaganda. Even the development of a "National Style" encouraged by the central government was a political "brainchild" under the socialist ideology. Nevertheless, professional musicians struggled to create a new path in musical composition while walking on the thin ice of harsh political climate. Isolated from the rest of the world for almost two decades, China's musical development had not been able to keep pace with the world until the late 1970s, when the central government reevaluated its agenda on how to lead the country. This change of political environment eventually led to a more open society. The newly established contact with the outside world in the musical scene lent great opportunities for Chinese musicians to study the newest thinking about music, which ultimately, in the early 1980s, fostered the emergence of a new "National Style"- the so-called "New Wave." The style of "New Wave" differs drastically from the earlier "National Style" in that it employs primarily twentieth-century compositional techniques in the course of processing nationalistic elements. Throughout the development of "New Wave," Chen Yi was one of the most avid proponents and leading figures.
Access: This item is restricted to the UNT Community Members at a UNT Libraries Location.
Date: August 2001
Creator: Li, Songwen
Partner: UNT Libraries

An Analysis of Du cristal…à la fumée by Kaija Saariaho and Axiom Unearthed, Original Composition

Description: Beginning in the 1970s, and aided by the advancement and an increased prevalence of computers, spectral music emerged as an important development in twentieth century music. Spectral composers, as exemplified by Gérard Grisey and Tristan Murail, took the harmonic spectra of sounds as the fundamental materials of composition. The resulting music placed an emphasis on texture and gradually evolving forms. The generation of composers immediately following the spectralists assimilated their techniques into distinct and varying styles. Finnish composer Kaija Saariaho uses spectral techniques to create an aesthetic that generates form and progression from a sound/noise axis. In her piece Du cristal…à la fumée, a number of pendulum and half-pendulum gestures build up texture and form. The accompanying original composition Axiom Unearthed employs similar pendulum gestures and uses spectral techniques to generate melody and harmony in an aesthetic divergent from traditional spectral pieces.
Date: May 2015
Creator: Allen, John Clay
Partner: UNT Libraries

The Saxophone Music of Frederick Fox: An Annotated Bibliography with an Analysis of S.A.X. for Solo Alto Saxophone and Saxophone Quartet

Description: Frederick Fox's contributions to contemporary music are substantial, including eighty-three compositions written between 1966 and 1998. These include pieces for orchestra, wind ensemble, choir, solo instruments, and a variety of chamber ensembles. This study serves as a complete annotated bibliography of Frederick Fox's eight compositions which feature the saxophone in a prominent role, all of which were written between 1979 and 1998. They include a piece for unaccompanied solo alto saxophone, Hear Again in Memory (1991), two works for alto saxophone and piano, Annexus (1980), and When the Thunder Speaks (1998), a saxophone duet, Visitations (1982), two saxophone quartets, 3 Diversions (1987) and The Avenging Spirit (1989), a saxophone quartet with solo alto saxophone, S.A.X. (1979), and a chamber piece for soprano and alto saxophone accompanied by piano and two percussionists, Shaking the Pumpkin (1986). In addition, an analysis of Fox's first composition for saxophone, S.A.X. for Solo Alto Saxophone and Saxophone Quartet, offers an insight into the compositional style of the composer. A complete listing of all of Fox's compositions, formal schemata of selected saxophone compositions, and a discography of his recorded saxophone compositions are included as appendices.
Date: December 2008
Creator: Miller, Gregory E.
Partner: UNT Libraries

The Six Piano Sonatas of James Sellars: Aspects of Form, Rhythm, Texture, and Style

Description: James Sellars has established himself as one of America's foremost composers whose eclectic style reveals a wealth of influences. His artistic combination of various traditional and avant-garde techniques, along with his sensitive and expert craftsmanship has earned him an important position in contemporary American music. Sellars' compositional styles have encompassed neo-Romanticism, in his early days, through post-serialism and Dada to an eclectic, post-Romantic style utilizing popular elements including electro-acoustic techniques. His extensive catalog of over 150 compositions includes works for orchestra, opera, chorus, dance, chamber, voices with ensemble, solo voice, piano, instrumental solos, band, and media. Sellars' compositions for piano solo span a 38-year period and total 17 works, the most important of which are his six one-movement sonatas, which represent, according to Sellars, "a journey from modernism to post-modernism." Their value lies in their eclectic stylistic approaches, artistic nd technical challenges, and pianistic effectiveness. The first three sonatas, incorporating post-serial elements, fall into a modernist stylistic stance while numbers four through six, in postmodern style, contrast one another drastically. Sonata Brasileira, recalls the broad sweeping gestures of the Romantic period; Sonata V reveals the influence of the absurdist Dada movement; and the last sonata Patterns on a Field, blends minimalism with elements of rock music. These sonatas represent Sellars' significant contribution to the genre of the piano sonata and deserve a position among other important American piano sonatas of the twentieth century. Despite Sellars' numerous successes and highly active performance schedule, no study or research has focused on the composer or any of his works. Taken as a whole, the six sonatas represent an important yet relatively unknown body of twentieth century solo piano literature, which justifiably merit further study and performance. The aim of this dissertation is to provide an introduction to the composer and present a study ...
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Date: August 2003
Creator: Solomons, John
Partner: UNT Libraries

Ta/v\am: Real-time Audio/video Scrubbing Tools for Analysis of Multimedia and G®¡nd

Description: tA/v\Am (the Audio/Video Analysis Machine) is an interactive analysis engine optimized for audio/visual mediums, such as film, video games, and music. I designed tA/v\Am to allow users to pace the playback speed of videos containing sub-title style analytical text, without affecting the pitch content of the audio. The software affords writers the opportunity to display the relevant sensory data (i.e., analytical text and sound/visual media) more efficiently than the paper format. It also serves as a flexible medium; the writer may, for example, compress extensive text into a short amount of time, causing the reader to pause or slow down the rate of the video and thus suspending him/her in the sensorial moment which the writer describes. G®¡ND for Alto Saxophone, Percussion & Electronics is an exploration of the tipping point between signal and noise. Through tablature notation, MIR tools, granular synthesis, and the deconstruction of the saxophone, I have assembled a palette of inordinately contrasting sounds and threaded them together based on action profiles obtained by computer assisted analysis. With them, I have set varying physical conditions of friction that dictates whether the sonic energy is to become focused to one resonant point, or distributed equally/randomly throughout the spectrum as noise. In my critical essay, I use the software to analyze independent video games, showing how tA/v\Am is a highly appropriate tool for such analysis as it is an analogous medium. I then show the software's capabilities as a multimedia platform in analyzing acoustic music, as well as my own electroacoustic work, G®¡ND. In doing so, I advocate for a media-driven analyses, and maintain that one can communicate nuanced ideas using minimal verbal/textual explanation.
Date: May 2015
Creator: Tramte, Daniel Albert
Partner: UNT Libraries

JAC: A Journal of Composition Theory, Volume 18, Number 1, 1998

Description: JAC: A Journal of Composition Theory contains a collection of papers regarding writing and rhetoric: "The JAC is a forum for theory, research and pedagogy regarding (1) those writing courses beyond the freshman courses, excluding technical and creative writing, (2) writing in courses which are not themselves writing courses, particularly in the liberal arts and sciences, and (3) work in theory, research or pedagogy which is advanced or progressive and will shed light on the field as a whole while at the same time providing insights for advanced composition" (volume 1, number 1).
Date: 1998
Creator: Association of Teachers of Advanced Composition (U.S.)
Partner: UNT Libraries