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Sequence without Uniformity

Description: The inspiration for my undergraduate body of work is derived from my fascination with Henri Matisse, Jacob Lawrence, and the Impressionists. I suddenly became captivated with the Impressionist movement and the independence of abstraction. I set into motion a series of paintings and drawings featuring random African-Americans and African society representatives in vibrant color and abstracting forms, and was specifically concerned with altering the form outside of the realistic area. While in gr… more
Date: August 2002
Creator: Woodford, Nicole Yvonne
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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Viewers' Choice

Description: This paper documents the execution and exhibition of a group of oil paintings exploring themes of spectacle and the construction of reality in contemporary American society. The paintings are composed of figures and fragments of text originating in stills taken from television news and reality TV. This paper describes and assesses the paintings according to a set of questions developed by the artist at the inception of the project. Various strategies employed in the execution of the work are an… more
Date: May 2002
Creator: Brownlee, Tracie
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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A Creative Investigation of Sprays in Drying Oil Paint

Description: The reason for this paper is to present a study of several commercial clear sprays used to affect drying of artists' oil paint. A number of tests were conducted in order to discover which spray might achieve optimum drying without inhibiting creative efforts. After the initial experiments, or "test panels," the information derived was used to complete the remaining panels required for the creative project.
Date: May 1974
Creator: Reese, B. Robert
Item Type: Refine your search to only Thesis or Dissertation
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Colorful Diary

Description: Chapter I describes how my works are grounded in a Chinese point of view, based on sociological and anthropological approaches as defined in my work. The questions in my Statement of Problem deal with how I use "imbalance" in my works, yet still find a way to make acceptable compositions to better tell my stories. I relate how my work constitutes a positive act or event in an evolving world culture. Chapter II discusses the work I focused around the questions posed in Chapter I. Chapter III exp… more
Date: May 2004
Creator: Wang, Nanfei
Item Type: Refine your search to only Thesis or Dissertation
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Transplants

Description: The body of work originating from this Problem in Lieu of Thesis consists of paintings on canvas that incorporate representations of plant material. The impetus for the paintings was black and white photocopies created from mounds of plant material placed on a copy machine. The resulting copies contained forms that were organic in appearance, but unrecognizable as known objects. Parts of the most interesting and ambiguous copies were used to develop the imagery of the paintings. The new forms s… more
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Date: December 2004
Creator: Holden, Susan Morrow
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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Nopalita: A Mythology of Cultural Self-Representation

Description: The first segment introduces the background information on the use of paños as art by prisoners and how I appropriate the same materials to create and record my own cultural mythology. The Statement of Problem and Questions are about how and what cultural information is chosen in creating a visual mythology. The second segment explains the invention of the mythology by describing why certain experiences were chosen, specifically those of the graduate school experience. Also the development of … more
Date: August 2004
Creator: Medina, Cristina Blasa
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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A Humanist Outlook for the Contemporary Artist

Description: The problem being considered in this paper is the alienation of the general viewer from contemporary art. Modern art has become less understandable than ever before to the non-art audience because it has, in many cases, ceased to deal with human-oriented subject matter, and has become detached from life. This paper examines ways in which modern art might be made more accessible to the world through the artists' use of emotion, intuition, intelligence, and other Humanistic elements as content fo… more
Date: May 1978
Creator: Humphries, Judith Garrett
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Little Deviants

Description: Most of my childhood was spent in either the expansive suburbs of north Texas or on a farm in southern Oklahoma. The experience of growing up in these two regions has done much to shape my sense of aesthetic. From these early experiences, I have developed two completely divergent ideas of beauty which I've tried to reconcile in my artwork. The first influence is that of sparseness, simplicity and the commonplace. This influence comes from the emptiness of the suburban landscape, the sameness of… more
Date: December 2000
Creator: Booker, Paul
Item Type: Refine your search to only Thesis or Dissertation
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Round

Description: My approach to the art making process is a kind of poetic reverie on forms and spaces. Webster’s Encyclopedic Unabridged Dictionary defines reverie as “a state of dreamy meditation or fanciful musing; a daydream, a fantastic, visionary or unpractical idea.” It is a romantic notion that has less to do with the big questions of existence than it does the incidental parts of daily existence. Reverie is a state of mind that comes from being receptive and finding simple pleasure in the affects of im… more
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Date: May 2001
Creator: Pepper, Jennifer Whayne
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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The Essence of an Image: Image as Memory

Description: Modernist painters such as Picasso, Ernst and Matisse were among others who incorporated what was then considered "primitive" art, mostly from Africa and Oceania, into their works. Prior to this, European artists had appropriated Greco-Roman themes and characters. These appropriated elements were consequently recreated without their cultural context and content, altered to reflect more current themes. In most cases, attention was directed toward the recreator, the author of the new work of art,… more
Date: December 2000
Creator: Rainey, David N.
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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