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From Boyd City to the Big City and Beyond: Six Stories with a Critical Introduction

Description: The critical introduction to this collection of short fiction argues that writing is reading and that reading is writing. The argument draws descriptions of writing as reading from such diverse sources as Sherwood Anderson, Roland Barthes, Neil Simon, J. Hillis Miller and Aleksandr Solzhenitsyn, as well as from the author's own experience. Descriptions of reading from phenomenological and subjective criticism, including the theories of Georges Poulet, Wolfgang Iser, Stanley Fish and David Bleich, affirm the creative role of the reader, show that the reader, in fact, writes the text in the process of reading. The introduction concludes that reader, writer and text are all constructs of language, that both reading and writing are, ultimately and primarily, thought.
Date: December 1993
Creator: Barringer, Bobby D. (Bobby Dewayne)
Partner: UNT Libraries

Language and the Art of Writing

Description: I start writing by conjuring up an image in my mind. Sometimes it will be something that I have thought about for a while, sometimes it will be something that I sit around attempting to create. Either way, it is simply the idea that I need in order to get started. People will say, "Just sit down and write" which I can do, but it does not mean I will end up anywhere worthwhile. In my writing I need a focus. I need an idea or just one image to get me writing and I can base an entire story off of that one image. I think the reason this works for me is because in my mind it is an illustration and always something that is vibrant and unique. I want the image to stand out and to mean something because I feel that it comes to me for a specific reason, I just have to piece it all together and let the characters and plot unfold for themselves. People often say this, that the characters end up running the story. I think this is true, but in my case my stories are not so driven by character or plot as they are by language. A language driven piece can be a difficult thing to manipulate because it needs to have some direction and some purpose other than just being pleasing to the ear/mind/reader. And what is the point of a language driven piece?
Access: This item is restricted to UNT Community Members. Login required if off-campus.
Date: May 2006
Creator: Damask, Tarah
Partner: UNT Libraries

If I Could Live Next Door for a Day

Description: If I Could Live Next Door for a Day is a collection of short stories with the recurrent theme of taking life for granted. "Climbing the Fence" is a story about a sexually unfulfilled woman who has an unfulfilling affair. In "Chained Melody" a condescending young man learns about life in and out of jail. "An Educated Man" shows the inferiority of one man in the presence of others he considers more important. A deluded school counselor brings a jealous boy and his younger brother together in "Piggie and Pete," while another young man in "The Good Boy" tries to break away from his mother. Finally, a woman learns about herself and the world around her when she wins a large sum of money in "What About Ten-Fold?"
Date: May 1993
Creator: Yoke, Tad M. (Tad Mitchell)
Partner: UNT Libraries

NNS Use of Adverbs in Academic Writing

Description: Recent studies have begun to redefine the idea of accuracy in second language acquisition to include not only grammatical correctness, but also native-like selection. This is an exploratory study aimed at identifying areas of nonnative-like selection of adverbs, such as sentence position, semantic category preferences, frequency of use and breadth of word choice. Using corpus-linguistic methods it compares the writing of nonnative English speakers at an intermediate and advanced level to both American college students’ writing and published academic writing. It also conducts in-depth case studies of three of the most commonly used adverbs. It finds that while advanced students are grammatically accurate, there are still several ways in which their use of adverbs differs from that of native speakers.
Date: August 2011
Creator: Heidler, Linda E.
Partner: UNT Libraries

The Art of Writing Scientific Reports

Description: As the purpose of the report is to transmit as smoothly and as easily as possible, certain facts and ideas, to the average person likely to read it, it should be written in a full and simple enough manner to be comprehended by the least tutored, and still not be boring to the more learned readers.
Date: March 1921
Creator: Norton, F. H.
Partner: UNT Libraries Government Documents Department

A Validation Study of a Writing Skills Test for Police Recruit Applicants

Description: This study evaluated the effectiveness of a direct test of higher-order and lower-order writing abilities needed for police report writing. This test was specifically designed to address report writing deficiencies experienced by police in the training academy. Descriptive statistics were examined, and relationships between this test and writing ability dimensions included on a separate, indirect, multiple choice test were investigated. Direct and indirect scores were correlated with training academy performance. Because both tests assessed higher-order and lower-order writing abilities, comparisons were made to determine which type of test was most appropriate for assessing the different types of writing skills. Results indicated that the direct test was a valid predictor of academy performance. Direct methods of measurement were found to be better than indirect methods for assessing higher-order writing skills. For lower-order writing skills, the indirect method appeared to be a better measure than the direct method.
Date: December 2002
Creator: Stolp, Shelly J.
Partner: UNT Libraries

The Effect of Teacher Participation iIn Writing Assignments on Children's Attitudes Towards Writing and on Children's Abilities to Write

Description: The purpose of this study was to determine whether students' attitudes towards writing and their abilities to write were affected by their teacher's participation in their writing assignments. The null hypotheses that no significant differences would be found were supported. The control group and two experimental groups were all composed of fourth, fifth, and sixth graders from a racially mixed elementary school in a large metropolitan school district. The two experimental groups received identical instruction in writing skills except that the teacher wrote with one group and not with the other. The attitude scale, constructed for this experiment, proved to be statistically invalid and unreliable.
Date: August 1982
Creator: McIntosh, Margaret E.
Partner: UNT Libraries

Conditions for Teaching Writing: Exploring Two Cases of Seventh Grade Expository Writing Instruction

Description: This qualitative two-case study draws from the intersection of three theoretical perspectives: sociocultural theory, transactional theory, and complex systems theory. Guided by two research questions, this qualitative study explored the conditions two seventh grade English language arts teachers set for teaching expository writing and their implications. Deductive coding based on seven a priori patterns of powerful writing instruction (empathy, inquiry, dialogue, authenticity, apprenticeship, re-visioning, and deep content learning) revealed six conditions for teaching expository writing. Inductive pattern analysis of these conditions revealed three emergent themes: reinforcing structures, mediating transactions, and balancing tensions. These findings suggest that teaching expository writing is a complex system filled with dialectical relationships. As interdependent pairs, these relationships encompass the entire system of expository writing instruction, including the structural and transactional aspects of teaching and learning to write. The overlapping conditions and themes demonstrate that expository writing appears ambiguous at times; however, routine, yet responsive instruction, framed by apprenticeship and a balance of reading and writing activities designed to inspire self-discovery are fundamental to the process of teaching expository writing. The final chapter includes instructional implications and a discussion about the significance of setting conditions for generative literacy learning. Recommendations for future research include writing research based on complexity theory, connections between expository writing and empathy, and critical thinking relative to critical action.
Date: August 2018
Creator: Slay, Laura Elizabeth
Partner: UNT Libraries

The Invisible Dragon

Description: This collection of memoir essays chronicles the author's 19 year struggle with chronic depression. "The Invisible Dragon" explores the onset of the disease and its cure. "The Silent Typewriter" looks at how it affected the author as a writer. "Roses for Trish" discusses how it affected his wife. "My Mother's Son" explores the possibility that he inherited depression from his mother. The final essay, "The Dragon Returns" probes the author's life in 2012 with the probability that he has a personality disorder. The preface examines several depression memoirs and explores the strategies used by William Styron, Elizabeth Wurtzel and Kay Redfield Jamison to prevent sliding into the pitfalls inherent in a linear structure. Among these are the use of alternative structures, language, characterization, focus and imagery.
Date: December 2012
Creator: Boutwell, Nathan
Partner: UNT Libraries

A Composition Program for Accelerated High School Students

Description: Since so many aids are available to help the teacher in the actual process of writing, this study will concentrate on the various ways in which other benefits, such as heightened awareness, educated imagination, increased self-esteem, and improved critical judgment, can be integrated into a composition class for accelerated students.
Date: August 1969
Creator: Reynolds, Grover A.
Partner: UNT Libraries

Antigravity

Description: This dissertation contains two parts: Part I, which discusses the elegy of possessive intent, a subgenre of the contemporary American elegy; and Part II, Antigravity, a collection of poems. English elegies have been closely rooted to a specific grief, making the poems closer to occasional poems. The poet—or at least the poet’s speaker—seeks some kind of public consolation for (often) a private loss. The Americanized form does stray from the traditional elegy yet retains some of its characteristics. Some American elegies memorialize failed romantic relationships rather than the dead. In their memorials, these speakers seek a completion for the lack the broken relationship has created in the speakers’ lives. What they can’t replace, they substitute with something personal. As the contemporary poem becomes further removed from tradition, it’s no surprise that the elegy has evolved as well. Discussions of elegies have never ventured into the type of elegy that concerns itself with the sort of unacknowledged loss found in some contemporary American poems of unrequited love. These poems all have speakers who willfully refuse to acknowledge the loss of their love-objects and strive to maintain control/ownership of their beloveds even in the face of rejection.
Date: August 2012
Creator: Bowen, Ashley Hamilton
Partner: UNT Libraries

Using Calibrated Peer Review to Facilitate Writing Assignments in Large Classes

Description: This poster discusses a project using Calibrated Peer Review (CPR). CPR is a web-based instructional tool. CPR assignments require students to write an essay, evaluated three 'canned' calibration essays on the same topic, evaluate three of their peers' essays, and finally evaluate their own essay. The authors' goal was to determine whether the CPR process improves student learning of the essay content and whether the CPR process improves student writing.
Date: March 28, 2012
Creator: Ishiyama, John & Watson, Wendy
Partner: UNT College of Arts and Sciences

Relationship Centrality and Expressive Writing: Understanding Post-breakup Distress

Description: When a romantic relationship ends in dissolution, the ex-partners may experience distress similar to post-traumatic stress or complex grief (i.e., dysphoric mood, feelings of loss, intrusive memories, negative rumination regarding the relationship, and a loss of self-esteem). Interventions designed to reduce post-breakup distress have historically attempted to foster integration of the breakup into the self-narrative through techniques such as expressive writing. Recent research indicates centrality, or heightened integration of an event or concept into an individual’s identity, predicts heightened levels of distress in the case of negative life events, including romantic relationship dissolution. Given the role romantic relationships themselves play in identity formation, exploration is warranted of the potential distress resulting from over-identification with a romantic relationship itself, or relationship centrality, after a breakup has occurred. Furthermore, if an individual has overly-integrated a relationship into their identity, the effectiveness of interventions focusing on further integration of the breakup is called into question. This study explored the centrality of participants’ previous romantic relationships, the distress resulting from the dissolution of those relationships, and the role of expressive writing as a distress reduction tool when centrality is taken into account.
Date: December 2015
Creator: Nowlin, Rachel B.
Partner: UNT Libraries

The relationship between Piagetian developmental levels and the persuasive writing ability of third, fourth, and fifth graders

Description: The purpose of this study was to investigate the relationships between children's persuasive writing and their developmental reasoning ability. The cognitive abilities of children in grades 3, 4, and 5 were analyzed as a variable while they were being instructed in persuasive writing.
Date: December 1997
Creator: Poulsen, Belinda Gae
Partner: UNT Libraries

Instruction in Composition through Small-Group Activities for Secondary Students

Description: It is the purpose of this thesis to describe various small-group activities which could be used in classes of secondary English to help to "teach-Johnny-to-write." These activities are divided into four areas of study--developing and practicing specific skills related to writing, developing a topic, planning a theme, and evaluating student writing.
Date: August 1969
Creator: Jensen, Ann L.
Partner: UNT Libraries

Clutch

Description: Clutch is the title of the creative portion of my thesis as well as the name of my theory 'clutch' which I outline in the preface section. The purpose of the clutch theory is to recognize modes of inspiration in the body, heart and mind so that the poet can consciously move beyond passive receptivity to engage inspiration more fully. Mechanically, to "clutch" does not mean to create inspiration, but it is the opportunistic, spirited encouragement of these moments of inspiration and, more importantly, the direction of the artist's own response in moving from inspiration to creation. The clutch process unfolds through three centers: body, heart and mind, where we initially encounter inspiration. And, through a discussion of three notable poets' work, Henri Cole, Li-Young Lee and T.S. Eliot, the relationship between a completed work and clutch as a process further explains the boundaries of each mode.
Date: August 2009
Creator: Bauge, Jessica M.
Partner: UNT Libraries