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Passage

Description: Recording of François Giraudon's Passages, work for two synthesizers played live.
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Date: 1991
Duration: 11 minutes 02 seconds
Creator: Giraudon, François, 1967-
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Partner: UNT Music Library

Monochroom

Description: Recording of Emmanuel van Weerst's Monochroom. Composed at the Institution of IPEM in Ghent.
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Date: 19XX
Duration: 10 minutes 42 seconds
Creator: Weerst, Emmanuel van
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Buccharelli's Lamento

Description: Recording of Jonas Broberg's Buccharelli's Lamento. The piece was composed in December '92 and January '93 at E.M.S. in Stockholm. The sound material was generated on a Serge Modular analogue synthesizer. The work is based upon the idea of stopping for a moment in the bustle of everyday life, taking a break to find space for contemplation. Soon, however, distractions and shifting impressions from the opening of the composition reappear. Although the material was generated electronically, the sp… more
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Date: 1993
Duration: 6 minutes 58 seconds
Creator: Broberg, Jonas, 1962-
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Soulever les coins des angles

Description: Recording of Andrew Peggie's Soulever les coins des angles. This piece was realized on what the composer regards as relatively primitive equipment: Korg M3R and Roland Super-JX synthesizers with MIDI links to a Amiga computer running the sequencing program Music-X. It was recorded onto DAT via a small eight-track mixer. All the synthesizer sounds were previously developed and/or edited by the composer, with very few preset sounds used. Post-improvisation operations were restricted to sound choo… more
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Date: 1996
Duration: 12 minutes 28 seconds
Creator: Peggie, Andrew
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Chile

Description: Recording of Frank Nuyts's "Chile" from Un pais arrellanado por los Andes. It is the first part of the larger work. The second piece is entitled "1973, algunos testimonios." "Chile" is a kind of descriptive characteristic prelude, evoking the country-side with its Cordillera of the Andes but also with its sad and immense plains. The piece was realized in 1980 in the studio of the Institute for Systematic Musicology (IPEM) using Synthi 100.
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Date: 1980
Duration: 16 minutes 51 seconds
Creator: Nuyts, Frank
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out of...

Description: Recording of Alcides Lanza's out of... This piece for solo tape is a re-elaboration of unused portions of various pieces by the composer and the electronic sounds were created with the Moog and Synthi AKS synthesizers. The piece refers to primitive forces at play, from the jungle sounds to the city jungle, from the primeval memories to the magnetic forces at play in the galaxies. All the 'human' sounds heard are below the level of semantic comprehensibility.
Date: unknown
Duration: 16 minutes 17 seconds
Creator: Lanza, Alcides
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Partner: UNT Music Library

Per cieli e piani

Description: Recording of Serena Tamborini's Per cieli e piani. The original idea was suggested by the experimental wish of demonstrating that a multiform utilization of few elements could create a definite form. Starting from a series of harmonic transposed relation, which could be stressed or implied, used in every level of the work, I have created a complex tissue of relations that represents the final result. T.S. Eliot in the poem "The Four Quartets" explains, both in the title and in the context, th… more
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Date: 1986
Duration: 9 minutes 30 seconds
Creator: Tamburini, Serena
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Three Incapes

Description: Recording of Douglas Lilburn's Three Incapes, consists of three movements, the outer two formally related while framing a central statement. The colour and energy of this movement are finally reduced to a series of drum-taps. Three Inscapes is the first work where Lilburn used only the voltage-controlled synthesizer - the Putney VCS3.
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Date: 1972
Duration: 12 minutes 07 seconds
Creator: Lilburn, Douglas, 1915-2001
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Living Synthi

Description: Recording of Enore Zaffiri's Living Synthi. Work composed in 1971 for live performance with Sythesizer Synthi A.
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Date: 1971/1973
Duration: 14 minutes 24 seconds
Creator: Zaffiri, Enore
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Timbri 1597-1977

Description: Recording of Theresa Rampazzi's Timbri 1597-1977. The work is realized only with the synthesizer ARP. The sounds by program Gabriel are inverted without any elaboration. The mixing work was produced in Rampazzi's private studio.
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Date: 1977
Duration: 1 hour 16 minutes 25 seconds
Creator: Rampazzi, Teresa
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Mars Music

Description: Recording of Bill Schottstaedt's Mars Music. “Mars Music” was composed at the Stanford University Center for Computer Research in Music and Acoustics during Autumn 1978. It was realized on a System Concepts Digital Synthesizer using programs written by the composer, among others. The only synthesis technique used is frequency modulation. Broken into three pieces, it was used along with music composed by Michael McNabb, as the soundtrack of “Mars in 3-D,” a National Aeronautics and Space Adminis… more
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Date: 1978
Duration: 1 hour 7 minutes 12 seconds
Creator: Schottstaedt, Bill, 1951-
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Matines Pour un Lendemain de Fête

Description: Recording of Frank Royon Le Mée's Matines Pour un Lendemain de Fête, grand electric piece for tape and synthesizer.
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Date: 1980
Duration: 1 hour 36 minutes 14 seconds
Creator: Royon Le Mée, Frank, 1953-1993
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Winter

Description: Recording of Gerald Bennett's Winter, music made for digital synthesizer. It is based in its sound and temporal structure, on one of Friedrich Hölderlin's last poems. These poems, which almost all have a seasonal title, are luminously calm; nothing moves, image is placed next to image, without syntactic or logical relations. In the play, six imaginary female voices make a double canon, unlike six families of non-vocal sounds. The sound structure, the choice of pitches and frequencies, also depe… more
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Date: 1980
Duration: 56 minutes 47 seconds
Creator: Bennett, Gerald, 1942-
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Skolyon

Description: Recording of Julio Martín Viera's Skolyon. The piece was composed using the ARP 2600 synthesizer among other analog technologies.
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Date: 1975
Duration: 14 minutes 57 seconds
Creator: Viera, Julio M. (Julio Martín)
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Mutación

Description: Recording of Julio Martín Viera's Mutación. The piece was composed using the ARP 2600 synthesizer among other analog technologies and processed voices. It was realized at the Center of Research in Mass Communication, Art and Technology (CICMAT) in Buenos Aires, Argentina.
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Date: 1974
Duration: 9 minutes 46 seconds
Creator: Viera, Julio M. (Julio Martín)
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Mouvement éternels

Description: Recording of László Dubrovay's Mouvement éternels. The work is part of a series comprising 3 pieces. The musical material of the three works is the same, drawing its origins in the coding of 4 numbers. It includes 8 layers. Each layer has another tempo in the internal movements/repetition/modulations of the timbre and movements of spaces of the sounds in the version 4 tracks. Modulations were made by Synthi AKS at EMS. Work done at the electronics studio of Magyar Radio Budapest.
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Date: 1976
Duration: 16 minutes 27 seconds
Creator: Dubrovay, László, 1943-
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Studio per due sorgenti

Description: Recording of Francesco Galante's "Studio per die sorgenti" ("Study for Two Sources"). The musical form is a comtinuum and the music is a passage from a low to high complexity of sound materials, of the shape of textures and the succession of the events in the acceleration of time. It was realized in the electronic music studios at the Experimental Music Center in Rome in 1978.
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Date: 1978
Duration: 7 minutes 07 seconds
Creator: Galante, Francesco
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A pocketful of posies

Description: Recording of Jonathan Berger's "A pocketful of posies." The title refers to the Black Death of the 14th century, a time when people dealt with impending doom in much the same way as people do today. It was premiered at Stanford University in March 1984.
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Date: 1984
Duration: 9 minutes 21 seconds
Creator: Berger, Jonathan, 1954-
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Overfall

Description: Recording of Lelio Camilleri's Overfall. Transformed piano sounds and sound structures realized by means of voltage control make up the sound material of the piece.
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Date: 1983
Duration: 14 minutes 53 seconds
Creator: Camilleri, Lelio
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Austera

Description: Recording of Oscar Bazán's Austera.
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Date: 1973
Duration: 12 minutes 30 seconds
Creator: Bazán, Oscar, 1936-2005
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De Inwerking

Description: Recording of Joost Van de Goor's De Inwerking ("Influence"), which refers to a sign from the book of changes, I Ching. It refers specifically to the 31st hexagram which is based on the image of water, a small like on a mountain. In the piece, the clarinet (water) is looking for contact with the soundtracks (firm and unmoveable). The soundtracks were made by manipulating recorded clarinet sounds and composed using chance operations (using dice and coins). It was recorded in the electronic studio… more
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Date: 1984
Duration: 7 minutes
Creator: Goor, Joost van de, 1956-
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Logos

Description: Recording of Andrew Lewis's Logos. "Acousmatic" music for fixed medium (stereo).
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Date: 1984
Duration: 30 minutes 07 seconds
Creator: Lewis, Andrew, 1963-
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Partner: UNT Music Library
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