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Opening Day

Description: Although I've read and written poetry for my own pleasure for about twenty years now, I've only seriously studied and written poetry on a consistent basis for the past two years. In this sense, I still consider myself a beginning poet. When attempting to pursue an art form as refined and historically informed as poetry, only after spending a number of years reading and writing intensively would I no longer consider myself a beginner, but a practitioner of the art. I've grounded my early development as a poet in concision, voice, and imagination, and hope to build upon these ideas with other poetic techniques, theories, and forms as I go forward. I am particularly interested in mastering the sonnet form, a concise and imaginative form that will allow me to further develop my skills. Hopefully, the works in this thesis reflect that effort.
Date: August 2008
Creator: Van Hooser, David
Partner: UNT Libraries

Circles Where the Head Should Be: Poems

Description: The poems in Circles Where the Head Should Be are full of objects and oddities, bits of news, epic catalogues, and a cast of characters hoping to make sense of it all. Underneath the often whimsical surface, however, lies a search for those connections we long for but so often miss, and a wish for art to bridge the gaps. “Circles Where the Head Should Be has its own distinctive voice, a lively intelligence, insatiable curiosity, and a decided command of form. These qualities play off one another in ways that instruct and delight. An irresistible book.”—J. D. McClatchy, author of Mercury Dressing: Poems, judge
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Date: April 15, 2011
Creator: Wilkinson, Caki
Partner: UNT Press

Death of a Ventriloquist: Poems

Description: This debut collection includes love songs and prayers, palinodes and pleas, short histories and tragic tales as well as a series of ventriloquist poems that track the epiphanies and consequences of speaking in a voice other than one’s own. Other poems speak to a Beloved and the highs and lows of parenthood and personhood—all with music and verve, with formal dexterity, with sadness and humor, with an intimate voice that can both whisper in our ears and grab us by the collar and implore us to listen. “What drives the poems in this wonderfully animated debut volume and prompts the reader’s pleasure in them is the patent honesty of the poet’s voice. In the ‘ventriloquist’ series itself, Fay-LeBlanc creates a remarkable refracted self-portrait, bristling with moments of unabashed illumination.”—Eamon Grennan, author of Out of Sight
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Date: April 15, 2012
Creator: Fay-LeBlanc, Gibson
Partner: UNT Press

Patmos

Description: This book is a collection of poetry in Italian and translated into French and English.
Date: August 29, 2013
Creator: Di Biasio, Rodolfo, 1937-
Partner: UNT College of Arts and Sciences

From Skeletons to Orchards

Description: This thesis is a creative work that is segmented into three main phases in order to display the developing poetic growth and control in the work of Paul Andrew Thies. The first phase is titled "Skeletons and Rhinoceri." It was a phase where I focused on more classical forms of poetry, namely accentual and syllabical sonnets. This phase was greatly influenced by both Charles Baudelaire and William Butler Yeats. The second phase, titled "Clandestinies," was one in which I tried to develop a more dense form. Lord Byron and Pablo Neruda were the two main influences on my work at this time, largely in terms of imaginative exoticism and figurative energy. The third section of this thesis, titled "Graffiti in the Orchard," is an exploration of my current work as a poet. In this phase, Rainer Maria Rilke was the primary influence as I began to develop a more fluid and expressive style.
Date: May 1999
Creator: Thies, Paul Andrew
Partner: UNT Libraries

"Momentarium"

Description: "Momentarium" is a collection of poems that examines the instability of moments. By engaging with photography, the poems examine the strengths and flaws in representation. Qualified accuracy, in other words representations that exact no absolute authenticity, are paradoxically, most accurate. The original poems attempt to express both empathy an end to empathy, "I mean to give you what you cannot keep: a blue twice as true" and "I mean to give you what I cannot." The competing forces animate a contingent moment, before it becomes the past.
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Date: August 2017
Creator: Zuehlke, Karl
Partner: UNT Libraries

Other Psalms

Description: In his debut collection, Jordan Windholz recasts devotional poetics and traces the line between faith and its loss. Other Psalms gives voice to the skeptic who yet sings to the silence that "swells with the noise of listening." If faith is necessary, this collection suggests, it is necessary as material for its own unmaking. Without a doubt, these are poems worth believing in, announcing, as they do, a new and necessary voice in American poetry. The contents include: Parable -- Myth -- ( psalm ) -- A necessary angel recalls unearthing its terrestrial existence -- The psalm's parable -- Epiphany -- The nomads -- The incarnation -- Of apocalypse -- A prayer -- ( psalm ) -- Gospel -- Ruminant -- The parable's psalm -- ( psalm ) -- Hymn -- Fable -- Intercessory -- Evangel -- Other psalms -- The same old story -- The transfiguration -- The talk -- Bestiary -- The shepherd's song -- Of revelation -- Psalm, stunted -- The heretic.
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Date: April 2015
Creator: Windholz, Jordan
Partner: UNT Press

Dawn in the Empty House

Description: The preface to this collection of poems, "Memory and The Myth of Lost Truth," explores the physical and metaphysical roles memory plays within poetry. It examines the melancholy frequently birthed from a particular kind poetic self-inquiry, or, more specifically, the feelings associated with recognizing the self's inability to re-inhabit the emotional experience of past events, and how poetry can redeem, via engaging our symbolic intuition, the faultiness of remembered history. Dawn in the Empty House is a collection of poems about the implications of human relationships, self-deception, and memory as a tool for self-discovery.
Date: December 2008
Creator: Campbell, John
Partner: UNT Libraries

Where My Own Grave Is

Description: The preface to this collection, "Against Expectation: The Lyric Narrative," highlights the ways James Wright, Stephen Dunn, and C.K. Williams use narrative to strengthen their poems. Where My Own Grave Is is a collection of poems that uses narrative to engage our historical fascination with death.
Date: December 2008
Creator: Collier, Jordan Taylor
Partner: UNT Libraries

The development of Keats's mythic understanding of the function of the poet

Description: John Keats is a mythopoeic poet who created his own mythical substructure, often adapting traditional figures from mythology to give a special meaning to the entire canon of his major work. The early poems are hesitant, imitative, and groping, but the mature poems receive a large part of heir symbolic meaning from the substructure of Keats's myth of the poet on which they rest.
Date: August 1971
Creator: Glenn, Priscilla Ray
Partner: UNT Libraries

Stones, Beer Cans, and Other Pieces of These Poems

Description: This collection of poetry contains a brief introduction, one half discussing Gary Snyder's ideas on poetry in his essay, "Poetry and the Primitive," the other half of the introduction examining the successive revisions of a poem of mine. The examination is not an explication, but rather a look at the technique used in composing this poem. The body of the thesis is a collection of my poetry which I have written within the last four years. The poems speak both of experience and postulation of ideas. Though they do not follow any select pattern of thought or form, there is some connection between them in their subject matter.
Date: December 1988
Creator: Taylor, James D. (James David), 1962-
Partner: UNT Libraries

Anything Like Us

Description: Anything Like Us is a collection of poems with a critical introduction. In this introduction, I explore modern alternatives to Romantic and Neo-Romantic lyric expression. I conclude that a contemporary lyric that desires to be, in some fashion, about itself, must exhibit an acceptance of the mediating influences of time and language, while cultivating an inter-subjective point-of-view that does not insist too much on the authority of a single, coherent voice. The poems in Anything Like Us reflect, in both form and content, many of the conclusions advanced in the introduction. Nearly all the poems concern the desire for, and failure to find, meaningful connections in an uncertain world .
Date: August 2002
Creator: Roth, Matthew
Partner: UNT Libraries

Ghost Machine

Description: This thesis consists of a collection of poems. By virtue of its content and arrangement, the collection ruminates on and attempts to work through the problem of corporeality and bodily experience: the anxieties surrounding illness, mortality, and the physicality of contemporary life. This collection explores the tension inherent in the mind/body duality and, rather than prescribing solutions, offers multiple avenues and perspectives through which to view bodily experience, as well as how that experience affects an individual’s identity, agency, and sense of self.
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Date: December 2015
Creator: Whitby, Bess
Partner: UNT Libraries

The History of Wonder

Description: A poem about a dog named Wonder who had an insatiable appetite and was killed for stealing food. The poem has twelve stanzas, each consisting of six lines.
Date: unknown
Creator: Sampson, Neal; Hornsby, Nat & George, Joe
Partner: UNT Libraries Special Collections

Booker’s Point

Description: Bernard A. Booker, wry old Maine codger and unofficial mayor of Ell Pond, is the subject of Booker’s Point, an oral history-inspired portrait-in-verse. Weaving storytelling, natural history, and the poetry of place, the collection evokes the sensibility of rural New England and the pleasures of a good story.
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Date: April 2016
Creator: Grumbling, Megan
Partner: UNT Press

The Spinster and Flabby Lucy

Description: Many contemporary writers maintain that a prime requisite of poetry is autobiographical sincerity. They would have the poet commit himself to an openness with his audience that is usually reserved for only the most intimate relationships. The thirty-two poems of this thesis were written as a reaction to current confessional trends and postulate that the creation of fictions to live by is an intrinsic part of the human process. Central to the work is the idea that past fictions, traditions, and myths are no longer functional, and no workable fictions have yet been created. The overriding image of the work is that of a dance in a mirrored room where illusion and reflection are difficult to separate from reality and where the dancers move without knowledge of the meaning of their movement.
Date: August 1976
Creator: Angel, Shelly
Partner: UNT Libraries

Letters from Jack and Other Cadavers

Description: My dissertation, Letters from Jack and Other Cadavers, developed out of my interest in using persona, narrative forms, and historical details collected through thorough research to transform personal experience and emotions in my poems. The central series of poems, "Letters from Jack," is written in the voice of Jack the Ripper and set up as a series of poems-as-letters to the police who chased him. The Ripper's sense of self and his motivations are troubled by his search for a muse as the poems become love poems, contrasting the brutality of the historical murders and the atmosphere of late 19th century London with a charismatic speaker not unlike those of Browning's Dramatic Monologues. The dissertation's preface further explores my desire for a level of personal removal while crafting poems in order to temper sentimentality. Drawing on Wallace Stevens's notion that "Sentimentality is failed emotion" and Tony Hoagland's assessment that fear of sentimentality can turn young poets away from narrative forms, I examine my own poems along with those of Scott Cairns, Tim Seibles, and Albert Goldbarth to derive conclusions on the benefits distance, persona, narrative, and detail to downplay excessive emotion and the intrusion of the personal. Poems from the manuscript have appeared in The Beloit Poetry Journal, Sybil's Garage, The North Texas Review, and The Sheridan Edwards Review.
Date: May 2010
Creator: Leis, Aaron
Partner: UNT Libraries

The Monstrance: A Collection of Poems

Description: These poems deconstruct Mary Shelley's monster from a spiritually Chthonian, critically post-structuralist creative stance. But the process here is not simple disruption of the original discourse; this poetry cycle transforms the monster's traditional body, using what pieces are left from reception/vivisection to reconstruct, through gradual accretion, new authority for each new form, each new appendage.
Date: May 1994
Creator: Dietrich, Bryan D. (Bryan David)
Partner: UNT Libraries