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Counterfactual Image of Don and Marge 1946

Description: This photograph depicts a couple standing on the sidewalk next to a street. There are buildings in the background and snow along the ground. The couple appears in black and white and the surroundings appear in color. The photographer placed the black and white photograph of the couple taken in 1946 and put it on top of a photograph of the same location taken over 50 years later.
Date: unknown
Creator: O'Connor, Brian Clark
Partner: UNT College of Information

Realismo Magico Digital: An Exploration of Self-Identity

Description: The internal necessity to rediscover myself constantly drives me back to the country where I spent most of my life, Mexico. I was born and raised in the heart of the world's largest metropolis, Mexico City and through the years I have photographed in locations with important significance for Mexican culture as well as for my personal history. I reorganize and reinvent these places, and by staging models there, I construct my personal interpretation of the Mexican way of life involving the world of “manana” (tomorrow) with its “dictadura perfecta” (perfect dictatorship), where opposite and contradictory situations exist side by side. I am particularly interested in the relationship between people and their environ-ment and I use this theme as a means to explore my own identity as a Mexican. One strategy involves juxtaposing cultural signifiers of Mexican culture. My images are an examination and a projection of my ideals, fears, and dreams about my country and myself.
Date: May 2001
Creator: Mateos, Cesar Augusto
Partner: UNT Libraries

"Momentarium"

Description: "Momentarium" is a collection of poems that examines the instability of moments. By engaging with photography, the poems examine the strengths and flaws in representation. Qualified accuracy, in other words representations that exact no absolute authenticity, are paradoxically, most accurate. The original poems attempt to express both empathy an end to empathy, "I mean to give you what you cannot keep: a blue twice as true" and "I mean to give you what I cannot." The competing forces animate a contingent moment, before it becomes the past.
Access: This item is restricted to UNT Community Members. Login required if off-campus.
Date: August 2017
Creator: Zuehlke, Karl
Partner: UNT Libraries

[Slingshot John Milligan Unleashing His Milligan Special]

Description: Photograph of Slingshot John Milligan Unleashing His Milligan Special. This photo appears on page 83 of the Life Magazine listed below. John Milligan, a machinist in Detroit, Michigan who was also the “country’s greatest slingshot expert. “He won local fame by shooting the marks out of playing cards, hitting objects in mid air and bagging game in the field.” Joe took John national with his photos documenting his talent and accuracy. To assure accuracy, he has designed his own precision-built aluminum sling, called the Milligan Special. Additional photos and information can be found in the Clark Family Collection. Photos from this series appeared in eight national publications. Here you can find articles in “Life Magazine . February 3, 1961. Pages 80-83. And in a fifteen page pictorial in the book “Photojournalism” by Joe Clark, HBSS. Photo by: Joe Clark, HBSS. Clark PhotoFile: 6335-83
Date: March 22, 1952
Creator: Clark, Joe
Partner: UNT Libraries Special Collections

[Hammer Shattering a Milk Bottle]

Description: Photograph of a milk bottle shatter while being hit with a hammer. In the image, the hammer is halfway through the neck of the bottle and cracks from the impact have already formed on the glass. Narrative by Junebug Clark: High speed, stop action, impact of a hammer striking a glass milk bottle, and shattering it. This print is an Impro. A Joe Clark technique of dropping mid-tones from an image to heighten the contrast. The photo was one of a series of photos made for Pur-Pak Corporation. The first to make and try to sell the concept of putting milk into Paper cartons. A hard sell, at first, because people were just used to having their milk home delivered in glass bottles. Photo by: Joe Clark, HBSS. Signed by: Joe Clark, HBSS Clark PhotoFile: 7555-4
Date: January 1958
Creator: Clark, Joe
Partner: UNT Libraries Special Collections

Photography Changes Our Environmental Awareness

Description: This article is part of a series by the Smithsonian Photography Initiative called Click! Photography Changes Everything. This article discusses how photography and increased visibility can bridge the gap between the natural world and human interaction.
Date: 2011
Creator: O'Connor, Brian Clark & Klaver, Irene
Partner: UNT College of Information

Unremarkable on the Face of It

Description: This paper was part of a series by the Smithsonian Photography Initiative 'Click! Photography Changes Everything'. This paper discusses family photographs and how sometimes seemingly unremarkable snapshots can be truly remarkable.
Date: December 3, 2009
Creator: O'Connor, Brian Clark
Partner: UNT College of Information

Experiencing the view.

Description: This article discusses the way people experience the landscape. Tracing the progress of landscape photography from the late nineteenth century to the present, the author introduces the way concepts in landscape photography have changed. The author's photographs are discussed regarding how they build on the foundation of this historical precedent. Using photographs of individuals at places they think are special, the author examines their perception of landscape. The positions and actions of the subjects shape the way their attitudes are conveyed. The concept of beauty is discussed as it relates to the appreciation of landscape. By discussing with the subjects why these places are special and photographing with the intent to convey what those reasons are, the author's photographs examine the relationship of people to the landscape.
Date: May 2003
Creator: Madsen, Michael J.
Partner: UNT Libraries

Industrial Landscapes: Humanity Coexisting with Nature

Description: The focus of this project was on creating images of our industrial landscape and shows the coexistence of culture and nature. I confronted the landscape from a position that is accepting of our present landscape. While not idealizing the present industrial landscape I wanted to depict it in a way that is not devoid of beauty. I believe that no matter how the land is altered a certain grace still comes through in any landscape. In not idealizing or criticizing I wanted to show industrial areas in an accepting light and reveal the grace and beauty that is within every landscape. It is through my photographs and all the subjective decisions made when creating these images that make it possible for others to see the beauty in these industrial landscapes.
Date: May 2003
Creator: Espey, Benjamin
Partner: UNT Libraries

Issues of Interpersonal Bonds

Description: In this work, sections of bodies are joined with sections of other people's bodies in order to form a new whole. Adding or subtracting relationships can many times be uncomfortable and strange, which I depict in my invented individuals based on the phases of family, such as birth, death, marriage, divorce, and the acquisition of new forms of family. This work questions issues of the family in terms of its definition, whether biologically or culturally constructed. I am creating hybrids by separating body parts from the whole and then recombining them to form a new individual. These images are a result of thinking about the possibilities and changes that people go through as a result of the new growth or loss of relationships. This work is intended to bring awareness to the way in which people relate and families become more blended.
Access: This item is restricted to UNT Community Members. Login required if off-campus.
Date: May 2002
Creator: Morin, Tesa B.
Partner: UNT Libraries

A Descriptive Catalog of Selected Aerial Photographs of Geologic Features in the United States

Description: From introduction: The U.S. Geological Survey has selected and assembled sets of photographs that illustrate numerous types of geologic features in the United States. This catalog lists these special sets of photographs that are available for purchase and describes the features illustrated. One reduced photograph from each set is shown on the back pages of this catalog to assist the purchaser in his selection.
Date: 1968
Creator: Geological Survey (U.S.)
Partner: UNT Libraries Government Documents Department