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Organization and Production of an Original Musical Playlet, A May Comedy

Description: The purpose in writing this thesis is to describe program material for a musical performance to be presented by the public school music classes of the Stephenville Public Schools, Grades IV to VIII, and the means taken to further musical growth on the part of several hundred children through participation in this program. Most musical plays provide for only a small number of main characters and only one chorus. To fit the need of classes in this particular school, a large cast is necessary, and also a play in which several different groups or choruses may participate. To illustrate this need for program material in the public school music classes, this musical playlet, "A May Comedy", was written, and the details of its presentation given.
Date: August 1948
Creator: Heptinstall, Bobbie B.
Partner: UNT Libraries

Maxwell Anderson : Preparation, Methods, and Views in Musical Comedy

Description: Even before he became a playwright, Maxwell Anderson developed a belief in the right of the individual to determine his own fate, and a hatred for anything that hampered that right. He never faltered in that belief. Thus, most of his plays have themes concerned with the evils of the abuse of governmental power and the social injustice that is the result of such abuse. It is the purpose of this thesis to study those beliefs as they were developed throughout severl preceding plays and as they were finally expressed in both Anderson's musicals, Knickerbocker Holiday (1938) and Lost in the Stars (1949).
Date: January 1969
Creator: Garlington, Donia
Partner: UNT Libraries

Raven's Song: an Original Musical

Description: Raven's Song is an original musical dramatizing the conflict between paganism and Christianity. The play revolves around a woman who has become disillusioned by her people and her gods. The only gods she has ever known were blood-thirsty, appeased only by the blood and entrails of human sacrifice. Therefore, Raven resists all religion. Through providential circumstances, she is married into a Christian family and is overwhelmed by their love, and the kindness of their God. In search for truth, Raven begins to question her disbelief. All men search for truth in their own way, and all, at one time, will question the existence and nature of God. The play does not presume to answer these questions, but allows each participant to decide for himself, as Raven must decide for herself.
Date: May 1988
Creator: Tarleton, Angela Brannon
Partner: UNT Libraries

Clockwork Plums

Description: Based on a story by Joshua Forehand with additional lyrics by Joshua Bradford, Clockwork Plums is an original musical work that integrates techniques and ideas from composers and different cultures. The accompanying essay about the work includes a summary of the story, "Clockwork Plums," some historical background covering 30 years of pop music, an analysis focusing on the use of African and Reichian compositional devices, and discussion about controlled improvisation and use of the voice as compositional tools. The music consists of three sections scored for 5 voices (lead male vocalist and SATB), flute (doubling tenor saxophone), Bb clarinet (doubling baritone saxophone), violin, cello, piano, electronic keyboard, electric guitar, electric bass, drum set, and percussion.
Date: May 2004
Creator: Bradford, Joshua
Partner: UNT Libraries

The History and Development of Casa Mañana Musicals, 1958-1980

Description: The investigation is a historical survey tracing the development of Casa Mañana Musicals, Inc., Fort Worth, Texas, from its experimental beginning in 1958 as the first permanent musical arena theatre in the United States, through twenty-three subsequent seasons. The study includes a chapter on the origins of theatre and the influences behind its concept dating back to the 1936 Casa Mañana produced by Billy Rose. Subsequent chapters deal with the theatre's seasons and its struggle to gain acceptance. The theatre's more recent financial and labor problems are also considered. Major sources include such unpublished data as production and financial records of the theatre, contracts, correspondence, minutes of the board of directors, and interviews. Published sources include accounts in newspapers and periodicals.
Date: May 1981
Creator: Jones, Jan Lynn
Partner: UNT Libraries

An analysis and production of The music man

Description: This investigation was based on a production performed by the Irving, Texas, Community Theatre in March, 1978, directed by the author of this thesis. The paper concerned the problems of producing a play under adverse conditions, such as lack of money, inadequate technical equipment, and a small stage.
Date: May 1979
Creator: Drane, Sharon S.
Partner: UNT Libraries