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A Survey of the Influence of Heinrich Schenker on American Music Theory and Its Pedagogy Since 1940

Description: This study investigates the influence of the Austrian music theorist Heinrich Schenker on American music theory since 1940, including a survey of writings related to Schenker and theory textbooks displaying his influence. The Schenker influence on American music theory includes many journal articles on Schenker and his principal students. His methods are employed often in analytical discussions of various issues. In addition to numerous dissertations and theses written about Schenker, a number of textbooks are now based wholly or in part on his approach to musical understanding. The current trend towards accepting Schenker's theories is likely to continue as more people are exposed to his teachings.
Date: December 1974
Creator: Austin, John C.
Partner: UNT Libraries
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Comparative First Year College Music Theory

Description: The problem of this study is to set forth some principles of teaching beginning music theory in Texas colleges; to survey and evaluate critically a sampling of standard theory textbooks basing the evaluation on the principles outlined; and to recommend a methodology for teaching beginning college theory.
Date: August 1945
Creator: Wheat, Margaret Anne, 1922-
Partner: UNT Libraries
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An Annotated Translation of the British Museum, Additional 4918: Traité De La Musique Moderne, Avec Quelques Remarques Sur La Musique Ancienne Par A.D.V. (1702)

Description: The British Museum, Additional Manuscript 4918, provides an interesting insight into the sociology as well as the music of the Baroque period. This treatise was written by an unknown "music-lover," who was not a musician by profession. All that is definitely known about his identity are the initials A.D.V. that appear on the title page. The manuscript is dated 1702. In method and design this work represents the transitional character of the seventeenth and eighteenth centuries. Because the author was not a professional musician, it is important to consider the sociological aspects which influenced the writing of a treatise of this sort. A study of the development of Baroque musical treatises indicates a direct parallel with the social and political temperament of the time.
Date: June 1970
Creator: Donworth, Koma Sue
Partner: UNT Libraries
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Exploring the Private Music Studio: Problems Faced by Teachers in Attempting to Quantify the Success of Teaching Theory in Private Lessons through One Method as Opposed to Another

Description: I present strategies and methods for teaching fundamentals of music theory in the context of the private music studio through a variety of techniques and research. Beginning with a background in educational psychology, examples of behaviorist and cognitive teaching models are presented, and how each applies to teaching music is explained. Two detailed examples of actual lessons are presented, coupled with musical examples, to describe both the process and the concepts that can be presented. A qualitative experiment based upon the learning styles of three music students and the effect of different teaching styles when teaching the same concept is presented and discussed in detail.
Date: August 2006
Creator: McKnight, Michael
Partner: UNT Libraries
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A Theory Placement Test for Students Transferring to North Texas State College School of Music

Description: The purpose of this thesis is to provide a standardized placement test for students transferring to the North Texas State College School of Music with previous college credit in theory. In order to make available to this school a test which may in part be conducted by a responsible person regardless of musical training, recorded and mimeographed exercises have been introduced in the proposed examination. Through use of the recordings and mimeographed forms the proposed test will be uniform in presentation to every student.
Date: August 1950
Creator: Reavley, Ruth
Partner: UNT Libraries
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Functional Theory for Applied Music Students

Description: The purpose of this study was to prepare music theory textbook-workbooks for students of elementary school grades four through eight who are taking private music lessons in voice, piano, or other instruments. The study was prompted by the action taken first by Texas Music Teachers Association and later by Music Teachers National Association which made the passing of comprehensive music theory examinations a prerequisite for entering all student performance and contest events sponsored by these associations.
Date: December 1970
Creator: Flinn, Lois Clark
Partner: UNT Libraries
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Theoria, Volume 11, 2004

Description: Annual journal containing essays, studies, book reviews, and other articles related to the history of Western Music Theory, methods of analysis, and analytical discussions of musical compositions. The appendix includes corrigenda from the preceding volume, information about contributors to the current volume, and an index of content in previously-issued volumes.
Date: 2004
Creator: Heidlberger, Frank
Partner: UNT Press
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Le istitutioni harmoniche

Description: This is a 1562 copy of "Le istitutioni harmoniche," one of the most influential music theory treatises written by Gioseffo Zarlino. The first edition appeared in Venice in 1558. The treatise, divided in four parts, includes theoretical and practical elements of music. The first two parts discuss philosophical, cosmological and mathematical aspects of music, Greek tonal system and tuning. The third and fourth parts cover the rules of counterpoint and modes, respectively. This copy bears a dedication to Vicenzo Diedo. It contains a table of contents per chapter and list of corrections. Several handwritten annotations appear on the t.p. ink: "coll: cochi nuoi soc: Jesù;" "exdono Joannis Jerary;" and "Inscriptet catalog."
Date: 1562
Creator: Zarlino, Gioseffo, 1517-1590.
Partner: UNT Music Library
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Tractatus de musica

Description: The present volume is a 1875 compendium of various Latin music treatises by Johannes Tinctoris gathered from manuscript sources from Brussels, Bologna and Gand. The present edition, edited by Charles Coussemaker, comprises ten of the twelve surviving manuscripts of Tinctoris's theoretical works. According to Oxford Music, these were written in the first few years of his employment at Ferrante's court and demonstrate Tinctoris's intellectual and pedagogical mastery of music theory. They also demonstrate his acquaintance with contemporaneous composers of the early Renaissance Burgundian composers like Antoine Busnoys, as well as with the music of Franco-Flemish composers such as Johannes Ockeghem. Below is a table of content listing the titles of each treatise and a brief description of the concepts they treat. Treatises and Description: "Expositio manus" - this treatise is divided in 10 chapters consisting of: definitions, places, clefs, voicing, properties, deductions, mutations, conjunctions, conclusion; "Liber de natura et proprietate tonorum" - this treatise is divided in 51 chapters containing: definitions and name of tones, concerning the species diatessaron and diapente, formation of first throughout the eighth tone, authentic and plagal modes, ascending and descending perfect/imperfect tones; "Tractatius de notis et pausi" - this treatise is divided in two books. Book one contains a prologue and 14 chapters devoted to definitions of note values (e.g., long, breve, semi-breve, minim) and the use of ligatures. Book 2 explains the notation of note rests; "Tractatus de regulari valore notarum" - this treatise is this treatise includes a prologue and 32 chapters devoted to explanations of the musical notation of tempi and modes and the use of prolation (i.e., symbols used to indicate perfect and imperfect subdivisions of the breve; "Liber imperfectionum musicalium notarum" - this treatise is divided in two Books and a prologue. These are concerned with the notation of perfection …
Date: 1875
Creator: Tinctoris, Johannes, d. 1511.
Partner: UNT Music Library
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Dialogo della musica antica et della moderna of Vincenzo Galilei: Translation and Commentary. [Part 1]

Description: The purpose of this study is to provide a practical English translation of Vincenzo Galilei's significant treatise on ancient and modern music (1581). In spite of the important place this work holds in the history of music, it has never before been made available in its entirety in any language other than the original Italian. This volume includes the front matter and chapters 1-3.
Date: August 1973
Creator: Herman, Robert H., 1934-
Partner: UNT Libraries
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Dialogo della musica antica et della moderna of Vincenzo Galilei: Translation and Commentary. [Part 2]

Description: The purpose of this study is to provide a practical English translation of Vincenzo Galilei's significant treatise on ancient and modern music (1581). In spite of the important place this work holds in the history of music, it has never before been made available in its entirety in any language other than the original Italian. This volume includes chapters 4-6, with an index and bibliography for the entire dissertation.
Date: August 1973
Creator: Herman, Robert H.
Partner: UNT Libraries
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Prattica di musica, utile et necessaria si al compositore per comporre i canti suoi regolatamente, si anco al cantore per assicurarsi in tutte le cose cantabili

Description: This book is the first part of Lodovico Zacconi's "Prattica di musica," published in 1596. The contents of this book are divided in four parts covering: the history of music, definition of musical terms, introduction to musical notation, modes, time and prolation, rules of counterpoint, musica ficta, classification of musical instruments, and proper manner of singing polyphonic works and musical ornaments. A second part, "Prattica di musica seconda parte," was published in Venice in 1622. The library's copy contains the following pagination errors: leaves 30, 67, 124, 130, 134, 188 were numbered incorrectly as 29, 140, 130, 122, 130, 194, respectively. There are two leaves numbered 50, each containing the parts for the alto, bass and tenor with underlaid text "Beatus author seculi" and "Residuo." Each leaf is preceded by another leaf that contains the singing parts for the cantus, quintus and tenor. These are two versions of a polyphonic setting, in duple time and triple mensuration, respectively. In the second example, the words Gloria tibi domine" appear under the cantus and quintus.
Date: 1596
Creator: Zacconi, Lodovico, 1555-1627.
Partner: UNT Music Library
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The Development and Evaluation of a Series of Video-Tape Lessons to Supplement a College Course in Advanced Music Theory

Description: The purpose of the study was to develop and evaluate a series of video-tape lessons to supplement the traditional lecture-discussion method of teaching a college course in advanced music theory. The specific problems investigated were: 1) to evaluate the effect of video-tape material on achievement in an advanced music theory course. 2) To assess the effect of the video-tape materials on the achievement in harmony, keyboard, sight singing, and ear training for students who had differential learning ability levels. 3) To assess the attitudes toward music theory and the use of the supplemental lessons. 4) To assess attitudes toward music theory and the use of the supplemental lessons and achievement for all students involved in the study. Analysis of co-variance, simple analysis of variance, t tests, and Pearson correlations produced statistical results that led to the following conclusions: 1) Students who used the video-tape supplemental lessons did not score higher on achievement tests in harmony, keyboard, sight singing, and ear training than the students who did not use those lessons. 2) Students who used the video-tape lessons had greater variance among the ability levels on the achievement tests; and for those using the lessons, students in the low beginning-ability level did not achieve at a corresponding rate with the students in the high and middle levels. 3) Attitudes toward music theory and the use of supplemental materials were less positive for the students who used the video-tape lessons. 4) Among all participants of the evaluation, a significant relationship was found between attitudes toward music theory and the use of supplemental materials and achievement in music theory.
Date: May 1979
Creator: Robbins, David E. (David Elden)
Partner: UNT Libraries
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Die Fugen des "Wohltempierten Klaviers" von Joh. Seb. Bach

Description: Preface on title page lists this volume as part of "Courses in Dr. Hoch's Conservatory in Frankfurt a[m] M[ain]." Title reads, "The fugues of the 'Well-Tempered Keyboard' of Joh[ann] Seb[astian] Bach in pictoral representation published as an appendix and addition to his textbook on the composition of the fugues by Iwan Knorr." Inside text is given in German, English, and French. Published in Leipzig in 1912 by Brietkopf & Härtel.
Date: 1912
Partner: UNT Music Library
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Der Tonwille

Description: Fourth issue of a quarterly periodical. The subtitle reads, "offered as a testimony to the immutable laws of musical art of a new youth by Heinrich Schenker." The table of contents lists articles on the opening chorus of J.S. Bach's St. Matthew Passion; Joseph Haydn's Austrian Folk Anthem; Franz Schubert's Four Impromptus, op. 90, no. 3 and Impromptu in F minor, op, 94, no. 3 from "Moments musicals"; Felix Mendelssohn's Venetian Gondola Song, op. 30, no. 6 and "Song Without Words," op. 67, no. 6; two movements from Robert Schumann's "Scenes from Childhood": "From Distant Lands and People" and "Reverie." An explanatory appendix including Schenkerian graphs concludes the volume.
Date: 1924
Partner: UNT Music Library
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