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Ensemble: 2004-02-24 - Spectrum

Description: Composition recital performed at UNT College of Music Recital Hall on February 24, 2004 at 8:00 pm.
Access: This item is restricted to UNT Community Members. Login required if off-campus.
Date: February 24, 2004
Creator: Spectrum
Partner: UNT Music Library

Ensemble: 2004-10-19 - Spectrum

Description: Composition recital performed at UNT College of Music Recital Hall on October 19, 2004 at 8:00 pm
Access: This item is restricted to UNT Community Members. Login required if off-campus.
Date: October 19, 2004
Creator: Spectrum
Partner: UNT Music Library

Symphony No. 1

Description: Symphony No. 1 is an orchestral composition for twenty-four instrumental groups without percussion instruments. It was composed with Algorithmic Composition System software, which gives driving forces for composition to the composer through the diverse compositional methods largely based on physical phenomena. The symphony consists of three movements. It lasts about sixteen minutes and twenty-six seconds--five minutes and twenty-two seconds for the first movement, five minutes and forty seconds for the second movement, five minutes and twenty-four seconds for the third movement. Most musical components in the first movement of the symphony are considered embryos, which gradually begin developing through the second and third movements.
Date: May 2001
Creator: Choi, Jongmoon
Partner: UNT Libraries

Sinfonietta

Description: Sinfonietta is a one-movement piece for full symphony orchestra. The work contains five themes, three of which are the more important. The remaining two are subordinate because they are shorter, and not as fully developed as the A themes. A diagram of the form of the piece is shown on the following page as Figure 1. The duration of the work is approximately 14 minutes.
Date: August 1965
Creator: Morgan, Bob, 1941-
Partner: UNT Libraries

"Deborah": The Creation of a Chamber Oratorio in One Act

Description: In comparing oratorio traits across history, three aspects of oratorio were found to be particularly applicable to the creation of "Deborah: A Chamber Oratorio in One Act." These aspects were: the selection of topic and the creation or adaptation of text; the differences between recitative and aria, in form and function; and the level of stylistic diversity within a given work.
Date: May 2016
Creator: Mixter, Mary
Partner: UNT Libraries

Jasmine's secret: narrative cantata for five solo voices, narrator, and orchestra

Description: Since Jasmine's Secret contains elements of cantata and follows a dramatic story or program, the work may be classified as a narrative or dramatic story or program, the work may be classified as a narrative or dramatic cantata employing five solo voices, narrator and orchestra. This work attempts a revival of these two genres as a combined entity due to the decreased popularity of both cantata and programmatic music in the 20th century.
Date: December 1994
Creator: Alley, Candace P.
Partner: UNT Libraries

Effect on Sediment Yield and Water Quality of a Nonrehabilitated Surface Coal Mine in North-Central Wyoming

Description: From introduction: The purpose of this study was to determine the magnitude of some effects of an abandoned surface coal mine on the hydrologic environment. Specific objectives were (1) to define areas of erosion and deposition; (2) to determine if the sediment yield from an undisturbed drainage basin was less than that from a drainage basin partly disturbed by mining activity; and (3) to determine if there were differences in chemical composition of hillslope materials, sediment, and pond water in the two basins.
Date: March 1979
Creator: Ringen, Bruce H.; Shown, Lynn M.; Hadley, Richard F. & Hinkley, Todd K.
Partner: UNT Libraries Government Documents Department

Guest Recital: 2011-06-17 - DMTA

Description: Guest Artist Recital: 2011-06-17 - TMTA/DMTA Ensemble TMTA/DMTA Ensemble & Original Composition Recital at the UNT College of Music Recital Hall.
Access: This item is restricted to UNT Community Members. Login required if off-campus.
Date: June 17, 2011
Creator: TMTA/DMTA Ensemble
Partner: UNT Music Library

Self shielding in rectangular and cylindrical geometries

Description: Report presenting the steady-state diffusion and transport theory solutions of several self-shielding problems for multiregion cells of rectangular and cylindrical geometries. Results regarding the rectangular case and cylindrical case are provided.
Date: April 1956
Creator: Schneider, Harold; Saper, Paul G. & Kadow, Charles F.
Partner: UNT Libraries Government Documents Department

Never Odd Or Even: Using Temporal Structures In Composing Music For Dance

Description: This study engages the collaboration of dance and music, focusing primarily on experiences in the production of a large scale collaborative concert entitled Never Odd or Even. Famous historical collaborations offer archetypal collaborative models, the more unconventional of which are applied to the pieces of the concert. Issues and observations regarding cross-influence, project evolution, and application of the collaborative models are engaged to determine effective means of collaboration given different circumstances. The key focus of the study, the temporal relationship between music and dance, is explored in great detail to determine three models for relating time between music and dance. These temporal relationship models are applied to the pieces and evaluated on effectiveness and potential strengths when applied to dance.
Date: May 2012
Creator: Bernardo, Daniel
Partner: UNT Libraries

Written Composition in the Intermediate Grades

Description: The problem with which this study is concerned is the development of a program for teaching composition skills to children in the intermediate grades. The study is based on a survey of research, reports, books, and articles in the field, and on the teaching experience of the author. The organization of the study follows the actual steps in initiating a program for composition teaching in the intermediate grades.
Date: December 1970
Creator: Coody, Alice L.
Partner: UNT Libraries

Symphony No. I, "An American Symphony"

Description: In Symphony No.I, the form of the first movement follows the broad outlines of the sonata. The second movement is in Rondo form, the first section of which has a definite ABA character, the second part has but a single theme extended in treatment, and the third section a recapitulation of the first. The final movement again uses the ABA form.
Date: August 1941
Creator: Gillis, Don, 1912-1978
Partner: UNT Libraries

An Ode to the Four Rulers

Description: This composition is a single-movement chamber work and has a total duration of approximately fourteen and one-half minutes. The instrumentation of the piece includes two Eb alto saxophones, two Bb tenor saxophones, two Bb trumpets, tenor trombone, bass trombone, four narrators, piano, double bass, trap set, triangle and chimes. The entire work is organized durationally through the use of eight simultaneous, independent click tracks. This information provides the tempos and is sent to the performers via headphones.
Date: August 1980
Creator: Milne, James Alexander
Partner: UNT Libraries

Music for Katurah

Description: Music for Katurah is scored for string quartet, flute, alto flute, soprano saxophone, bass clarinet, piano, and two percussion with total duration of approximately nineteen minutes. The work has three movements and uses spatial as well as standard notation. Each movement begins softly, builds gradually to a highpoint, and returns to the soft beginning. Timbral exploration and improvisation are prominent features in this piece. Also, through the use of spatial and standard notation, the piece combines strict rhythms and free rhythms.
Date: August 1983
Creator: Kersting, Fritz
Partner: UNT Libraries

Requiem

Description: The Requiem, for mixed chorus (4 and 8 parts), two brass quartets (2 trumpets, horn and trombone each), timpani (4) and organ, is divided into four sections or movements: I. Introit and Kyrie II. Sanctus III. Pie Jesu IV. "Take Thou Comfort". The principal feature of the Requiem is the cyclic treatment of the two main themes. These will be referred to as the "Introit" theme and the "Kyrie" theme, in that these are the sections in which they first appear, respectively.
Date: 1957
Creator: Hurst, Ronald Scranton
Partner: UNT Libraries

Oscillation

Description: Oscillation for Prepared Electronic Tape and Symphony Orchestra is a multi-sectional one-movement composition with an aleatory section that has been partially serialized. The piece begins with a five-tone motif on tape which is developed by the orchestra as an introduction to Section I. The principal theme is developed by the strings and brought it to a climax. This climax is immediately interpolated by the five-tone motif slightly altered. At this point the thematic material is mutated and the orchestra goes through a harmonic texture change. The quartal harmonic treatment develops a cluster of tones that resolve into other clusters and the process is repeated to the accelerando of Section II.
Date: August 1968
Creator: Labbe, Adolph L.
Partner: UNT Libraries

Mulima

Description: Mulima is a work intended to be used as the score for a ballet. The composition utilizes a large orchestra: 2-3-3-3, 4-3-3-1, 5 percussion, and full strings. The work is constructed in one large act which is comprised of three scenes and lasts approximately 45 to 50 minutes.
Date: August 1978
Creator: Long, David J.
Partner: UNT Libraries

The Cycle of Life Symphony

Description: This symphony is a representation of the composer's philosophy of life, which includes a belief in a pre-existent life (Beginnings), a mortal life (Searchings and Wanderings), and a life after death (Return Home). Three out of four of the cyclic elements in the Symphony are symbolic. Theme one represents the influence for good which emanates from a living God; motive one represents the influence for evil, or the Devil; motive two represents the influence of Christ. All three of these influences were present in the pre-existence, they are present in earth life and in the life after death, where good will ultimately triumph over evil. Motive three is found in both first and third movements, but has no symbolic meaning.
Date: May 1977
Creator: Dean, Lynn C.
Partner: UNT Libraries