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The waste land

Description: Recording of Elżbieta Sikora's The waste land, for fixed media. The piece is a journey through time and spaces. The present is mixed with the past, the ordinary with the extraordinary, dream with reality. The work was commissioned by the Experimental Studio of Polish Radio and was realized in October 1979. The text comes from T. Elliot's poem "The Waste Land."
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Date: 1979
Duration: 24 minutes 09 seconds
Creator: Sikora, Elżbieta, 1943-
Partner: UNT Music Library

Mappings

Description: Recording of James Dashow's Mappings. This piece is in three large sections, each of which explores a particular kind of texture by developing the composition or structural possibilities implied in the timbral relationships between the cello and the electronic sounds. At the same time, each section contains forward and/or backward references to later/earlier material. In the third section, the cello/tape integration is brought to its maximum by turning the solo instrument into what might be cal… more
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Date: 1974
Duration: 15 minutes 57 seconds
Creator: Dashow, James, 1944-
Partner: UNT Music Library

Constellation

Description: Recording of Satoshi Sumitani's Constellation. This composition is a process of pursuit to sonority in limited materials possibility of transformation and combination. In addition to all instruments used were a Graphic Equalizer, a Eariable Speed Tape Recorder, and a Microphon setting.
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Date: 1975
Duration: 16 minutes 32 seconds
Creator: Sumitani, Satoshi, 1932-
Partner: UNT Music Library

Cantata ai-ai-a

Description: Recording of Rudolf Růžička's Cantata ai-ai-a.
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Date: 1973
Duration: 13 minutes 13 seconds
Creator: Růžička, Rudolf
Partner: UNT Music Library

Extension 1

Description: Recording of Zagorka Zivkovic's Extension 1 created at the Electronic Music Studio in Stockholm. It is the first in a series of works aiming to extend the sound quality of certain live-instruments. This piece focuses on the cello and manipulating the instrument in different ways - from a low degree (transposition) to an extremely high degree (a combination of layerings of loops and permutations through the use of a Buchla synthesizer). These sounds are then juxtaposed with some pieces of the or… more
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Date: 1982
Duration: 7 minutes 33 seconds
Creator: Zivkovic, Zagorka
Partner: UNT Music Library

Triple concerto

Description: Recording of Alejandro Viñao's "Triple Concerto" for flute, cello, piano, and computer. Triple Concerto was commissioned by Option Band with funds provided by the Art Council of Great Britain. The tape was produced and composed with a Fairlight computer music instrument at The City University Electro-Acoustic Music Studio in London.
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Date: 1984
Duration: 26 minutes 46 seconds
Creator: Viñao, Alejandro, 1951-
Partner: UNT Music Library

Yttringar (utterances)

Description: Recording of Åke Parmerud's "Yttringar (utterances)." Form and material derived from the Fibbonacci-series. One of the goals of the piece is to avoid the regular behavior of instruments and electroacoustic sounds as clearly separated entities by creating rapid "shadowings" between the tape-part and the live-part. The piece is performed with the conductor hearing a separate channel click-track in a head-phoneset, enabling him to keep in perfect sync with the tape-part.
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Date: 1982/1983
Duration: 18 minutes 02 seconds
Creator: Parmerud, Åke, 1953-
Partner: UNT Music Library

Concertante

Description: Recording of Samuel Headrick's Concertante for Violoncello and Magnetic Tape. It is aggressive and decisive in nature with sections that emerge from and evolve into one another, giving the piece a feeling of inevitability. The title describes the concert-piece in which both instruments are used in virtuosic solo capacities. It was inspired by Brahms's Symphony Number One, First Movement and Alfred Lord Tennyson's "Ulysses."
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Date: 1977
Duration: 6 minutes 59 seconds
Creator: Headrick, Samuel
Partner: UNT Music Library

Ballada

Description: Recording of Bohdan Mazurek's Ballada. The title of the work relates above all to the epic character of the musical narrative. All the main thematic subjects and the materials of this composition are present in a brief entry. Apart from this entry and the conclusion we can find three different parts, but this division does not in any way interfere with the continuity of the work.
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Date: 1976
Duration: 7 minutes 34 seconds
Creator: Mazurek, Bohdan
Partner: UNT Music Library

Los

Description: Recording of Alain Marchal's Los. The sound material includes percussive metal events and often violent, simple chords of three soprano voices. These elements are antagonistic to one another, where the percussive sounds attack, alter and kill the chords sung by the soprano voices. "Los" in German means "foward!" As a suffix, however, it indicated deprivation or absence. L.O.S. are also the initial of the first words of the sentence by Dante at the gates of Hell "Lasciate Ogni Speranza voi ch'en… more
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Date: 1982
Duration: 8 minutes 46 seconds
Partner: UNT Music Library

Epoche 2 -1984

Description: Recording of Miroslav Bázlik "Epoche 2 - 1984" performed by Jozef Podhoránský, cellist, along with tape recording.
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Date: 1984
Duration: 17 minutes 34 seconds
Creator: Bázlik, Miroslav
Partner: UNT Music Library

In a World

Description: Recording of Chris Chafe's "In a World" for cello and computer sound. Computer sounds were realized at Stanford University's Center of Computer Research in Music and Acoustics. Software was created to control legato phrasing of singing voice models, and to perturb them in direction of other instrumental sounds,
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Date: 1983
Duration: 9 minutes 27 seconds
Creator: Chafe, Chris
Partner: UNT Music Library

P = Pinocchio ?

Description: Recording of Jukka Tiensuu's P = Pinocchio ? for six interpreters, computer-generated tapes and computer system for real-time compositional processes.
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Date: 1982
Duration: 26 minutes 09 seconds
Creator: Tiensuu, Jukka
Partner: UNT Music Library

Suite pour l'Ange

Description: Recording of Michèle Bokanowski's "Suite pour l'Ange" ("Suite for the Angel"). "L'Ange" was the feature film of Patrick Bokanowski, who was Michèle's husband. She wrote the entire accompanied soundtrack for the film. This recording is a part of that soundtrack. (https://en.wikipedia.org/wiki/Patrick_Bokanowski)
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Date: 1980
Duration: 14 minutes 05 seconds
Creator: Bokanowski, Michèle
Partner: UNT Music Library
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