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Developing a Pedagogical Model for Twentieth Century Flute Repertoire

Description: Modern flute pedagogy tends to focus on repertoire which utilizes or builds upon tonal and Romantic stylistic conventions, largely ignoring works that disregard or reject these conventions until later in student's education. This lack of stylistic diversity in commonly studied works from the first half of the twentieth century can be problematic when students are approaching avant-garde or modernist repertoire for the first time, as they are unfamiliar with the style and technical needs of the … more
Date: August 2022
Creator: Maker, Anne Marie Dearth
Partner: UNT Libraries

"Allegro de Concert," op. 46, by Frédéric Chopin: A Performance Guide

Description: Frédéric Chopin produced a remarkable body of piano works. Even though most of his works are essential repertoire in piano literature, some of them remain less familiar. One such significant work is the Allegro de Concert in A major, op. 46, which was apparently intended to be the first movement of a third piano concerto. Despite the praise the work has received, it is rarely heard, and references to performance are lacking in the scholarly literature. Some reasons include the substantial techn… more
Date: August 2022
Creator: Jeong, Jiyoon
Partner: UNT Libraries
open access

Nontraditional Six-Four Chords and Their Impact on Middleground Structures in Schumann, Brahms, and Saint-Säens

Description: This dissertation explores middleground functionality of six-four chords by combining a voice-leading approach with hypermetrical analysis. By acknowledging the functional ambiguity of certain six-four chords that do not fit into traditional classifications (Aldwell and Schachter's cadential, consonant, passing, and neighboring six-four), or that can be seen as fitting in more than one category, I show that our interpretation of deeper-level structures is contingent upon how we choose to hear t… more
Date: December 2021
Creator: Gao, Yiyi
Partner: UNT Libraries
open access

Comparison of Holograph and Copyist Scores of Charles Martin Loeffler's "Rapsodies pour voix, clarinette, alto, et piano" (1898)

Description: Rapsodies pour voix, clarinette, alto, et piano is a set of three songs by Charles Martin Loeffler (1861-1935) with text by Maurice Rollinat (1846-1903). The songs were composed in the summer of 1898 but never published during Loeffler's lifetime. This study compares Loeffler's holograph and copyist scores, showing differences in pitch, rhythm, and various articulation markings. Loeffler and Rollinat's biographies are included, along with scans of the holograph and copyist scores.
Date: December 2021
Creator: Lickteig, Daniel Paul
Partner: UNT Libraries
open access

"Femininity: Ownership and Power": A Multimedia Exhibition

Description: This thesis is a critical analysis and creative commentary providing research and insight into my 150-minute multimedia exhibition, "Femininity: Ownership and Power," that premiered October 23, 2021. All of my research, composition, and collaboration efforts seek to recontextualize the semiotics of ‘femininity' through ownership and empowerment from varying intersections and identities. The titles of the eight works composed and premiered as part of the exhibition include: a beautiful reckoning… more
Date: December 2021
Creator: Brown, Aleyna M.
Partner: UNT Libraries
open access

"I disappear in this whole big world": Re-storying the Bearers of Music Culture in the U.S. Academy

Description: Current practices in music education parallel the expansion of globalization and cross-cultural contact. However, the multicultural music education movement—referred to by some as "world music education"—has been primarily about the diversity of musical experiences and less about the circumstances and processes of the music itself. As a result, Western music educators often neglect inseparable learning pathways and unintentionally distort the meaning and value of diverse musics from around the … more
Date: December 2021
Creator: Crawford, Michael O.
Partner: UNT Libraries
open access

Character Strengths in High School Choir: Students' Perceptions of Their Choral Experience

Description: The purpose of this study was to examine the prevalence of character strengths that high school students reported to develop while participating in choir. I created the Character Strengths in Choir Scale (CSCS) to explore the degree to which students believed they exercised 18 character strengths. Local choir students in the pilot study (n = 44) and the main study (n = 114) completed the CSCS and revealed that gratitude, teamwork, and honesty were among the most prevalent strengths while braver… more
Date: December 2021
Creator: Critchfield, Jared B., II
Partner: UNT Libraries
open access

An Instrumental Song without Words about Hope: A Melodic Motivic Analysis of the Third Violin Sonata by Charles Ives (1874–1954)

Description: The American composer Charles Ives is well known for musical quotation/borrowing: composing music with or from pre-existing musical sources, such as folk tunes, hymns, chants, or other composers' works. His Third Violin Sonata is one of few works that used his unique technique of cumulative setting with only hymn tunes. For analysis of his instrumental music, the text of the hymn tunes is generally disregarded, as the compositions are for instruments. Ives' Third Violin Sonata is challenging to… more
Date: May 2021
Creator: Kim, GaLeoung
Partner: UNT Libraries
open access

A Collective Counterstory of Everyday Racism, Whiteness, and Meritocracy in High School Orchestra

Description: School orchestra programs are overwhelmingly concentrated in suburban districts, which are becoming increasingly racially and economically diverse. Diversifying suburbs lie at the crossroads of race, racism, and whiteness and findings drawn from these settings can have implications for racial dynamics in all educational contexts. The purpose of this instrumental case study was to explore how racially underrepresented students perceive race within an urban characteristic high school orchestra pr… more
Date: August 2021
Creator: Nussbaum, Kelsey
Partner: UNT Libraries
open access

Georg Joseph Vogler (1749-1814) and His Jesuit-Influenced "System" of Harmony

Description: This dissertation reexamines the music-theoretical writing of Georg Jospeh Vogler (1749-1814) in light of his educational background. His system, which is often characterized as "awkward" or "self-contradictory," is actually indicative of the rationalist/humanist preferences of Vogler's main source of training: the Jesuit Order. I argue that Vogler's theories and compositional style have been marginalized, partially due to their incompatibility with the more prevalent systems of his era, whic… more
Date: August 2021
Creator: Donley, Douglas Michael
Partner: UNT Libraries
open access

The First Movements of Sergei Bortkiewicz's Two Piano Sonatas, Op. 9 and Op. 60: A Comparison including Schenkerian Analysis and an Examination of Classical and Romantic Influences

Description: The purpose of this study is to analyze the first movements of Sergei Bortkiewicz's two piano sonatas and compare them with works by other composers that may have served as compositional models. More specifically, the intention is to examine the role of the subdominant key in the recapitulation and trace possible inspirations and influences from the Classical and Romantic styles, including Mozart, Beethoven, and Schubert. The dissertation employs Schenkerian analysis to elucidate the structure … more
Date: August 2021
Creator: Chen, Yi Jing
Partner: UNT Libraries
open access

The Association between Sleep Patterns and Singing Voice Quality during the COVID-19 Pandemic

Description: This study investigated the associations between sleep patterns and singing voice quality in 231 adult singers of various skill levels across the United States. The four-part survey using a general questionnaire on demographics, musical background, vocal health, and three established survey instruments: the Pittsburgh Sleep Quality Index (PSQI), the Singing Voice Handicap Index-10 (SVHI-10), and the Epworth Sleepiness Scale (ESS) found that while scores were worse than normative values for the … more
Date: August 2021
Creator: Simmons, Erica Vernice
Partner: UNT Libraries
open access

Chicago Renaissance Women: Black Feminism in the Careers and Songs of Florence Price and Margaret Bonds

Description: In this thesis, I explore the careers and songs of Florence Price and Margaret Bonds—two African American female composers who were part of the Chicago Renaissance. Price and Bonds were members of extensive, often informal, networks of Black women that fostered creativity and forged paths to success for Black female musicians during this era. Building on the work of Black feminist scholar Patricia Hill Collins, I contend that these efforts reflect Black feminist principles of Black women workin… more
Date: August 2021
Creator: Durrant, Elizabeth
Partner: UNT Libraries
open access

Franz Liszt as Transcriber and Editor: A Historical Overview and Analytical Study of His Three Versions of Franz Schubert's "Wanderer Fantasy," D.760

Description: This dissertation is divided into six chapters. The first chapter explains the purpose and significance of the study. The second chapter presents an analysis about Wanderer Fantasy, D.760 composed by Schubert, employing Schenker analysis to elucidate important motives. Chapter 3 provides an analysis of Schubert-Liszt, Wanderer Fantasy for Piano and Orchestra, S. 366 and shows how Liszt transcribed the original to emphasize certain motives, and further, describes the development of the piano his… more
Date: August 2021
Creator: Kwon, Jin Ah
Partner: UNT Libraries
open access

An Investigation of the Relationships between Memory Strategies, Performance Anxiety, and Memory Lapses among Classical Pianists

Description: Unlike most other musicians, pianists need to play by memory during their recitals, juries, etc. Doing so can greatly influence the intensity and frequency of anxiety due to potential memory slips when performing. The purpose of this study is to examine the relationship between memory strategies, experiences with memory lapses, and performance anxiety among classical pianists. The specific aims of the study are to: (1) characterize demographics, performance practices, and memorization strategie… more
Date: August 2021
Creator: Kim, Min Kyung, 1983-
Partner: UNT Libraries
open access

The Choral Music of Elaine Hagenberg: From Process to Product to Performance

Description: The Choral Music of Elaine Hagenberg explores the oeuvre of composer Elaine Hagenberg through a musicological, qualitative, and performance-based analysis of her compositional style that has led to her increasing acclaim. This study serves as the first primary source of scholarly output on her. Through an examination of her musical background as a pianist and choral educator, one can identify her principal sources of musical inspiration: text, nature, and her faith. Shaped by these experiences,… more
Date: December 2021
Creator: Cathlina, Francis
Partner: UNT Libraries
open access

A Comparative Analysis of the Orchestral and Piano Versions of Finlandia by Jean Sibelius in Relation to His Compositional Style, 1899–1904

Description: While he was composing his important orchestral tone poem Finlandia in 1899–1900, Jean Sibelius (1865–1957) made his own piano arrangement of it. The purpose of this study is to compare the piano arrangement and orchestral version and to see further the similarities with Sibelius's other piano compositions from the same time period (1899-1904). Through this study I have found compositional patterns, which are typical for the composer and defined his composition style for piano during his "Kalev… more
Date: May 2021
Creator: Teppo, Ruusamari
Partner: UNT Libraries
open access

An Introduction to Contemporary Violin Techniques: A Practical Guide with Exercises for Students and Teachers

Description: Violin repertoire composed in the late twentieth and early twenty-first centuries placed new demands on performers. While numerous pedagogues have written etudes and treatises analyzing traditional techniques, far fewer have thoroughly examined contemporary techniques. Many of the existing etudes and exercises inspired by contemporary violin repertoire are of a very high difficulty level and may seem unapproachable to students with little to no experience performing the music of recent decades.… more
Date: May 2021
Creator: Detwiler, Mia
Partner: UNT Libraries
open access

Comparison and Application of Verismo Singing Concepts to Trumpet Performance through Aria Transcription and Emulation

Description: The link between trumpet playing and emulation of the human voice has been acknowledged by a number of prominent teachers, authors, and composers since the inception of the trumpet as a melodic instrument. This dissertation is a pedagogical guide to lyrical trumpet performance based on the verismo style of singing consistent with the authentic interpretations of operatic soprano arias by Pietro Mascagni, Ruggero Leoncavallo, and Giacomo Puccini. Included are chapters that examine various aspect… more
Date: May 2021
Creator: Pratt, William (Trumpeter)
Partner: UNT Libraries
open access

Activating Artistry: Community Engagement Resources and Teaching Artist Strategies for the Bassoonist

Description: This document examines current practices and opportunities in the music performance field related to artistic citizenship, community engagement, and the field of teaching artistry. The relationship of musicians to their audiences and communities has shifted significantly in the twenty-first century, and there is an increasing need to redefine the essential skills of the professional musician. Derived from the field of teaching artistry, the concept of "activating artistry" suggests that our gre… more
Date: May 2021
Creator: Spring, Staci
Partner: UNT Libraries
open access

François Couperin's Neuvième Concert, "Ritratto Dell' Amore": A Performance Guide and Edition for Flute and Keyboard

Description: François Couperin (1668-1733) was one of the earliest French Baroque composers to merge the Italian style into the French tradition. He had great influence on the development of French Baroque music from the end of the seventeenth century until his death. Couperin's four Concerts Royaux and the ten Concerts Nouveaux (published in 1722 and 1724) were written for the enjoyment of Louis XIV. Those suites were popular in the court before they were published, as they were requested to be performed e… more
Date: May 2021
Creator: Wong, Ieng Wai
Partner: UNT Libraries
open access

Change, Longing, and Frustration in Djent-Style Progressive Metal

Description: The progressive metal style "djent" emerged in the mid-to-late 2000s with bands that modeled their use of extended range instruments and complex rhythmic cycles after that of Swedish metal band Meshuggah. The addition of a new vocabulary of melody and harmony by bands such as Periphery, Tesseract, and Animals as Leaders has come to define djent in a new way and provided fruitful ground for voice-leading and metrical analysis. In this dissertation, I approach analysis in two steps. The first ste… more
Date: May 2021
Creator: Sallings, Patrick Nolan, 1982-
Partner: UNT Libraries

A Comprehensive Study of Three Compositions for Percussion by Composer Jonathan Leshnoff, "Run" (2003), "…without a chance" (2003), and "Concerto for Two Percussionists and Orchestra" (2011), including a Structural and Aesthetic Analysis

Description: Jonathan Leshnoff is one today's foremost contemporary American composers. His percussion compositions are significant compositions to the percussion solo, chamber, and concerto repertoire. This study is a tonal analysis on his marimba solo, Run (2003), with comparative analyses on his percussion chamber work, …without a chance (2002), and Concerto for Two Percussionists and Orchestra (2011).
Date: May 2021
Creator: Garcia, Jacob Adam
Partner: UNT Libraries
open access

A Guide to the Performance and Study of "Dialogue de l'ombre double" (1985) by Pierre Boulez (1925-1916)

Description: Pierre Boulez (1925-2016) composed Dialogue de l'ombre double for clarinet and live electronics in 1985. This same year, Alain Damiens of Ensemble InterContemporain premiered and recorded the work with the help of Andrew Gerzso of Institut de Recherche et de Coordination Acoustique/Musique (IRCAM). The piece alternates between pre-recorded and live sections that are performed with varied levels of amplification and reverberation creating a dialogue between the parts. Boulez also includes detail… more
Date: August 2022
Creator: Miller, Brooke Laurie
Partner: UNT Libraries
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