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Theorizing Atonality: Herbert Eimert’s and Jefim Golyscheff’s Contributions to Composing with Twelve Tones

Description: In 1924, Herbert Eimert’s Atonale Musiklehre was the first published text to describe a systematic approach to composing atonal music. It contains significant contributions to the discourse on the early development of twelve-tone composition. While Eimert uses the term “atonal” to describe his compositional approach, his definition of atonality demands that all twelve tones be present with none repeated, and that they present as complexes not ordered rows. Eimert’s discussion of atonality diffe… more
Date: August 2014
Creator: Weaver, Jennifer L.
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
open access

Structural Octatonicism in Cindy McTee's Symphony No.1: Ballet for Orchestra

Description: Cindy McTee's Symphony No. 1: Ballet for Orchestra is composed primarily of pitch materials from the octatonic collections that contain both diatonic and non-diatonic relationships in the themes, harmonic content, and larger structure of the symphony. Because the octatonic collections contain the potential for both diatonic and non-diatonic relationships, the piece is argued to have octatonic structure, as the octatonic collection is capable of producing both relationships. The second chapter c… more
Date: August 2007
Creator: Weaver, Jennifer L.
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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