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in subjects: "paintings"

Number 18: The migration gained in momentum.

No Description Available.

Access: Restricted to UNT Community Members. Login required if off-campus.

Date: 1940/1941

Creator: Lawrence, Jacob

Item Type: Artwork

Partner: UNT College of Visual Arts + Design

Number 10: They were very poor.

No Description Available.

Access: Restricted to UNT Community Members. Login required if off-campus.

Date: 1940/1941

Creator: Lawrence, Jacob

Item Type: Artwork

Partner: UNT College of Visual Arts + Design

Number 48: Housing for the Negroes was a very difficult problem.

No Description Available.

Access: Restricted to UNT Community Members. Login required if off-campus.

Date: 1940/1941

Creator: Lawrence, Jacob

Item Type: Artwork

Partner: UNT College of Visual Arts + Design

Number 42: Sometimes the [labor] agents disguised themselves to avoid arrest, but the migrants were often taken from railroad stations and jailed until the trains departed

No Description Available.

Access: Restricted to UNT Community Members. Login required if off-campus.

Date: 1940/1941

Creator: Lawrence, Jacob

Item Type: Artwork

Partner: UNT College of Visual Arts + Design

Number 34: The Negro press was also influential in urging the people to leave the South.

No Description Available.

Access: Restricted to UNT Community Members. Login required if off-campus.

Date: 1940/1941

Creator: Lawrence, Jacob

Item Type: Artwork

Partner: UNT College of Visual Arts + Design

Number 26: And people all over the South began to discuss this great movement.

No Description Available.

Access: Restricted to UNT Community Members. Login required if off-campus.

Date: 1940/1941

Creator: Lawrence, Jacob

Item Type: Artwork

Partner: UNT College of Visual Arts + Design

Number 14: Among the social conditions that existed which was partly the cause of the migration was the injustice done to the Negroes in the courts.

No Description Available.

Access: Restricted to UNT Community Members. Login required if off-campus.

Date: 1940/1941

Creator: Lawrence, Jacob

Item Type: Artwork

Partner: UNT College of Visual Arts + Design

Number 08: They did not always leave because they were promised work in the North. Many of them left because of Southern conditions, one of them being great floods that ruined the crops.

No Description Available.

Access: Restricted to UNT Community Members. Login required if off-campus.

Date: 1940/1941

Creator: Lawrence, Jacob

Item Type: Artwork

Partner: UNT College of Visual Arts + Design

Number 06: And the migrants kept coming.

No Description Available.

Access: Restricted to UNT Community Members. Login required if off-campus.

Date: 1940/1941

Creator: Lawrence, Jacob

Item Type: Artwork

Partner: UNT College of Visual Arts + Design

Number 02: The World War had caused a great shortage in Northern industry and also citizens of foreign countries were returning home.

No Description Available.

Access: Restricted to UNT Community Members. Login required if off-campus.

Date: 1940/1941

Creator: Lawrence, Jacob

Item Type: Artwork

Partner: UNT College of Visual Arts + Design

Number 56: Among the last groups to leave the South was the Negro professional who was forced to follow his clientele to make a living.

No Description Available.

Access: Restricted to UNT Community Members. Login required if off-campus.

Date: 1940/1941

Creator: Lawrence, Jacob

Item Type: Artwork

Partner: UNT College of Visual Arts + Design

Number 54: One of the main forms of social and recreational activities in which migrants indulged occured in the church.

No Description Available.

Access: Restricted to UNT Community Members. Login required if off-campus.

Date: 1940/1941

Creator: Lawrence, Jacob

Item Type: Artwork

Partner: UNT College of Visual Arts + Design

Self-Portrait with Cropped Hair

No Description Available.

Access: Restricted to UNT Community Members. Login required if off-campus.

Date: 1940

Creator: Kahlo, Frida

Item Type: Artwork

Partner: UNT College of Visual Arts + Design

Number 38: They also worked in large numbers on the railroad.

No Description Available.

Access: Restricted to UNT Community Members. Login required if off-campus.

Date: 1940/1941

Creator: Lawrence, Jacob

Item Type: Artwork

Partner: UNT College of Visual Arts + Design

Number 52: One of the largest race riots occured in East Saint Louis.

No Description Available.

Access: Restricted to UNT Community Members. Login required if off-campus.

Date: 1940/1941

Creator: Lawrence, Jacob

Item Type: Artwork

Partner: UNT College of Visual Arts + Design

Number 40: The migrants arrived in great numbers.

No Description Available.

Access: Restricted to UNT Community Members. Login required if off-campus.

Date: 1940/1941

Creator: Lawrence, Jacob

Item Type: Artwork

Partner: UNT College of Visual Arts + Design

Painted Panel

Painting. Tempera(?) painted on panel, depicting scene from Thai/Siamese literature.

Date: 1940/1980

Item Type: Physical Object

Partner: UNT College of Visual Arts + Design

open access

[True Magazine Petty Girl Illustration]

Page from True magazine featuring an illustration of a Petty Girl and a painting of a winter morning scene that is a reference to the printers Currier and Ives. Pin-ups by artist George Petty or "Petty Girls" first made their appearance in 1933 and into the 1950s set the standard for American female beauty. The hallmarks of Petty pin-ups are elongated limbs most noted in the legs, a flirtatious smile, and telephones.

Date: [1940..1960]

Creator: Petty, George

Item Type: Clipping

Partner: UNT Libraries Special Collections

open access

[Magazine Color Photo of Redhead by Music Stand]

A spread from an unidentified magazine featuring printed color photo reproductions of women and lithograph prints of paintings without descriptive text.

Date: [1940..1949]

Item Type: Clipping

Partner: UNT Libraries Special Collections

open access

[Magazine Color Photo of Woman in Gold Dress on Green Background]

A spread from an unidentified magazine featuring printed color photographs of women in fashionable clothes and reproduction lithographs of paintings, without descriptive text.

Date: [1940..1949]

Creator: Whorf, John

Item Type: Clipping

Partner: UNT Libraries Special Collections

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Number 18: The migration gained in momentum.

Number 10: They were very poor.

Number 48: Housing for the Negroes was a very difficult problem.

Number 42: Sometimes the [labor] agents disguised themselves to avoid arrest, but the migrants were often taken from railroad stations and jailed until the trains departed

Number 34: The Negro press was also influential in urging the people to leave the South.

Number 26: And people all over the South began to discuss this great movement.

Number 14: Among the social conditions that existed which was partly the cause of the migration was the injustice done to the Negroes in the courts.

Number 08: They did not always leave because they were promised work in the North. Many of them left because of Southern conditions, one of them being great floods that ruined the crops.

Number 06: And the migrants kept coming.

Number 02: The World War had caused a great shortage in Northern industry and also citizens of foreign countries were returning home.

Number 56: Among the last groups to leave the South was the Negro professional who was forced to follow his clientele to make a living.

Number 54: One of the main forms of social and recreational activities in which migrants indulged occured in the church.

Self-Portrait with Cropped Hair

Number 38: They also worked in large numbers on the railroad.

Number 52: One of the largest race riots occured in East Saint Louis.

Number 40: The migrants arrived in great numbers.

Painted Panel

[True Magazine Petty Girl Illustration]

[Magazine Color Photo of Redhead by Music Stand]

[Magazine Color Photo of Woman in Gold Dress on Green Background]