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Sacred Set Number 1: Bass Part

Description: Bass part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hymn when pathos are not apparent. No. 2 suggests the pathetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."
Date: 1917
Creator: Luz, Ernst
Partner: UNT Music Library

Sacred Set Number 1: Bassoon Part

Description: Bassoon part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hymn when pathos are not apparent. No. 2 suggests the pathetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."
Date: 1917
Creator: Luz, Ernst
Partner: UNT Music Library

Sacred Set Number 1: Cello Part

Description: Cello part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hymn when pathos are not apparent. No. 2 suggests the pathetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."
Date: 1917
Creator: Luz, Ernst
Partner: UNT Music Library

Sacred Set Number 1: Clarinet 1 in B-flat Part

Description: First (1st) clarinet part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hymn when pathos are not apparent. No. 2 suggests the pathetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."
Date: 1917
Creator: Luz, Ernst
Partner: UNT Music Library

Sacred Set Number 1: Clarinet 2 in B-flat Part

Description: Second (2nd) clarinet part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hymn when pathos are not apparent. No. 2 suggests the pathetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."
Date: 1917
Creator: Luz, Ernst
Partner: UNT Music Library

Sacred Set Number 1: Cornets in B-flat Part

Description: Cornet part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hymn when pathos are not apparent. No. 2 suggests the pathetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."
Date: 1917
Creator: Luz, Ernst
Partner: UNT Music Library

Sacred Set Number 1: Flute Part

Description: Flute part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hymn when pathos are not apparent. No. 2 suggests the pathetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."
Date: 1917
Creator: Luz, Ernst
Partner: UNT Music Library

Sacred Set Number 1: Horns in F Part

Description: Horns in F part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hymn when pathos are not apparent. No. 2 suggests the pathetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."
Date: 1917
Creator: Luz, Ernst
Partner: UNT Music Library
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