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Primary view of Arabic 1620: An Analysis and Procedure for Composing Computer Music VOL. 2
Lott, William Loyd
August 1968
Primary view of The English Horn: Its History and Development Into Orchestral Music
Stanton, Robert E.
January 1968
Primary view of The Development of Schoenberg's Twelve-Tone Technique From Opus Nine to Opus Twenty-Six
Bryant, James Ronald
August 1968
Primary view of A Stylistic and Pianistic Evaluation of Aaron Copland's Piano Fantasy
Hutchison, Merilyn Kae
August 1968
Primary view of Nineteenth-Century New Orleans Composers
Wolfe, Alvin Duain
May 1968
Primary view of Carl Nielsen's Symphonic Elements as Evidenced in the Commotio
Mathews, Charles H. (Charles Harold)
August 1968
Primary view of Arabic 1620: An Analysis and Procedure for Composing Computer Music
Lott, William Loyd
August 1968
Primary view of Clavecin Pieces of Louis Couperin
Hudgens, Cecilia K. Knox
January 1968
Primary view of Florence, Biblioteca del Conservatorio di Musica Luigi Cherubini, Manuscript Basevi 2439: Critical Edition and Commentary
Newton, Paul George, 1930-
June 1968
Primary view of Stylistic Analysis of "Banalités" by Francis Poulenc
Allen, Joy Ann
January 1968
Primary view of An Analytical Study of Solos for Beginning College Voice Students
Bryant, Karen Sue
August 1968
Primary view of An Analytical Critique of the Use of Twelve Equal Tones as Utilized in "Sonata-Fantasia" by George Rochberg
Tiroff, Philip Knight
July 1968
Primary view of Choral Problems in Handel's Messiah
Williams, John J. (John Joseph)
May 1968
Primary view of A Rehearsal Method for Presenting Historical and Theoretical Aspects of Selected Works for Concert Band
Hansuld, Arthur Marr, 1942-
August 1968
Primary view of Programmed Learning for Primary Choirs in Southern Baptist Churches
Bridges, Fred M. (Fred Marvin)
August 1968
Primary view of A Study of Stravinsky's Use of the Trombone in Selected Works
Drew, George Ronald
August 1968
Primary view of Elements of Verismo in Selected Operas of Giuseppe Verdi
Morgan, Ann Shands
August 1968
Primary view of The Use of the Trombones in Beethoven's Symphonies Nos. 5, 6, 9, and Schubert's Symphony No. 8
Seifried, Denver Dugan
January 1968
Primary view of The Stage Works of Franz Schubert with an Analysis of Fierrabras
Corse, Sandra
August 1968
Primary view of A Comparison of Formal and Structural Principles in the Concerti Grossi of Corelli's Opus VI and Vivaldi's Opus III
Hart, Euclid August
August 1968
Primary view of Menotti's Use of Dramatic Impact in The Medium
Tompkins, Jimmy
August 1968
Primary view of The Use of Imitation in the String Quartets of Béla Bartók
Willcoxon, Larry G.
January 1968
Primary view of The Basset Horn: Its Development and Literature
Shanley, Richard A.
August 1968
Primary view of A Plan of Study for a Course in Vocal Pedagogy
Lewis, Cynthia McPhail
August 1968
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