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The Life-Changing Magic of OpenRefine: The Open-Source Art of Data Decluttering and Organizing
Presentation for the 2017 UNT Open Access Symposium. This presentation provides an overview of a workshop on using OpenRefine to make sense of data, standardize, correct, and rearrange data elements, automate tedious editing, and prepare data for export to other platforms for a variety of uses.
Louis Armstrong interview, fifth hour
The fifth of five hours of Louis Armstrong talking at length about his life and career, with musical selections interspersed.
Louis Armstrong interview, first hour
The first of five hours of Louis Armstrong talking at length about his life and career. In this hour, Armstrong discusses his early life and career, interspersed with musical selections.
Louis Armstrong interview, fourth hour
The fourth of five hours of Louis Armstrong talking at length about his life and career. In this hour, Armstrong discusses playing the trumpet, his health, and race relations, with musical selections interspersed.
Louis Armstrong interview, second hour
The second of five hours of Louis Armstrong talking at length about his life and career. In this hour, Armstrong discusses the Hot Five and scat singing, interspersed with musical selections.
Louis Armstrong interview, third hour
The third of five hours of Louis Armstrong talking at length about his life and career. In this hour, Armstrong discusses his favorite musicians, with musical selections interspersed.
Louis Armstrong interview transcript, fifth hour
A transcript of the fifth hour of Willis Conover's interview with Louis Armstrong on July 13, 1956, with corrections made in blue ink by Conover.
Louis Armstrong playing "Columbia, Gem of the Ocean," and singing "This is the Voice of America"
Louis Armstrong playing and singing "Columbia, the Gem of the Ocean" (the melody used in the VOA interval signal) and singing "This is the Voice of America, Washington, D.C."
Louis Armstrong reel addressed to Joe Glaser
A tape from Louis Armstrong, with the container addressed to his manager, Joe Glaser. The contents of the tape include recorded music and a spoken message from Armstrong.
Love in a Village: a Comic Opera As it is Performed at the Theatre Royal in Covent-Garden. For the Harpsicord, Voice, German Flute, or Violin.
Vocal score for Love in a Village is broken into four labeled sections ('books'), each of which has a separate title page, and includes the music from the comic opera which has figured bass. Some of the music includes underlaid lyrics and the names of the persons who performed the pieces. Table of contents for the entire work is on page [1]. According to Grove Music Online, the opera is the story of a heroine (Rosetta) who runs away from an unhappy marriage.
Lucrezia Borgia, introduction and brilliant variations, for the piano forte
This is a digital copy of the "Lucrezia Borgia, introduction and brilliant variations, for the piano forte" by Leopold von Meyer. The Austrian composer and pianist von Meyer, had a successful performance career in Russia, eastern Europe and Vienna and also achieved success in London and Paris. He visited the United States on October 1845 and his histrionic performance style and bravura showpieces were received with wide acclaim. "Lucrezia Borgia, introduction and brilliant variations" is part of a bound collection of piano pieces composed by von Meyer that also includes fantasies on famous nineteenth-century operas, variations, national airs, marches, valses, an etude and nocturnes. This piece was inspired on the opera "Lucrezia Borgia" (1833) by Gaetano Donizetti to whom von Meyer dedicated the work. These are the titles of all the piano pieces by von Meyer in the order in which they appear in the library's collection: Lucrezia Borgia: introduction and brilliant variations for the piano forte; Variations sur un theme de Semiramis de Rossini, op.37; Fantaisie sur L'Elixir d'amore, op.32; Fantaisie sur Norma de Bellini, op. 40; Fantaisie sur un air de Bellini; Le carnaval de Venise, varié pour le piano, op.31; Grande fantaisie orientale sur deux themes arabes, op.38; Fantaisie sur Les Hirondelles de Felicien David; Airs russes: fantaisie pour le piano forte, op.43; Marche marocaine Machmudier: air guerrier national [sic] des turcs [sic]; Grande march [sic] triomphale D'Isly, op.30; Hortense: notturno for the piano forte; Andante for the piano forte, op.42; Bajazeth: air nationale des turques; Grande etude de bataille, op.35; Quatre morceaux pour le piano forte: no.1 Le depart et le retour (deux noturnes); no.2 Airs russes, op.20; no.3 Valses brillantes; no.4 Grand gallop de bravoure.
Machmudier
This is a digital copy of the Moroccan march "Machmudier, air guerrier national' des Turcs" by Leopold von Meyer. The Austrian composer and pianist von Meyer, had a successful performance career in Russia, eastern Europe and Vienna and also achieved success in London and Paris. He visited the United States on October 1845 and his histrionic performance style and bravura showpieces were received with wide acclaim. This piece was dedicate to Lieutenant Brownlow C. Bertie of the 2nd Regiment of Life Guards. The caption on page 1 of "No. 1 Air guerrier guerrier des Turcs" suggests that this is the first of several such piano Turkish/Moroccan marches composed by von Meyer. The one shown here is part of a bound collection of piano pieces composed by von Meyer that also includes fantasies on famous nineteenth-century operas, variations, national airs, marches, valses, an etude and nocturnes. These are the titles of all the piano pieces by von Meyer in the order in which they appear in the library's collection: Lucrezia Borgia: introduction and brilliant variations for the piano forte; Variations sur un theme de Semiramis de Rossini, op.37; Fantaisie sur L'Elixir d'amore, op.32; Fantaisie sur Norma de Bellini, op. 40; Fantaisie sur un air de Bellini; Le carnaval de Venise, varié pour le piano, op.31; Grande fantaisie orientale sur deux themes arabes, op.38; Fantaisie sur Les Hirondelles de Felicien David; Airs russes: fantaisie pour le piano forte, op.43; Marche marocaine Machmudier: air guerrier national [sic] des turcs [sic]; Grande march [sic] triomphale D'Isly, op.30; Hortense: notturno for the piano forte; Andante for the piano forte, op.42; Bajazeth: air nationale des turques; Grande etude de bataille, op.35; Quatre morceaux pour le piano forte: no.1 Le depart et le retour (deux noturnes); no.2 Airs russes, op.20; no.3 Valses brillantes; no.4 Grand gallop de ...
Magazine of the Air "97": "A Short History of Jazz"
A short Indonesian-language program on the history of jazz, including excerpts of recordings. "Magazine of the Air" was a weekly program of the Voice of America, broadcast on Tuesdays.
Le mariage d'Antonio. Divertissement en un acte et en prose
Lucile Grétry’s opera Le mariage d’Antonio premiered in Paris when she was a mere fourteen years old. As the second daughter of André-Ernest-Modeste Grétry, she was afforded lessons at a young age in counterpoint and declamation. Her father supplied the orchestral parts for her comédie mêlée d’ariettes after Lucile had composed the vocal, bass, and harp parts. Although Le mariage d’Antonio was a modest success, Lucile’s second endeavor, a divertissement mêlée d’ariettes entitled Toinette et Louis (1787), did not receive the same positive attention. The young composer died from tuberculosis before she could establish herself further at the Comédie-Italienne.
[Mark Murphy Lecture, March 27, 1984: Part 1]
Jazz Lecture Series presentation by Mark Murphy on March 27, 1984 at 9:00AM at the UNT College of Music. Includes lecture and performance by Mark Murphy, vocals, interspersed with questions from the audience.
[Mark Murphy Lecture, March 27, 1984: Part 2]
Jazz Lecture Series presentation by Mark Murphy on March 27, 1984 at 2:00PM at the UNT College of Music. Includes lecture and performance by Mark Murphy, vocals, interspersed with questions from the audience.
[Marvin Stamm Lecture, March 13, 1984: Part 1]
Jazz Lecture Series presentation by Marvin Stamm on March 13, 1984 at 9:30AM at the UNT College of Music. Includes lecture and performance by Marvin Stamm, trumpet, interspersed with questions from the audience.
[Marvin Stamm Lecture, March 13, 1984: Parts 2 and 3]
Jazz Lecture Series presentation by Marvin Stamm on March 13, 1984 at 2:30PM at the UNT College of Music. Includes lecture and performance by Marvin Stamm, trumpet, interspersed with questions from the audience.
[Mary Fettig Lecture, April 5, 1988: Part 1]
Jazz Lecture Series presentation by Mary Fettig on April 5, 1988 at 9:30AM at the UNT College of Music. Includes lecture and performance by Mary Fettig, saxophone, interspersed with questions from the audience.
[Mary Fettig Lecture, April 5, 1988: Parts 2 and 3]
Jazz Lecture Series presentation by Mary Fettig on April 5, 1988 at 2:00PM at the UNT College of Music. Includes lecture and performance by Mary Fettig, saxophone, interspersed with questions from the audience.
Master Recital: 1997-04-08 - S. Wayne Foster, organ
1997 Dallas International Organ Competition held at the Caruth Auditorium, Southern Methodist University.
Master Recital: 1997-04-12 - S. Wayne Foster, organ
1997 Dallas International Organ Competition held at the Meyerson Symphony Center, Dallas, Texas.
Master Recital: 1997-04-15 - S. Wayne Foster, organ
1997 Dallas International Organ Competition held at the Meyerson Symphony Center, Dallas, Texas.
Master Recital: 2007-11-06 - Karen Eichinger, flute
Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Master of Music (MM) degree.
Master Recital: 2012-02-29 - Ilia De la Rosa, Cello
A masters recital performed at the UNT College of Music Voertman Hall.
Master Recital: 2012-03-01 - Zachary Corpus, tuba
Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.
Master Recital: 2012-03-03 - Lindsey Rae Johnson, soprano
Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.
Master Recital: 2012-03-11 - James Westbrook, clarinet
Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.
Master Recital: 2012-04-15 - William Foss, horn
Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.
Master Recital: 2012-04-17 - Samuel Wood, violin
Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Master of Music (MM) degree.
Master Recital: 2012-04-18 - Annika Donnen, viola
Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Master of Music (MM) degree.
Master Recital: 2012-04-18 - Seongkyul Kim, piano
Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Master of Music (MM) degree.
Master Recital: 2012-07-27 - Alyse Hashi, flute
Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.
Master Recital: 2012-11-20 - Yingtong (Tyler) Wang, horn
Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Master of Music (MM) degree.
Master Recital: 2013-10-05 Laurel Semerdjian, mezzo-soprano
Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Master of Music (MM) degree.
Master's Recital: 1995-02-24 - Mark McCrory, bass-baritone
A student recital performed in the UNT College of Music Concert Hall in partial fulfillment of the requirements for the Master of Music degree.
Master's Recital: 2002-04-19 - Seong-Jin Park, clarinet
Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Master of Music (MM) degree.
Master's Recital: 2003-10-16 - Jennifer Murray, clarinet
Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Master of Music (MM) degree.
Masters Recital: 2006-03-21 - Chen Wang, piano
Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Master of Music (MM) degree.
Master's Recital: 2006-06-05 - Janelle Davis, violin
Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Master of Music (MM) degree
Master's Recital: 2006-09-02 - Andrew Stonerock, alto and soprano saxophone
Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Master of Music (MM) degree.
Master's Recital: 2006-10-31 - John Pioli, electric guitar
Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Master of Music (MM) degree.
Master's Recital: 2006-11-16 - Anastasia Markina, piano
Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Master of Music (MM) degree.
Master's Recital: 2006-11-28 - Karolina Radovani, violin
Recital performed at the UNT College of Music Recital Hall
Master's Recital: 2007-01-19 - Michael P. Bonney, piano
Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Master of Music (MM) degree.
Master's Recital: 2007-02-20 - Alexander Costantino, tuba
Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Master of Music (MM) degree.
Master's Recital: 2007-02-24 - Bora Na, soprano
Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Master of Music (MM) degree.
Master's Recital: 2007-03-14 - Stephanie Slaybaugh, clarinet
Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Master of Music (MM) degree.
Master's Recital: 2007-03-15 - Suyeon Park, violin
Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Master of Music (MM) degree.
Master's Recital: 2007-03-16 - Emma Sullivan, double bass
Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Master of Music (MM) degree.