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Aarhus

Description: Recording of Mario Mary's Aarhus. This is a work for violin and tape and explores the relationship between the two. This work was dedicated to violinist Bodil Rorbech.
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Date: 2000
Duration: 10 minutes 43 seconds
Creator: Mary, Mario Marcelo, 1961-

The Aeolian Harp

Description: Recording of Heinrich Taube's The Aeolian Harp. This work was created with recorded tape and an aeolian harp, which creates musical sound from air passing through the strings. The composer dedicates this song to their sister, who died of cancer in 1997. The composer says that the piece acts as a reflection of their struggle to come to terms with her death.
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Date: 2000
Duration: 46 minutes 05 seconds
Creator: Taube, Heinrich, 1953-

Afflux / Reflux

Description: Recording of Colby Leider's Afflux / Reflux. This is a work for electronics.
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Date: 2000
Duration: 13 minutes 57 seconds
Creator: Leider, Colby

After the summer rain

Description: Recording of Hideko Kawamoto's After the summer rain. This is a composition for amplified piano and two-channel tape. This work is dedicated to the memory of Clarence Asher Peevey and written for his mother Cecilia Peevey. It was inspired by Rainer Maria Rilke's poems, (Nos Pleurs) and Before the Summer Rain. The work as a whole is meant to capture the image of a summer forest and uses a note motif that closely spells out the name "Clarence".
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Date: 2000
Duration: 11 minutes 58 seconds
Creator: Kawamoto, Hideko

Agora

Description: Recording of Natasha Barrett's Agora. This work is an installation and a performance involving electroacoustic music, theatre, and the structural use of space. The theatre version of "Agora" is an event where spatial-music is the structural and theatrical driving force. There is one soprano performer but no "acting out". The work extends the aesthetic of the music theatre of Kagel and the consideration of delineated space defined in Oscar Schlemmer's theory of performance.
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Date: 2000/2003
Duration: 1 hour 59 seconds
Creator: Barrett, Natasha

El alma mula

Description: Recording of Jorge Luis Sad's El alma mula. This is an electroacoustic work for cello. This work is dedicated to argentine Cellist Martín Devoto.
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Date: 2000
Duration: 7 minutes 17 seconds
Creator: Sad, Jorge, 1959-

Ancestral Voices

Description: Recording of John Rimmer's Ancestral Voices. The idea for this composition came from the composers fascination with family history and genealogy, specifically the names of his eight great-grandparents. The composer associated the sounds of eight instruments with each ancestor beginning with New Zealand instruments and moving to other countries around the world. Throughout the work the sound of a women's choir singing the fifth century hymn, Caeli Deus Sanctissime, heightens the sense of ancestr… more
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Date: 2000/2001
Duration: 14 minutes 39 seconds
Creator: Rimmer, John, 1939-

Aqua Salutaris auditur

Description: Recording of Bor Turel's Aqua Salutaris auditur. This is a work for electronics that includes water sounds.
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Date: 2000
Duration: 24 minutes 19 seconds
Creator: Turel, Bor

Aqua Salutaris auditur part 2

Description: Recording of Bor Turel's Aqua Salutaris auditur part 2. This is a work for electronics that includes water sounds.
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Date: 2000
Duration: 14 minutes 18 seconds
Creator: Turel, Bor

Augen aus Blicke

Description: Recording of Rainer Boesch's Augen aus Blicke. This work was created for the Synthse festival in Bourges.
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Date: 2000
Duration: 5 minutes 17 seconds
Creator: Boesch, Rainer, 1938-2014

Un autre Printemps

Description: Recording of Francis Dhomont's Un autre Printemps. This work is part of the film "Mein Kino für die Ohren" (My Cinema for the Ears) by Uli Aumüller. This work is an echo of Vivaldi's concerto, "Spring (The Four Seasons) that has been transformed and recycled. The composer thanks viola player, Jean René, for their material.
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Date: 2000
Duration: 8 minutes 31 seconds
Creator: Dhomont, Francis, 1926-

(b)contained

Description: Recording of Katharine Norman's (b)contained. This is a work for solo clarinet and digital fixed sound and was commissioned by Jane O'Leary/Concorde for Paul Roe to play at the Galway Arts Festival. The electronic material in this piece was created from an initial recording of the note 'b', played by clarinet, while the actual player doesn't get to play a 'b' until the final section of the piece. The composer states that this sound provides a sonic container for the live performer.
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Date: 2000
Duration: 15 minutes 25 seconds
Creator: Norman, Katharine

Babel de Nuevo

Description: Recording of Antonio Russek's Babel de Nuevo. This work is continuing on a theme based on an earlier piece with the same name and is a culmination of a large-scale piece. This work has been composed with different timbres and a new monumental structure to adapt for its installation on a vertical tower. It premiered at Central Zócalo of Mexico City, XVI Festival of the Historical Center Year 2000.
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Date: 2000
Duration: 1 hour 26 minutes 08 seconds
Creator: Russek, Antonio, 1954-

Beton

Description: Recording of Katharina Klement's Beton. This is a sound installation for 10 loudspeakers that includes 13 tracks. The sound material for this work was collected during several visits to building sites where the sounds of tools and working with concrete was unavoidable. The theme of the work is that of 'concrete' and explores acoustically breaking up the already solidified mass.
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Date: 2000/2002
Duration: 46 minutes 32 seconds
Creator: Klement, Katharina, 1963-

Bound II

Description: Recording of Michèl Koenders' Bound II. This work was created to be played on 4 tracks from 4 separate speakers. This composition was originally composed for the sculptress, Robin Kolleman, and was part of an exhibition called "Gathering". This exhibition consisted of 5 human-shaped sculptures that each contained a small speaker playing one of the tracks from the piece. Therefore, a central theme in this work is voice and voice manipulation. After the exhibition there was a total make-over of t… more
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Date: 2000/2002
Duration: 20 minutes 24 seconds
Creator: Koenders, Michèl, 1961-

Chant d'amour sans paroles

Description: Recording of Kazuko Narita's Chant d'amour sans paroles. This piece is made up of purely electroacoustic material and is meant to be played across several loudspeakers.
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Date: 2000
Duration: 15 minutes 58 seconds
Creator: Narita, Kazuko, 1957-

Cities' drift

Description: Recording of Werner Cee's Cities' drift. The composer describes this work as an area where electroacoustic and choral music meet and interact. Many of the sound materials used in this work were derived from recordings taken during concerts of the "Kamer" choir, including the singing as well as noises before and after the performances.
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Date: 2000
Duration: 10 minutes 02 seconds
Creator: Cee, Werner, 1953-

Ciudades desiertas

Description: Recording of Edgardo Hugo Martinez's Ciudades desiertas. The title of this work translates to "Deserted cities" and is a sonic image that reflects the solitude of what could be habitants of a future city.
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Date: 2000
Duration: 5 minutes 10 seconds
Creator: Martinez, Edgardo Hugo

Cloy

Description: Recording of Silvia Matheus' Cloy. This work was inspired by the sounds people make that can create judgement from others. The foreground of the composition is the sound of laughter from a woman to bring forward the issues of desire, irony, and female agency to the attention of the listener. The composer took inspiration from the philosophers Aristotle and George Lewis.
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Date: 2000
Duration: 5 minutes 15 seconds
Creator: Matheus, Silvia

Concordance

Description: Recording of Anton Rovner's Concordance. The composer states that in this work the ANS synthesizer attempts to explore the phenomenon of sound and probe its inner structures. The composition has a meditative, introvertive mood but at times switches to a contrasting dynamic.
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Date: 2000
Duration: 5 minutes 14 seconds
Creator: Rovner, Anton

Currents

Description: Recording of Marek Zoffaj's Currents. The piece Currents explores the area between pitch, timbre and rhythm. Thinking about those three fundamental perceptual poles of music as a interlocked and interdependent sources of musical process was the basic idea at the beginning of composition. Later, using of several models of clarinet gestures and sequences as well as rhythm patterns transformed into different spectral fields, this idea concluded into compositional process and musical form.
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Date: 2000
Duration: 10 minutes 52 seconds
Creator: Zoffaj, Marek

Day trip

Description: Recording of John Gibson's Day trip. This piece is a soundscape of a park in New York's Chinatown and includes processed layers of recorded sounds as well as synthetic reinterpretations. In this work the pitches are meant to color the real-world sounds and create musical meaning that doesn't exist in the wild.
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Date: 2000
Duration: 8 minutes 50 seconds
Creator: Gibson, John, 1960-

Deep Sea

Description: Recording of Michele Biasutti's Deep Sea. The work is a sound trip in the sea’s depths. The aim is transforming the sea sound events, proposing other ways of listening. Starting with the sea sound events, the piece would stimulate human abilities to discover imaginary sea soundscapes, with tracks that people can find in collective memory. The water sounds have a great symbolic value, since all humankind experienced living in the amniotic liquid. The water elements were used to enter in the coll… more
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Date: 2000
Duration: 9 minutes 43 seconds
Creator: Biasutti, Michele, 1963-

Deepfield

Description: Recording of Mathew Adkins' Deepfield. This work was commissioned by the Césaré Musical Creation Studio at the Reims Planetarium and premiered there in 2000. The sounds in this work come from rocks of various sizes and gas cylinders, creating a sonar exploration of deep space and worlds unknown, inspired by the discoveries made with the Hubble telescope.
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Date: 2000
Duration: 13 minutes 36 seconds
Creator: Adkins, Monty
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